A sleazy pimp meets a suicidal ex-priest and dares him to indulge all of his most base carnal desires for a week before killing himself. The former padre says "what the Hell?" and the two of them embark on a sex and crime spree across an unsuspecting Toronto. An ultra-obscure exploitation rarity directed by Ed Hunt, with a theme song by Bo Diddley!
德(🍫)文(wén )原名Schlü(🐰)sselloch-Report直译(yì )就是锁匙孔(🏁)报告的(de )意思(🍦)，顾名(mí(🚦)ng )思义就(👢)(jiù )是一些人(🐲)透(tòu )过(🥌)钥匙孔偷(tō(🚖)u )窥别人(rén )ML，类(👎)似德国(🥡)(guó )著名(💈)的女生报告(🛹)系(xì )列(🤽)的典型性(xì(📠)ng )喜剧，诙谐幽(🎑)默、美(🕴)女如云(📓)~~
A nervous bank clerk has to cope with a flood of pornographic mail, under the suspicious eye of his puritanical boss.
适(shì )逢父亲(qīn )的忌(😌)日，漂(piāo )泊许久的寅次郎(🚫)（渥美(🌎)清 饰）(♎)返回家(🛀)(jiā )中，却玩笑(🎱)(xiào )般地大闹法会。在(zài )家没有待(🖱)上(shàng )几(📛)日，又因(🖋)搞错了(le )满男(🤜)想买钢(gāng )琴的愿(yuà(👦)n )望倍感受辱(🥪)(rǔ )，转身(📿)又踏上(🐐)旅途(tú )。这一(🌦)次他(tā )远走北(běi )海(📜)道，信心(xīn )满(🛋)满地留(🦋)在(zài )当(✝)地农(nóng )家帮(🔳)忙，结(jié(🌐) )果仅仅三日(🏣)便一病(bìng )不(🔙)起，多亏(🧚)(kuī )阿樱(🕐)（倍赏千惠子(zǐ ) 饰(😹)）亲自将(jiāng )他接回(huí )家(🌤)中。只不(🤩)(bú )过阿(📖)寅并未(💍)吸取教(jiāo )训(🕺)，正当他(tā )再次准(zhǔn )备离家的时(🙈)(shí )候，他(⏹)重逢了(🤱)在北(běi )海道(🧢)网走市(shì )有过一(yī(📣) )面之缘的茉(🍔)(mò )莉（(⛄)浅丘琉(🔯)(liú )璃子 饰(shì(🚛) )）。茉莉为(wéi )了成为(📳)歌手，孤身(shē(🎀)n )一人流(😾)转日(rì(👆) )本各地(dì )，吃(🤲)尽人间(🥥)(jiān )之苦。如今(🎸)(jīn )她逶迤(yǐ(🐃) )来至浅(👼)草，继续(🦅)追寻着她的梦(mèng )想(👡)，而阿寅(yín )是否又(yòu )将迎(👈)来一段(🏑)(duàn )新的(🥁)恋情呢(🛥)？
女子(zǐ )高(🖥)校生のＳＥＸと暴力を描きな(🏚)がら“番(❌)(fān )格”に(🔭)スポットを(🐫)あてたセミ・ドキ(💙)ュメンタリ(🍃)ー。脚(jiǎ(🕒)o )本は「(⬛)不良(liáng )少女(🎋) 野良(liáng )猫の性(xì(😅)ng )春」の宮下(🕳)(xià )教雄(😕)、監督(🖖)は「セック(😋)ス・ラ(🕐)イダー 傷(🌌)だらけの欲(🔊)情」の(📽)蔵原惟(🍾)(wéi )二、撮影は「(秘(🏹))極楽紅弁天」の森勝が(💅)それぞ(🤪)れ担当(💳)。
Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan.
讲述(shù )英籍职业杀(📘)手受聘(pìn )暗杀法国总(zǒng )统戴高(🔠)乐，而法(🚳)国(guó )警(➡)方亦从蛛(zhū(⬇) )丝马迹(jì )中获知了他(tā )的阴谋(✍)，于是全(⛔)力(lì )阻(🙈)止杀手的(de )行(🕺)动。
一个研究能(néng )源(🚬)的不出名(mí(🍗)ng )的法国(🏌)(guó )物理(🌰)学工作(zuò )者(✳)克莱芒(🍆)·蒂贝尔(ě(👅)r )，1957年在维也(yě(🏁) )纳出席(🎬)(xí )国际(🌼)热核会(huì )议途中被(🕋)苏(sū )联一个(🥔)(gè )披着交响(🖼)乐(lè )队(🖊)指挥外(🎚)衣的克格(gé )勃分子(🔑)鲍利(lì )斯绑架(jià )去苏联。后(hòu )来(✒)蒂贝尔(🛄)在克格(😆)勃(bó )的胁迫(🤟)下为(wéi )苏联原子能研究所(suǒ )工(🤺)作了10多(🈹)年(nián )。