超级战警

由布莱(🕣)恩(ē(🏬)n )·德·(🚰)帕尔(🖇)马（Brian De Palma）(🥒)指(zhǐ(🔦) )导(dǎo )， 保(bǎo )罗(🔖)(luó )·施拉德(📼)（Paul Schrader）编剧(jù(🕌) )的(de )《迷情记》（(🎗)Obsession / 1976）是(🙀)一(yī )部(🌞)文艺(🛣)气息相当浓(♟)厚(hòu )的悬疑(🗒)片。帕尔马导(🌻)(dǎo )演(yǎn )一反(🏙)常态，并没有(yǒu )在(zài )影片中过(🎰)分卖弄血腥(👬)(xīng )暴力，而是(😲)以细腻的(de )手(👚)法把一个奇(✉)异的故(gù )事(✊)(shì )拍得如梦如幻，韵(yùn )味(wèi )十(🤟)足。 外表平凡(👐)性格(gé )内向(🐞)的(de )嘉(✏)利·怀(🌶)特（(🚳)茜茜·(🌬)斯派(🐜)塞克 Sissy Spacek 饰(🐳)）一(🥪)(yī )直都(dōu )是(😑)班上默默无(🛢)(wú )闻(wén )的丑(🛃)(chǒu )小(xiǎo )鸭，她(🃏)古怪的(de )性格(🍳)(gé )和(🚢)(hé )沉迷于宗(👰)教崇(chóng )拜的(🎋)母(mǔ )亲更为(✉)她遭受同学(🐓)的(de )欺凌创造了得天独厚(hòu )的(de )条件。尽管现(📖)实残(cán )酷(kù(🗓) )，但在校园里(🐢)，依然(rán )有人(🔨)默默的关心(🌷)着嘉(jiā )利，这使得嘉利树立(lì(⛱) )了(le )信心想要(🏋)融入校园(yuá(🌜)n )生(shēng )活中去(🙉) 。三年(🐯)一度的(🌦)(de )毕业(🎯)晚(wǎn )会(🚲)要开(🦏)始了，尽管母(🕕)(mǔ )亲玛格丽(🙇)特·怀(huái )特(🌟)（派珀·劳(🐄)瑞 Piper Laurie 饰(shì )）极(👬)力(lì(🌨) )反(fǎn )对，但嘉(🛢)利下(xià )定决(🍾)(jué )心(xīn )要在(💾)舞会上夺(duó(🙃) )得“舞(wǔ )会王后”的头筹一改(gǎi )往日抑郁的(🏳)形象。可(kě )是(🖤)(shì )，一些人总(🤷)是不愿(yuàn )意(♑)(yì )放过她，舞(🗿)会当晚，头戴王冠的嘉利在众(🎃)(zhòng )目睽睽之(⛺)下全身淋满(❤)(mǎn )了(le )猪血，愤(🌏)怒激(🌖)活了(le )她(✊)(tā )体(🤸)内的女(🖖)巫血(🤹)统，她(tā )要使(💐)用(yòng )她的能(🏨)力，将(jiāng )整个(⛺)会(huì )场变成(🐰)人间地(dì )狱(🖍)(yù )。 在(🌅)(zài )浩瀚的历(🤟)史中(zhōng )，国家(🛡)(jiā )为(wéi )了自(🐂)保而进行(há(📢)ng )的政(zhèng )治(zhì )联姻屡见不鲜(xiān )，爱德(dé )华王(😇)子（理查德(🥞)·查(chá )伯兰(👖) Richard Chamberlain 饰）所要面(🧔)临的(de )就(jiù )是(😒)这样的境况，为(wéi )了(le )国家不受(💈)别国侵犯，他(👦)必须迎娶自(✏)己根本(běn )就(🐣)不爱(🛵)的女人(🐫)。可惜(⛹)(xī )爱(à(🐂)i )德华(🖨)王子是个性(🚐)情(qíng )中(zhōng )人(🦅)，无论如何不(🍣)肯就(jiù )范，无(🐙)(wú )奈下，国王(🍡)决(jué(🚔) )定举行(háng )一(👹)场空前盛大(🛄)(dà )的(de )舞会(huì(🍃) )，召集全国上(💲)(shàng )下(xià )的各(gè )路(lù )名媛齐聚一堂(táng )，希(xī(💪) )望(wàng )在其中(🍘)能有王(wáng )子(🙊)的心(xīn )上人(🥝)。 昭和25年，正是(🐛)(shì )二战结束之初。曾经(jīng )的(de )贵(🎯)妇人鹿内玲(📏)子（谷(gǔ )ナ(🎀)オミ 饰）家(🗞)道寥(📋)落(luò )，父(🥡)亲患(🏵)病在床(🧣)，丈(zhà(🗯)ng )夫得治（花(🚂)上晃 饰）的(🧗)(de )企业举步维(🏝)艰。为(wéi )了(le )帮(😴)丈夫筹措资(🐵)金，玲(🍭)(líng )子不得(dé(😳) )不抛头露面(👄)，拜托当(dāng )年(🖍)家中的司机(😮)(jī )山(shān )本吾(wú )平（高桥明 饰(shì )）借款(kuǎ(🉐)n )。得治的妹妹(💞)琉(liú )璃子(zǐ(🚁) )（水城ゆう(🦗) 饰）对待嫂(🔠)(sǎo )子雍容高贵的做派不(bú )以(💮)为然，因此设(😝)计让(ràng )美(mě(🚔)i )国大兵侮辱(🏜)了玲(📍)子(zǐ )，而(🅾)这不(🎐)堪的场(🖕)面刚(🎌)好(hǎo )又让山(🔽)本看在眼里(🍆)。 