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Sgt. Max Gunn, retired leader of a black-ops commando unit, is reinstated to lead a team of elite specialists deep behind the Iron Curtain in order to track down his mentor and traitor to America, John Lyman. The two best rescue workers in the region take off for their umpteenth mission. Professionalism and efficiency all around, but things don't really go as planned... 曼道(🤰)和他的(de )成年侄(🌿)(zhí )子(👹)杰克逊使(👶)用星(👋)体(🍢)(tǐ )投(tóu )射来扭(✋)(niǔ )转鬼魂在万(🗼)圣(shèng )节的死(sǐ(🏼) )亡。 Following the projects of modernization of Brazil in the 70s, a busy road in the nearly-desert area of Brazil is detoured to a brand new highway, and a known roadside brothel called “Beiç(🌜)o de Estrada” (“Lower Lip of the Road”) faces its decadence. The owner of the brothel, Madame Lili (Darlene Glória) is abandoned by her 3 daughters who worked in the house, but they left 2 kids for her to take care of: Brás (Rique Messias) and Conceição (Luana Valentin). Brás spends his day digging holes in the road to break the few trucks that cross the road, so they can stop at their house. Conceiçã(💷)o is kept hidden when a customer comes because her grandmother has big plans for her: to marry her with a good man, so the curse of prostitution can end in the family. Meanwhile, Meota (Jackson Antunes), an old truck driver, returns frequently to “Beiço de Estrada” to win the heart of little Conceição, while dodging her grandmother. Two sisters’ lives are in limbo. In their youth, Nene and Ava were a singing duo. Now there is a child, a job at a café, a boyfriend, and their mother, who is still critical of them. One sister secretly arranges a gig for both of them, and the other smashes her life to pieces because of a feeling. Suddenly it seems possible and necessary to leave one’(🚿)s comfort zone. Accompanied by an original jazz score, images dance about as they tell the story of a symbiotic love between sisters, of irrationality, of staying close and letting go. The most beautifully cinematic young piece from Germany this year. 他看起來是個(📛)性格(gé )乖僻的(🔴)單身(🐥)宅男，照(zhào )顧妹妹(🎛)(mèi )是他生活裡(🚤)最(zuì )重要的(de )事(🔋)。父母(🤞)都不在了(le )，但更主(🙇)(zhǔ ) 撼 要的原因(🚕)是(shì )妹妹之(zhī(🔊) )所以終身癱瘓(🏢)，甚(shè(🎿)n )至(zhì )顏面駭人，都(🎻)起於童(tóng )年的(📌)一(yī )場意外，而(Ⓜ)他(tā(🔭) )必須負(fù(📯) )責。 网(🚦)络(📡)视频博主(zhǔ )马(🥋)(mǎ )正岳接(jiē )受(🦌)网友的挑战(zhà(🖋)n )，独自(🔑)(zì )进行30天的“人格(🔬)分(fèn )裂(liè )实验(🕢)”，然而随着实(shí(🐕) )验一天(tiān )天进(🐃)行下(🐯)去，他发现(xiàn )这个(📛)看似恶作剧的(🎹)实(shí )验背后(hò(👉)u )竟然(👬)隐藏着极(jí )其恐(🖼)怖(bù )的真相…(🕥)… Day after day in a forgotten corner of the Caucasus Mountains, a family of lumberjacks trudges through the impassable landscape to chop down and bring home wood in order to fulfil their contract with the local sawmill. When the father is seriously injured by a falling tree, his place must be taken by the youngest of the brothers, who left the impoverished region years before. His arrival opens old wounds and fuels conflicts within the family and in the hostile village. Stifled emotions and an oppressive image of a fragmenting society highlight themes of ineffectual communication and xenophobia. The heightening animosity visually and emotively underlines the threat of destruction from nature itself, which could, at any moment, strike at the very foundations of the family home. This exceptional debut by Vladimir Bitokov was created under the watchful eye of Alexandr Sokurov. 士兵雷(léi )在(💱)(zài )叙利亚服完(💾)现役(🚒)后回(huí )到家，他的(🐉)妻子在一场车(📥)(chē )祸(huò )中丧生(⌚)，同时，5岁的(de )儿子(🎄)劳(lá(🦀)o )伦(🎺)斯在事故中(zhō(🌓)ng )幸存下(xià )来，患(🚂)有创伤后应(yī(🔐)ng )激(jī(💱) )障碍，并开始以奇(🥗)怪(guài )的方式(shì(🕸) )表现出来，而这(💁)也(yě )使(shǐ )他成(🎅)为了(🛥)当地一个歹(dǎi )徒(🏪)的目(mù )标 Rami, a young Muslim man, is preparing for his wedding with Sara while fulfilling a queer sexuality in secret due to a strict religious and cultural upbringing.