一(yī(🛡) )种超自(zì )然(rán )力(😠)量让(rà(🎆)ng )地方报纸的故事(🖨)编辑，年(😶)(nián )轻的Elizabeth开(kāi )始对一(yī )栋(🦖)(dòng )古老的(de )房子进行调查(🥂)。她发现自(zì )己成了(le )一群(🍉)死(sǐ )去(qù )很久幽灵倾诉(🙏)一场大屠杀的唯一(yī )对(🏠)象。但是当(dāng )这(zhè )个家庭(🤫)成员中尚存人世的父亲(⛴)得(dé )知她去(qù )探究这(zhè(🚱) )栋(dòng )房(📰)子以后，便开始采(🎲)取防范(👅)措施(shī )，确保(bǎo )秘(🎪)(mì )密永(📱)埋(mái )地下。然而不(🤯)用不久(🤒)，Elizabeth就将发现(xiàn )，自己(🦓)(jǐ )和(hé(🧗) )这件事(shì )情的关系远比(😑)自己想象中(zhōng )的更富(fù(😯) )有深意(yì )。
The premise is that Kari's artist boyfriend (who'd look like a low-rent Charlie Sheen, if Charlie Sheen himself didn't fit that category) can neither paint nor get it on with his ridiculously good-looking girl - until the day that he throws paint over her. Then they roll around on the canvas in ecstasy and he sells the result for loads of dosh. It's actually very funny, sending up her prim impatience and his tortured-artist schtick with equal-opportunity amusement. There's not exactly a plot, as the film is structured - like the soft-porn movie it basically is - in a series of bonk sessions. But because they're always covered in paint, and tastefully filmed (with Ms. Wuhrer's own breathy songs on the soundtrack), it's quirky and strangely involving. (And very sexy.) Plus, in its own modest way, it brings up all sorts of odd questions about the relationship of art and life and the cost of art to the people around the artist. It also has a very funny and extremely soft-core parody of that increasingly boring staple of hardcore, the Anal Sex Scene. Recommended.
Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
米高（周文健(😦)）、宇扬（雷宇扬(yáng )）(🥈)及晓(xiǎo )峰（梁(liáng )汉(hàn )文(🧑)）是电台节目爱情研究(❎)院”的(de )主持珍(zhēn )，由于(yú )收(🛁)(shōu )听率下跌而面临被调(🤡)职的危(💌)机。但在节(jiē )目的(🈁)最(zuì )后(🤗)(hòu )一晚，他们让听(🙀)众尽情(🐽)发泄内心(xīn )世界(♌)，结(jié )果(🚉)换来(lái )不少赞赏(🍭)，电台高(📖)层亦改变初衷(zhōng )，遂把(bǎ(📥) )节(jiē )目改为(wéi )香蕉俱乐(⬆)部”，并由他们(men )大谈女(nǚ )人(🎻)经。但(dàn )现实三人却受井(😂)情煎熬，米高是(shì )个情场(🏡)(chǎng )失意的(de )男(nán )人，宇扬是(🗿)个典型不相信爱情的(de )麻(🐝)甩佬(lǎo )”，而(ér )晓(xiǎo )峰则是(🤹)情场杀手，三人的感情生(🎣)(shēng )活有(🤦)起(qǐ )有跌，道(dào )尽(⏫)了现今(😬)男女对*与爱的看(🦅)法 。
College students are stranded in an abandoned town whose only law is the ghost of ruthless gunslinger Bloody Bill Anderson and his posse of vicious zombies.
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.