Tapasya - meaning penance is the story of Indu, eldest child of Prof Chandrakant Sinha takes on the responsibility of rearing her younger siblings, Vinod, Madhu and the youngest sister. Indu is the breadwinner of the family and acts as both father and mother to the children. The family doctor, young Sagar Verma who treated Chandrakant through his terminal illness falls in love with Indu, which is reciprocated. Being the only son of his widowed mother brings expectations Sagar's wife is expected to take on the responsibility of managing the affairs of their palatial home, giving up her siblings and her parental home. This is not possible for Indu, who is willing to sacrifice her own love and happiness at the altar of responsibility to her brother and sisters. It is only when the children are settled in their own homes that Indu can think for herself. Sagar in the meantime has handed over his clinic to a locum and left without any forwarding address or informing anyone of his return date. Now that Indu is free, where is Sagar? Has he also given up on Indu as her siblings have and left her alone in her twilight years? Does Indu have any happiness in store for her, or is her life a penance (Tapasya) at the altar of responsibility. Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society. I got this under the title SPECIAL SQUAD SHOOTS ON SIGHT. I've been slowly watching this movie over the past year in 5 minute increments and I finally finished it tonight. It is a Turkish/Italian co production starring the perfectly named Tony Tiger (real name Irfan Atasoy) as a reporter/part time cop/hypnotist (!) who is blackmailed into working for some small time crooks led by Gordon Mitchell, who sounds like Popeye in this. The gang's goal is to steal a mystical Golden Buddha with the help of Tony's hypnotic powers. The film is needlessly convoluted, with mysterious phone calls where you don't know who is on the other end and characters popping up that you have no idea who they are. It also doesn't help that Tony and the other male lead (a cop whose name I have already forgotten) look almost exactly the same. 故事发生(🛂)在1942年夏天(tiā(🎡)n )，太平洋战争(⛅)爆发(📐)前(qián )夕(xī )。 水(🦆)泽先生是日(✝)本驻(zhù )欧洲(💉)的(de )外交官，他(⛩)的(de )女儿节(jiē )子是个聪明伶(líng )俐的女(nǚ )孩(💹)。节子和他(tā(⛏) )的(de )朋友(yǒu )竭(🥙)诚、达郎经(👬)常(cháng )在郊(jiā(😠)o )外(wài )的家中聚会，慢慢地(dì )，节(🦖)子和达郎在(👵)互相(xiàng )的交(➕)往中产生了(🤳)感情(📻)(qíng )。当两(📸)个人(🤗)沐浴在(📱)爱(à(💭)i )的(de )阳光里时(😙)，节子却得(dé(😀) )了肺病。