南京新街口国际影城

由(yóu )上海新民(💷)公(gōng )司出品。 Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths. 在奥(🌭)利(lì(🥣) )维拉(lā )那部美得(🍙)让(ràng )人心(xīn )颤的(🎟)杰作《聚会》中，那些(🌘)内心(xīn )欲望和禁(👕)忌交织(zhī )的男男(⛪)女女(🔧)(nǚ )聚集(jí )在(🤜)一(yī(📶) )个岛上，其(qí(😃) )间一(🗨)男一女伫立(👽)(lì )在(🏭)海边的礁岩(📻)上(shà(🤼)ng )，下(xià )面是激荡的(⏭)(de )海浪，内心是激(jī(💯) )荡的(de )欲望，女人看(👠)着(zhe )一汪在岩石(shí(🔛) )上凿(záo )出的泳池(📃)说：“看看这个游(🌅)泳池(chí )。是在岩石(🏧)上挖(wā )成的(de )。这是(🚖)我丈(🤪)(zhàng )夫的母亲送给(🥄)她(tā )儿子(zǐ )的礼(🌝)物。在我看(kàn )来，它(💡)象征(zhēng )着女人的(🤾)子宫。”而(ér )男人只(🎧)是回(🔡)答：“我对种(🛍)种(zhǒ(🥜)ng )象征(zhēng )都无(🌾)(wú )动(🚌)于衷。您(nín )喜(😨)欢赌(😽)博吗？”女人的回(🚇)答是：“不(bú )喜欢(🈶)，我喜(xǐ )欢散步。”这(🅿)个(gè )男人(rén )对这(📎)个女人的询(xún )问(🥐)与回答，这个(gè )女(🛋)人对这个男人(ré(🏨)n )陈述与回答，都(dō(🛁)u )包裹着欲望的攻(🌏)(gōng )击(🧀)和(hé )对欲望的遮(🥘)(zhē )掩和逃避。人在(🏓)(zài )自己(jǐ )欲望面(🎚)前的审慎(shèn )和闪(🕺)躲，直(zhí )接指点出(🦆)这些(😪)欲望本(běn )身(🐇)的虚(🕍)饰和沉沦(lú(👱)n )，这个(🙌)世界(jiè )变得(⏬)(dé )如(🎎)此(cǐ )暧昧和纠缠(🛰)(chán )，那些低垂在耳(😆)(ěr )边被语言所裹(🚗)胁(xié )的欲(yù )望，被(🗺)语言(yán )所放逐的(📇)欲望，成为(wéi )从红(😛)唇中吹出话(huà )语(🍥)，内心的(de )陈述(shù )看(🙊)似整洁和典雅(yǎ )，但是(🥇)一如碎片(piàn )和泡(❤)沫交待给我(wǒ )们(🚥)对(duì )自己历史的(🍄)(de )测不准的回忆，对(📐)现(xiàn )实的测不准(🚕)的把(🚭)(bǎ )握，对未来(🚕)(lái )的(🐚)测不准的忧(🍰)郁。这(🥀)(zhè )就是奥利(🚫)维拉(💨)对(duì )情感世界的(✖)(de )展示(shì )，在(zài )静寂(🐉)中还原(yuán )情感运(♍)动的紊乱(luàn )了的(🈶)轨迹，这个(gè )轨迹(🈴)(jì )向一条无法(fǎ(✋) )测准的曲线。——(📕)cinekino 维(wéi )克托是个大(🤦)男子(zǐ )主义者，在(zài )他(💾)眼(yǎn )里，妻子艾达(🌏)所(suǒ )做的一切都(👡)是理(lǐ )所应当的(🐬)。有一(yī )天，艾达被(👩)辞退(tuì )了，心中更(🚮)加无(😍)(wú )比愤(fèn )懑(🤨)，维克(🐛)托的老(lǎo )奶(⚽)奶和(😽)朋友(yǒu )们于(🕉)是决(🙅)定演一出好(hǎo )戏(👙)，让维克托反(fǎn )思(🈺)自己过去(qù )的行(👫)(háng )为。 The Sea Hawk is a 1924 American silent film about an English noble sold into slavery who escapes and turns himself into a pirate king. Directed by Frank Lloyd, the screen adaptation was written by J. G. Hawks based upon the Rafael Sabatini novel of the same name. 1948年，济南解(jiě(🤞) )放前夕。兴业火(huǒ(📯) )柴厂老板郭化雨(🏂)(yǔ )（康(kāng )景玉 饰(🕡)）为(wéi )让工人多(🥛)干活，竟偷(tōu )偷改动钟(🛅)表时间(jiān )，以拖延(💑)下(xià )班。