“另(💅)一(yī )边的背(🛥)后(hòu )”是1972年由(🥕)简(🥞)(jiǎn )·雅(yǎ )顿(🤐)（女）编剧和执导(dǎo )的(✡)一(😄)部英国独(🐁)(dú(🚊) )立制作故事(🚈)(shì )片。它是(shì(🚟) )20世纪(jì )70年代(🌴)唯(🍻)一的(de )一部完(🚤)全(quán )由一(yī )个女人执导(🧖)(dǎ(🕺)o )拍摄的英(yī(⬆)ng )国独立制作电影(yǐng )。简·(🥞)雅(🗡)(yǎ )顿自己也(🏢)在(🉑)影片(piàn )中客串了(le )一把。电(🍧)影(yǐng )片名(mí(🎗)ng )是(🗃)取自简(jiǎn )·雅顿1969年伦(lú(🎢)n )敦艺(yì )术实(🚣)验(🤕)室(shì )剧院取(🔖)得巨(jù )大反(🌠)响和成功(gō(✡)ng )的(♓)舞台剧“Vagina Rex and the Gas Oven”（阴(💩)道(dào )脉动(dòng )（或者翻(fā(🤳)n )译(🐲)成阴道痉(❌)(jì(🎂)ng )挛）和燃气(🎲)炉(lú )）。
The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down!
物理(✝)学(xué )家安德(🍐)烈(⏱)·路(lù )易斯(📘)自杀后(hòu )来到了一(yī )片(🍽)绝(🚝)(jué )望之地，随(💶)(suí )后一道亮(liàng )光从天而(🐨)降(🐗)，把(bǎ )他带到(🀄)了(🐇)(le )圣城家园——所(suǒ )有和(⛷)他类(lèi )似人(🥚)的(👯)归宿地，这里地肥(féi )水美(🥚)，他结(jié )交了(🐰)(le )很(👔)多朋友(yǒu )，同(📻)时也遇(yù )上(🌾)了自己的劲(🛢)(jì(🐅)n )敌：他过去(✋)(qù )的自己。他必(bì )须返回(💖)人(🍾)间，证明自(💛)(zì(💻) )己灵(líng )魂的(📑)清白(bái )才能重返圣(shèng )城(📪)家(🌥)园。天上(shàng )一(👛)日，世间(jiān )十年，下凡的(de )他(🍲)能(🚐)否挽回(huí )再(🚥)婚的妻(qī )子和(hé )疏离的儿(👎)女(nǚ )之间的(🐇)情(😹)(qíng )感呢？导演用一(yī )种(🗼)马尔克(kè )斯(🥂)式(⏰)的叙事体例(lì )，为观众(zhò(🕞)ng )展示了生命(🤬)的(🌨)美(měi )好和灵(🚈)魂(hún )的价值。
19岁(suì )的女(nǚ(🖼) )孩(🌗)金（菲(fēi )丽(🤱)希缇·琼(qióng )斯 Felicity Jones 饰）热爱(👆)滑(🍩)(huá )板并是(♿)前(🍦)滑板冠军，然(👉)而(ér )在一次意外中她的(📸)母(🏌)(mǔ )亲不(bú )幸(🃏)逝世，金不得不放(fàng )弃滑(🐰)板(🖖)，开始(shǐ )打工(🦄)帮助父(fù )亲补贴家用。一次(🔐)偶然的(de )机会(🔜)，金(👂)(jīn )的朋(péng )友介绍她到(dà(🐾)o )阿尔卑斯(sī(🆓) )山(💮)的一个滑雪场(chǎng )工作，因(🏢)(yīn )为之前的(😫)员(♋)工摔(shuāi )断了(🎣)腿，金勉强答应。然(rán )而从(👁)未(🐸)接(jiē )触过滑(😗)雪的(de )金似(sì )乎与周围(wé(🏄)i )一切格格不(😸)(bú(🏽) )入，无聊之余(😂)(yú )，她开始在屋外自学滑(🗞)板(🤼)(bǎn )，米基（肯(🛣)·杜肯 Ken Duken 饰(shì )）看(kàn )到后(😣)便(🗂)主(zhǔ )动教其(🍱)滑雪(xuě )，并发现了金(jīn )的惊(🔕)人天赋(fù )，遂(😌)推(🚐)荐她参(cān )加比赛，金(jīn )果(🥥)然不负(fù )所(💸)望(🎯)(wàng )拿下了冠军(jun1 )和奖金。就(🐃)在大家都觉(🕥)得(🏓)(dé )金会在滑(🎞)(huá )雪的路上再创佳(jiā )绩(🕺)之(🚕)时，金却发(❣)现(📣)自己每(měi )次跳跃都(dōu )会(💩)想起母亲(qī(🎞)n )的(🌑)车(chē )祸，这个(🌃)(gè )心理阴影总(zǒng )是她滑(💡)雪(💌)的障(zhàng )碍，而(😐)与约翰尼（爱德·维斯(🍾)特(♐)维克 Ed Westwick 饰）刚(🦇)刚(gāng )萌芽(yá )的爱情也(yě )被(✋)对方母亲(qī(🎀)n )坚(🦅)决反对，众(zhòng )多烦恼使金(🍊)(jīn )萌生了离(😠)开(🔉)此(cǐ )地回家的想(xiǎng )法，就(🥡)在(zài )此时(shí(🐂) )，她(🌰)的爸爸(bà )却(🕠)以过世(shì )母亲的期望劝(💐)其(💻)(qí )留下来(🔝)再(🥠)(zài )尝试一次比赛。金能否(🌟)在(zài )这次竞(😯)赛(🏰)中克服(fú )障(🏈)碍，赢(yíng )得自己呢？
