根据广西壮(🗳)族(zú )民(mín )间传(🥞)说改编而(é(🦒)r )成(chéng )的戏曲(🔶)电影。
铁路小学(🍸)的黄幼东(dō(🦉)ng )、张耀星、(🔛)杨明(míng )等(děng )同(🤕)学宣誓加入(🌛)(rù(👉) )少(shǎo )先队了，他们(men )高(gā(🐚)o )兴(✝)极了。幼东的(🤡)(de )爸(😼)爸是个模范司(sī )机(jī(🥐) )，幼(🔫)东在他的(de )影(👔)(yǐ(🐚)ng )响下，也特别(🕌)喜(xǐ )爱火车(🌱)头。学校(xiào )少(🥞)(shǎo )先队在“六一(💋)(yī )”举行各种(👔)活动(dòng )，第十(📌)中队要在这(zhè(🏯) )天去乘儿童(🌓)列车。一早，幼(🐺)东、杨(yáng )明在(🎏)校园浇花(huā(🥟) )，听见耀星叫(🎑)他(tā )们(men )，就故意(😔)躲起来开玩(🏗)笑，谁知这(zhè(🐹) )一耽误，队伍出(⬛)(chū )发(fā )了。他(🍗)们(🤖)好不(bú )容(róng )易才找到(🚎)儿(🌛)童列(liè )车，这(🤰)时(🎑)火车就(jiù )要开了。大队(🙄)长(🎑)(zhǎng )幼(yòu )君是(🐡)幼东的姐(jiě )姐(🎚)(jiě )，觉得弟弟(😬)刚入(rù )队就(🚊)不遵守纪律(lǜ(🚅) )，不同意他们(🌠)参(cān )加(jiā )列(🌆)车员的工作(zuò(🌓) )，老师也批评(🍧)了他(tā )们，但(🏘)最后还是给(gě(🌽)i )他们穿上列(🆙)车(chē )员(yuán )的(❗)制服，让他(tā )们(🤞)(men )有机会学习(📨)为大(dà )家服(🎄)务。中队在绿(lǜ(🥡) )江车站下车(📖)，他(🌓)们要在这里活(huó )动(dò(🕧)ng )。幼(🌧)东、耀星(xī(😞)ng )在(🌨)(zài )游泳池里玩得十分(🚆)高(🎐)兴，杨明不(bú(😨) )会游泳，就蹲在(🚈)(zài )一(yī )旁观(🌟)看。两个(gè )朋(🏝)(péng )友逗他下水(🐹)，杨(yáng )明一生(📈)气，把岸(àn )边(🚎)两人的衣服拿(㊗)(ná )跑(pǎo )了。两(🍠)人追到(dào )车(🍟)(chē )站，也不见杨(😴)明(míng )的人影(👎)。幼东沿着(zhe )车(🎋)身寻找。一(yī )列(🥚)(liè )货车停在(👩)那里(lǐ )，火车头把幼东吸(xī(💓) )引住了，他爬(⛲)上(🎁)铁(tiě )梯走近司机座(zuò(📀) )前(🔰)细看，正想去(🥢)(qù(🍷) )拉(lā )喇叭的绳子，忽(hū )听(🙁)有人过来，转(📔)身躲进煤车。这(🅱)(zhè )列车正好(✝)是幼东(dōng )爸(❕)(bà )爸开的，货车(🌥)(chē )把(bǎ )幼东(🎏)一起载往广(🤲)(guǎng )州。司炉小孙(🌴)在(zài )铲煤时(🚹)发现了幼(yò(🤩)u )东(dōng )。幼东在爸(🥑)爸(bà )面(miàn )前(✒)很难为情。在(💓)(zài )父亲的教育(👝)下，幼(yòu )东决(🍒)定在下一(yī )站(zhàn )下车，回(📉)到(🥊)集(jí )体(tǐ )中(🏙)去(😍)。同学们对(duì )幼东自由(🧐)行(🤜)动的错(cuò )误(🌾)进(🧛)行了善意(yì )的批评，幼东(🌑)觉(jiào )得(dé )很(🦂)羞愧。中队(duì )到(🛫)(dào )红旗公社(🛴)参观，公社少(🥞)先队热情(qíng )地(📼)做他们的向(🐭)导(dǎo )。在参观(⛅)“少年(nián )之(zhī )家(👚)”时，看到公(gō(🐈)ng )社少先队员(🏣)自造(zào )的火车(🌪)模型中缺(quē(👆) )少(shǎo )一个火(🚎)车头模(mó )型(xí(🦗)ng )，幼东决定把(🚼)自(zì )己心爱的火车头模(🙃)(mó(🦀) )型装上喇叭(🗞)后(🏟)(hòu )送(sòng )给公社少先队(🐆)(duì(🈷) )。晚上，幼东专(🛩)心(🔬)(xīn )地给火车头模型装(zhuā(🔸)ng )喇叭，但喇叭(💽)(bā )总是不响，原(🚷)来(lái )少(shǎo )了(🎋)线圈，他起(qǐ(🕸) )身(shēn )去找。这时(👪)躲在一旁的(🌚)同学们帮(bā(🥡)ng )助装上线圈，等(🌽)(děng )幼(yòu )东回(⛱)来时，喇(lǎ )叭(🔭)(bā )响了。中队把(🤒)到(dào )公社送(🏳)模型的任(rè(📗)n )务交给幼东和(♉)耀(yào )星(xīng )，并(🦖)要他们当(dāng )天(tiān )搭下午(🕤)三(👧)时的火(huǒ )车(🛫)赶(🔃)回广州。路上(shàng )，他们看(🚃)到(🏞)从(cóng )一(yī )辆(🔜)汽(💋)车上掉下(xià )一(yī )包良种(😖)，他们想(xiǎng )尽(🍦)办法把良种及(🈲)时(shí )送到车(✝)站。离(lí )开车(🔑)站他们又赶(gǎ(🧤)n )到(dào )公社，把(🖕)火车(chē )头(tó(🎫)u )模型送到公社(👕)少先队员手(👭)中。这(zhè )时已(💃)经是下午两(liǎ(🖊)ng )点(diǎn )多了，当(🛌)公社(shè )少(shǎ(🚍)o )先队员知道他(🔯)们(men )要赶回去(📐)的情况(kuàng )后，划小船抄近(🔱)(jì(🤒)n )路(lù )送他们(🗾)，在(🧓)大(dà )家(jiā )的协助下，幼(🎴)东(🚟)(dōng )、耀星终(🗼)于(🏺)搭上火(huǒ )车，准时回到(dà(💌)o )老(lǎo )师和同(🔜)学们的(de )身(shēn )边(💀)。
Another fabel/comedy of the dangers for the poor Italian man who dares to rise up in society and challenge the high and mighty.This film is made in a more comical but realistic vein, and is well filmed.Alberto Sordi's acting is superb, and there is not a boring moment in the film ! This is a typical Italian neo realistic comedy, which was in such peak form in the late 1950's and early 1960's.Rarely, do Italians make such entertaining films nowadays,(with the exception of Pieracchioni and further back in time , Carlo Verdoni).
