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The stage comedian Carlo Verdone directed and stars as the three main characters -- Furio, Mimmo, and Pasquale -- in this classic Italian comedy. All three men are driving back to their hometowns to vote on election day, and each has a different story and a different though easily recognizable personality type. The movie follows by a year Un Sacco bello (1980). Both the movies are just a kind of "collage" of all Verdone characters played during his TV shows in the '70s. Nevertheless clearly we are in front of his first steps as film director, Carlo demonstrated already his big talent to underline trough his comedies the Italians and their defects. For anyone interested in Verdone cinema this is a must. For everyone happy to see a fine comedy about Italians this is a must. To have funny time in the Verdone's way this is a must. Twenty-four year later this "Bianco, rosso e Verdone" is still actual and unequaled. A must see. Part fact and part fiction, Zoot Suit is the film version of Luis Valdez's critically acclaimed play, based on the actual Sleepy Lagoon murder case and the zoot suit riots of 1940s Los Angeles. Henry Reyna (Daniel Valdez) is the leader of a group of Mexican-Americans being sent to San Quentin without substantial evidence for the death of a man at Sleepy Lagoon. As part of the defense committee, Alice Bloomfield (Tyne Daly) and George Shearer (Charles Aidman) fight the blatant miscarriage of justice for the freedom of Henry and his friends. Edward James Olmos stars as the mythical "El Pachuco" in a blend of action, music, and excitement Anna is married to her teacher, Professor. Their marriage is a mutual agreement with no great feelings. Marriage gives both a status they need; love must be found elsewhere. Roland is a young man, beautiful body, transparent skin, clear eyes, a keen mind for wisdom. He falls in love with Professor, a man older than Roland's father. Affection grows to be mutual. Roland is eager to give all he has to give, he even tries to be a part of the family. When he finds out that there is no family, his focus is Professor and his happiness. This elder man is also intellectually highly affected by the love Roland gives. They have beautiful conversations, the likes that we seldom hear in movies anymore (not even in books). They speak of virtue, honor, love, affection, and integrity, which are all the cornerstones of their relationship. But they don't speak of flesh. Professor nearly faints down when he sees Roland's bare breast since the beauty of youth has its own reasons and own power. He listens behind Roland's door as if to get a non-physical touch of that beauty. The story is really intense and when the separation of those two is evident, not only Roland is in tears; anyone who remembers will shed tears for his or her own dreams that did not come true. 故事(🏂)改(🧟)編(🚂)自陸(lù )小(xiǎo )鳳系列之《幽靈山莊》 A Chinese village run by beautiful women turns out to be more than the local men bargained for--especially if they have any idea of seducing the local beauties, then running out on them. 詩(🚰)(shī(🎍) )人(🕯)・金子(zǐ )光晴と長年生活(huó )を(🍏)と(⏫)も(🕋)にした女性の関係(xì )を綴った(⏮)「(🖕)金(🍁)子(🥀)光晴のラブレター」を、東陽(🗄)一(🏋)が(🐲)映(yìng )画化。高橋恵子（旧・関(wā(🖕)n )根(🌹)）(🏉)が中村嘉葎雄との大(dà )胆なラブ(📱)シ(🙈)ー(🍧)ンに挑戦し、話題を呼んだ。30歳(🤼)以(🗒)上(🏏)(shàng )も年上の詩人・小田（中(zhō(🔬)ng )村(🎅)(cū(🎈)n )）を愛した有子（関根(gēn )）は、(📗)他(☕)人(🗳)に白い眼で見(jiàn )られながら彼(🦀)の(🔗)訪(🏖)れを待(dài )っている。勝手に籍を入(⏹)れ(👄)ら(🤳)れたり、堕胎をさせられても(🛁)有(🔹)子(🍯)は小田を愛し続(xù )けるが。