A Man Called Peter is a 1955 American drama film directed by Henry Koster and starring Richard Todd. The film is based on the life of preacher Peter Marshall, who served as chaplain of the U.S. Senate late in his life, in an account written by his wife Catherine Marshall. It was nominated for an Academy Award in 1956.[4]
This production has all the typical Italian beefcake trademarks - bad dubbing, over-acting (in some cases, under-acting), a midget, and men in loincloths. Richard Harrison may not have the biggest muscles but he certainly is the most titillating beefcake actor I've seen. And when it comes to loincloths you have to wonder why his "mini-skirt" is not mini enough. They must not have seen a good thing when they had it, and with too much loincloth neither can we.
年轻(🍠)(qī(⏸)ng )的时候，爱丽(🔫)丝为自(zì )己深爱的男人(🎺)(ré(🔱)n )瓦尔德偿还(🥚)了巨额债务，多年后的今天(🎰)，是时(shí )候该(🌋)(gā(🍆)i )由他来为(wéi )她的生活埋(👔)(mái )单了。
物理(🚭)学(🍨)(xué )家安德烈·路易斯自(🔖)杀后(hòu )来到(📿)了(🏼)一片(piàn )绝望(🚰)之地(dì )，随(suí )后一道亮光(💻)(guā(🔳)ng )从天而降(💯)(jià(🖌)ng )，把他带到了圣(shèng )城家园(🐄)——所有和(🅿)他(🚙)类似(sì )人的(😅)归宿(xiǔ )地，这里地肥水(shuǐ(✳) )美(🙈)，他结(jié )交了(⏸)很多朋(péng )友，同时也遇(yù(🌄) )上(🛺)了自己的(de )劲(♿)敌：他过去(qù )的自己。他必(🍺)须返回人间(🗳)(jiā(🚾)n )，证明自己灵魂的清(qīng )白(🎆)才(cái )能重返(😗)圣(🔏)(shèng )城家园。天(tiān )上一日，世(🌤)间(jiān )十年，下(🚹)凡(🎳)(fán )的他能否(🤭)挽回(huí )再婚的妻子(zǐ )和(🕑)疏(🥙)离的(de )儿女(🙄)(nǚ(🔣) )之间的情感(gǎn )呢？导演(🔪)(yǎn )用一种马(🐊)尔(👽)克斯(sī )式的(🛋)叙事(shì )体例，为观众展(zhǎ(🧕)n )示(🚳)了生命(mìng )的(🈶)美好和灵魂的(de )价值。
大(dà(👌) )学(😲)教授胡安(ā(🙋)n )霍Juanjo（费莱·马(mǎ )丁内斯饰(👝)）被女友塞(😯)莱(💘)丝(sī )特Celeste（莎洛美·希门(🔟)尼斯饰(shì )）(😆)甩(💪)了，而她又没有(yǒu )向他(tā(⏫) )做出任何(hé(🚺) )解(🆕)释。拘谨(jǐn )斯(🏇)文的胡安霍(huò )非常沮丧(🧡)，他(🤖)心中丢不(💏)下(🖊)(xià )塞莱丝特，一心要与(yǔ(😈) )她重(chóng )修旧(🐈)好(👂)。他(tā )的两个(⏹)学(xué )生决定帮他——尼(⏺)科(😯)Nico（亚(yà )当·(👮)耶杰尔斯基(jī )饰）想方(💃)(fā(🔂)ng )设法找这对(📂)前情(qíng )人和好的(de )机会，卡门(🛰)(mén )Carmen（阿(ā )玛(😭)娅(🎇)·萨(sà )拉曼卡饰）则“教(🍧)”老师(shī )脸皮(👒)放(🐤)厚练胆量。