Sorry but despite the fact that the 1931 version of this novel was the only western film to win an Academy Award for Best Picture it does not compare to the entertainment value of this version. True this is perhaps not the best adaptation of Ms. Ferber's novel, but then how many films are perfect adaptations of their source material. There are wonderful scenes missing from this adaptation, but then there are wonderful scenes missing from the adaptation of GWTW. No, I am not comparing this to a classic like GWTW. But the '31 version is not in the same class as GWTW either. This film should be taken for what it actually is, a good solid epic entertainment with spectacular scenes and good performances. Glenn Ford is perfect casting for Yancy. His performance is far superior to that of the overripe, stilted scenery chewing one delivered by Richard Dix in the original. Ford's boyish manner easily captures the charming immature nature of the character. Maria Schell is on a par with Irene Dunne. It is a pity her character was rewritten from the novel to be weaker than Ferber intended. This was obviously done to make the film Ford's but she's still gives a performance that is on the money. As so do the myriad supporting players in the film. Back in 1960, MGM obviously needed a big movie to move into the theaters that had been playing "Ben-Hur" for over a year. So this production was rushed to completion to fit the bill. The fact that it was shot in Cinemascope instead of a "Big" 70 mm process is evidence of this. It has been written that the production was shut down before the scripted ending could be filmed. This explains the rather abrupt and somewhat awkward end to the film. Perhaps a regular non "Roadshow" release might have fared better both with the critics and at the box-office. It often seems that those who praise the older version over this film have seldom actually seen the former. For many years the 1931 version was not available for viewing. During that period many film historians gushed in their praise of it. When it finally reappeared on screens most of them found it very creaky and revised their opinions but the older opinions are still in print, available and read. True, they didn't change their opinion of this version, but the older fell into proper perspective...Cinema History and rather dry history at that. While this version is not a classic it remains good entertainment. Compare it to "How The West Was Won" made by the same studio just a few years later.
When a very old African woman offers an ambitious endocrinologist the secret of eternal youth, he decides to take his estranged and no-longer-young-and-beautiful wife along with him on the safari. But then she finds out the true reason for their sudden reconciliation is so that she can serve as his guinea pig. Hell hath no fury like a woman scorned, especially one with a stolen pineal gland tapper. But once you try Nipe, there's no going back.
八六年正大(🤣)(dà )剧场播放(🛅)的老电影(yǐng )了(📈)。一直记得(dé(✏) )。