她的(🌚)父母将(jiāng )节(😃)子许配给了(🐹)他人(🚙)。节子为了逃(🉑)避婚事，只(zhī(⭕) )身一人来到(♐)东京找达(dá(♟) )郎相救(jiù )。达郎的父亲(qīn )因为节(jiē )子的病(🖋)而反对(duì )两(🦐)个人(rén )在一(🦍)起，最终(zhōng )节(😐)(jiē )子和(hé )达(🏨)郎用他们对爱(ài )的真(zhēn )诚(ché(🏞)ng )感动了双方(🔅)的(de )父母。 太平(🈚)洋战争爆发(🥢)了。达(🚿)郎即将(💥)征赴(📣)战场，为(👂)了不(🎾)让节子伤心(🐦)，达(dá )郎没有(🛅)告诉节子自(🦇)己(jǐ )将要出(🌁)征…… パリ(🕟)へ留(⏱)学中の(🍎)画学(🔳)生滝村(cūn )二(🤜)郎はふとし(🚇)たことから(👳)、美しい人妻マリー・ローランと知り(🚫)合い、愛す(📽)るようにな(🌗)った。マリー(🛌)の夫(fū )ジャ(🧕)ンは、密輸で金もうけをし(➡)ている悪徳(🗿)(dé )業者で、(🤵)異常に嫉妬(🦎)深く(🌾)、常に(📚)腹心(🧞)の運転(🧕)手マ(📋)ックスにマ(⏬)リーの後(hò(🎈)u )を尾けさせ(📳)ていた。二(è(🧡)r )郎に二度と(🐬)会わ(🍤)ない決(😄)心を(🧕)していたマ(🚯)リーだが、(🏓)二郎がマッ(📏)クスに傷つけられたために、心配して(👲)再会(huì )、シ(⏫)ャンティの(🍄)城にピクニ(🏝)ックに行く(🥋)約(yuē )束(shù )をした。日曜日。二(è(🔪)r )人はなだら(⛰)かな風景(jǐ(👢)ng )を走り抜け(🤼)、シ(🦎)ャンテ(🦑)ィの(🕤)城に着(🤧)いた(📑)。森の中(zhōng )で(💿)唇を求め合(😀)う二郎(láng )と(🌰)マリー。二郎(Ⓜ)がアパート(🔳)に帰(🦀)ると、(🦒)日本(🍬)(běn )から幼友(😫)達の伊都子(👺)(zǐ )が、ツア(🐬)ーの途中に立(lì )ち寄っていた。二郎(láng )は(🌩)久しぶりに(🕢)会う伊(yī )都(😆)子との会話(💬)の中にも、(🚘)マリーの面影が離(lí )れなか(💵)った。ある日(✝)(rì )、二(èr )郎(🤪)(láng )はとうと(🎁)うジ(🥜)ャンが(🗣)居る(🙋)のも構(🤼)わず(🙈)ローラン邸(🈳)を訪れた。マ(🆎)リーは戸惑(✌)いながらも(👜)、二郎を冷(👚)く追(👰)い帰(guī(🧜) )した(🤲)。だが、嫉妬(🚣)に燃えたジ(🦏)ャンが以前(👁)(qián )にも増してマリーを責(zé )めたてるた(✳)め、マリー(🈴)はついに二(🙌)郎と駆(qū )け(🤯)落ちをして(🏘)、自由(yóu )を得ようとした。逃(🎃)(táo )避(bì )行に(📝)出たマリー(😰)と二(èr )郎は(💞)、南(🍾)仏ツー(🆙)ロン(🌱)で愛の(🍾)日々(🤮)を送ってい(🐾)た。そんなあ(⤴)る日、二郎(🍑)(láng )は過激派(💻)学生の嫌疑(🧕)(yí )に(🎣)より逮(🔉)捕さ(📖)れ、止めよ(🈺)うとしたマ(🔘)リーは、ホ(🔟)テルのテラスから足をすべらせ海に落(🌙)(luò )ちた。マリ(🍺)ーは死んだ(🔕)、と聞かさ(🔟)れ、日(rì )本(🎓)に強(qiáng )制送還された二郎は、金沢の父(🐁)のもとで、(🕐)希望のない(♌)毎(mě(🙍)i )日を送(🔶)(sòng )っ(🥦)ていた(🆎)。そん(🐼)な二(èr )郎を(😺)元気づけて(🏝)くれたのが(🥝)伊都子で、(🙎)二(èr )郎は父(🍉)のす(🔏)すめも(🈂)あっ(🍺)て彼女と結(🧛)婚する意(yì(🐺) )志を固めた(🥊)。その時(shí )、死んだと思っていたマリー(🥥)が、二郎を(🔻)訪(fǎng )ねて来(🚿)た。しかし、(🎋)二郎がすで(👈)に伊都子(zǐ )と婚約(yuē )していることを知(🌪)ったマリー(🏩)は、自(zì )ら(🐰)の恋(♊)をあき(🌗)らめ(🏤)て、フ(📭)ラン(🔡)スへ帰る決(🍄)(jué )心をした(🎋)。だが、二(è(🍿)r )郎はマリー(🤩)を忘れるこ(👡)とが(👞)できず(😖)、マ(🏹)リーを追(zhuī(🚪) )って、同じ(🚒)パリ行きの(📜)飛行機に乗込んだ。中東国に着陸した一(🔊)(yī )行を待ち(🙏)かまえてい(💿)たのはゲリ(🤸)ラの一味だ(🍭)った。ゲリラが空港(gǎng )関係者(zhě )と身代金(👟)の交(jiāo )渉を(💃)している隙(⛵)を盗(🤭)(dào )んで(💓)、二(🤦)郎とマ(🦗)リー(🔥)は、ジープ(⏹)に飛び乗り(🕚)走らせた。そ(💨)の後をゲリ(📮)ラが一斉射(🚮)撃し(📐)た。二(è(🗝)r )人の(🍥)ジープが砂(🎓)漠の中(zhōng )を(🍵)進み、オア(✔)シスの木蔭に着いた時、マリーの胸は(🛶)銃弾で赤(chì(🐡) )く染まって(🌪)いた。二(èr )郎(🌵)(láng )はマリー(🔙)の死体を抱(bào )いて果てしなく続く砂漠(⭐)の中を歩い(📺)て行(háng )った(👛)……(🕰)。 Ryu, a low life thug, along with his mother, steals a shipment of drugs. Now with