工人们发(🥈)现后，非常气愤。大(🍏)年(nián )夜，童工二丫(😰)（王璐(lù ) 饰）一(🎆)家情(🤘)(qíng )景凄惨，弟(😫)弟生(🥒)(shēng )病，爸爸王(🏐)青山(🏼)（梁(liáng )音 饰(🚦)）饿(🌻)着(zhe )肚子在街上拉(🌕)车。串(chuàn )门的小玉(🅾)（刘青(qīng ) 饰）将(🔑)情况(kuàng )告诉(sù )了(🍱)工(gōng )厂地下党员(🛸)(yuán )冯敏，冯敏带着(🎭)(zhe )过年的东西上门(➰)(mén )看望(wàng )，并出钱(📄)治(zhì )好了弟弟的病。她(🖨)还(hái )给小玉和二(🤯)丫讲(jiǎng )卖火柴小(🌱)女(nǚ )孩的(de )故事，激(🌲)发她俩(liǎng )对旧社(🎪)会的仇恨(hèn )和对(🎦)美好(🍵)生活的(de )向往(🔻)(wǎng )。过(🎨)完年上(shàng )工(🛑)后，冯(🐯)敏带领(lǐng )工(🐱)人(ré(🐭)n )们和贪婪的资本(🔼)(běn )家展开机智(zhì(🚙) )斗争。小玉利用到(🌘)郭(guō )化雨家当佣(🖨)人的(de )机会，巧取其(🌫)名(míng )片，为解放区(💲)提(tí )供了大量当(⏫)时的(de )禁品——火(🤲)柴...... Пастор Та(😺)льнокс я(📅)ростно п(🔃)ризывае(😂)т паству(💃) боротьс(🐅)я с(🎤) искуш(🤖)ен(📵)иями, о(🍨)дн(🤮)ако са(🖲)м с(🥙)тановит(🖇)ся жертв(〰)ой собла(🍾)зна. В его(🍩) доме поя(🤲)вляется(🐐) сатана, п(🧥)одталки(🛷)вая героя к(😸) воровст(🗽)ву и духо(🚚)вному па(🚇)дению. 希腊(🏒)神话(huà )，海伦与特(🤖)洛伊(🛄)(yī )的故事 死(🍡)神来(🏴)到(dào )人世(shì(⛲) )，住在(😎)一幅(fú )没有(🗓)门户(🦊)的围墙(qiáng )后面(mià(👝)n )，死去的亡魂穿(chuā(🖖)n )过围墙去到(dào )异(🚆)界。 Après avoir fait fortune en Extrême-Orient, l'armateur Forest a ouvert une banque à Marseille. Il est le tuteur de l'orpheline Madeleine Wills, dont il convoite le coeur. Lors d'une promenade en auto, celle-ci renverse malencontreusement un Chinois nommé Tchang Keou. Madeleine le fait soigner et lui trouve une place de domestique au service de Paul Valmont, dont elle est amoureuse. Tchang Keou est en réalité(📯) à la recherche de l'homme qui, armé d'une épingle rouge, a assassiné son père parce qu'il avait été(🚣) témoin du meurtre du père de Madeleine par Forest. Ses soupçons se portent d'abord sur Valmont puis il comprend la vérité. Forest se sert du Chinois pour enlever Madeleine. Prévenu, Paul Valmont vient à(😰) son secours. Tchang Keou tient enfin sa vengeance. Il tue Forest avec l'épingle rouge puis se donne la mort.