Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.
影片根(⛏)据(🔎)真(🛫)(zhēn )实(shí )事(shì )件改编，讲述(🔹)(shù )了上世纪70年代(🎱)巴(🥍)西(🐼)著名服装设(shè )计(🔰)(jì )师(👳)祖祖·安琪(qí )尔(ě(🍠)r )(Zuzu Angel)的(🐫)(de )最(🕖)后生活。1972年，安琪尔的儿(🐗)子因为政治原因被(👱)(bè(🎏)i )当(dāng )时的独裁军政(zhè(😰)ng )府(🌼)(fǔ )秘(mì )密逮捕、刑(⬜)讯(🤒)(xùn )及(jí )谋杀。安琪尔开(🔎)始(🕦)了艰苦的寻(xún )求正(🔢)义之路，她(tā )的(de )愿(yuàn )望(🕕)便(🐰)是(🎪)要回儿(ér )子(zǐ )的尸(🖤)体。安(🎂)琪尔(ěr )利用自己(🐳)的(🚘)影(🗣)响在美国进行呼(hū )吁(yù(🏌) )。1976年， 安琪尔死(sǐ )于(🚅)(yú(📴) )离(🔊)(lí )奇车祸，1998年被(bè(🏟)i )宣布(💄)为谋杀。安琪尔从一(🔄)开(⛎)始(🦖)(shǐ )只(zhī )求个人发展的(🍌)(de )中(zhōng )产(chǎn )阶级人士(🗽)转(🕎)变为(wéi )一名追求正义(📯)、(👞)关注社会的斗(dòu )士(🎍)(shì(🔊) )。
男人牵着四(sì )只(zhī )恶(📙)(è(🐠) )犬在街上行走(zǒu )，他(🎟)每放走一只恶犬，就意(👊)味(🚌)着(🖍)(zhe )世上有一无辜者(zhě(🐑) )受(shò(📌)u )到(dào )戕害，当他放(🏩)(fà(⛰)ng )走(🏩)(zǒu )最后一只恶犬之(zhī )时(🤴)，自己反而成为了(🌅)最(🥗)后(🉑)的受(shòu )害(hài )者。童(🕧)年时(🐭)代，男(nán )子(zǐ )迷恋收(♟)集(🏰)昆(⏰)虫(chóng )，成年后，孤僻而沉(🚮)默的他遇(yù )见(jiàn )了(🏋)美(➖)丽的女子(zǐ )，女(nǚ )子对(👎)其(🌳)一见倾心(xīn )，然而，随(🎤)着(🚪)时间的流逝，女(nǚ )子(zǐ(😜) )的(🛸)身上开始展(zhǎn )现(xià(🌬)n )出(chū )了令男子感到(dà(📏)o )毛(⏬)(má(🔢)o )骨悚然的变化。
A murderous barber and his equally psychopathic friend, a baker, hatch a plan whereby the barber murders people and the baker makes them into pies to be sold in his shop.
伊丽(👲)莎白(♊)·莱(lái )恩是《聪明(🔝)家(⤴)政(👏)(zhèng )》杂(zá )志大名鼎鼎的(de )饮(yǐn )食专栏作家，在(😧)(zà(🏂)i )专(🐗)栏中把自己描述(➕)为勤(🥃)劳的已(yǐ )婚(hūn )农妇(🗯)，对(😡)烹(🉐)饪、打(dǎ )理(lǐ )农场和(🐩)照看孩(hái )子颇有心(📷)得(🦃)。然而事实上她却(què )是(😼)(shì(🏋) )个未婚纽约人(rén )，不(㊗)(bú(🐙) )会做饭，住在单(dān )身公(📈)寓(🚧)里。专栏里关于饮食(📉)的(de )内容都是由她的(de )好(⏬)(hǎ(📱)o )友(🗑)(yǒu )，大厨子菲利(lì )克(🥞)(kè )斯(🛒)提供的。海军医院(🐪)一(🔵)位(🐧)护士(shì )写信给杂志的老(lǎo )板(bǎn )亚德利，希(😃)望(🌓)他(😀)(tā )能(néng )安(ān )排一(🌲)位刚(🍉)下战(zhàn )场的军人到(😙)伊(🍍)丽(🔄)莎白在康涅迪(dí )格(gé(🗂) )州的农场过圣诞(dà(✴)n )节(🛵)(jiē )，伊丽莎白的谎(huǎng )言(⏲)因(🔠)此也要穿帮了......
I saw this under the title The Masters on video in the UK. I've seen a lot of Italian movies from this time and if you allow for the limitations of dubbing and budget this film is actually pretty special. The idea of one man manipulating a whole population of a small town is brilliantly handled, and acted by James Mason. Franco Nero and Jennifer O Neal both give decent performances as pawns in a much larger conspiracy. It also has some great inexplicable moments, the frozen bodies on the motorbike, the revelation of what James Mason keeps in his backgarden, the superstitions of the townspeople. This all adds to the intrigue of this fascinating film. Somewhere between exploitation and art this film represents just what I personally look for in Italian movies from the 70's. Recommended, but not for everyone.
贝恩(😾)德(🚧)和卡(kǎ )特(tè )琳结婚多(🤗)年(🌓)，丈(zhàng )夫(fū )贝恩德经(👵)营一家(jiā )建筑公司，每(🏐)天(🛥)忙(🔌)得不亦乐乎(hū )。同是(🔋)建筑(🙌)系毕(bì )业(yè )的(de )卡(🐣)特(🧘)琳(❎)为了照(zhào )顾(gù )孩子和丈夫，牺牲了做建筑(⛳)师(👺)(shī(⬆) )的机会。眼见丈(zhà(🏐)ng )夫(fū(🐘) )终日忙碌，公司(sī )仍(🚳)(ré(🛣)ng )不(⏩)(bú )见起色，卡特(tè )琳难(🏕)免抱怨。贝恩德一气(🎛)之(⛴)下(xià )，冲动地建议和卡(💂)(kǎ(🉑) )特(tè )琳交换身份，让(🎨)(ràng )卡特琳外出支撑公司(🎊)，自(🦒)己在(zài )家(jiā )做家庭(🍸)主男，谁(shuí )想(xiǎng )一句气(🕯)话(🚊)竟(📪)然改(gǎi )变了他们的生活(🍦)，卡特琳欣然(rán )同(🗝)意(🍽)，第(🚧)二天一(yī )早(zǎo )就(jiù )上班去了。这(zhè )可(kě )难(🐪)坏(🖥)了(🍄)贝恩德，家务事看上去(🤜)(qù )简单，做起来却(què(🔃) )复(🍱)(fù )杂棘手，习惯于(yú )秘(mì(🍻) )书(shū )伺候的贝恩德(🔜)(dé(👙) )有苦难言，他终于理解(🤾)了(🐔)妻子(zǐ )的(de )苦衷。很久(💳)没有(yǒu )工(gōng )作的卡特琳(😌)经(🚍)过(guò )最初的困惑和(💖)尴尬后，迅速步(bù )入(rù(🚲) )正(💑)轨(📇)，工作越(yuè )做(zuò )越(yuè )好，这(🛁)一切都使(shǐ )贝恩(🦋)德(👑)惭(🥄)愧，更令他难过的(🤙)是(shì )，妻子还与自己(jǐ )一(👋)(yī(🌦) )直(🧑)(zhí )讨厌的客户萌(méng )生(🗝)(shēng )了异样的情愫…(💹)…(💘)
孙文虎（黄(huáng )正利饰）(🎬)是一名(míng )具(jù )有日(🚬)本(🕳)血统的忍(rěn )者(zhě )杀(shā(🍴) )手(🚌)，闯入中原(yuán )进行教(😞)会的计划——除去一切(😏)(qiē(🦌) )判(pàn )教人士；武林(🧐)高(gāo )手(shǒu )狂龙(巨龙饰(🥌)）(📄)无(🦖)(wú )端被卷入一场无辜的(🚘)杀戮，当(dāng )他(tā )的(🔍)爱(🦑)人(🚹)被残害(hài )，他(tā )决(🐒)定不惜牺牲自(zì )己的生(🏠)命(🐮)来(🔰)拯救他的同胞...
Jazz（卡(kǎ(📞) )特莉娜•卡芙 Katrina Kaif 饰(shì(⬅) )）(🧑)是(shì )个从小生活在(zài )伦(🍃)(lún )敦的印度女孩，生(⛄)活(⛴)的各个方(fāng )面都浸染(🔥)在(🍻)英式(shì )的(de )熏陶下，甚(🐯)至把(bǎ )自(zì )己(jǐ )原来的(🐂)名(🚻)字Jasmeet改(gǎi )为Jazz。新潮时尚(🎼)的女孩和她父亲(qīn )观(😆)(guā(🥍)n )念(👔)上的矛盾让他(tā )们(men )争吵(🍬)不断，父女(nǚ )战争(🌺)的(📱)升(📢)级终于让她父亲(🥁)带她(tā )回(huí )了印度，开始(🌺)(shǐ(🌩) )接(🤭)(jiē )受(shòu )各种相 亲。父亲(🥞)(qīn )决定让她嫁给乡(💍)下(⛷)的男孩Arjun （阿(ā )克谢•库(🖕)玛尔 Akshay Kumar 饰(shì )），Jazz觉得自(🤱)己(📇)和这(zhè )个(gè )不会说英(🍱)语(🚎)的传统印度男人没(🉑)(méi )有任何的话题，然(rán )而(🤘)形(👵)势所迫，在(zài )朋(péng )友(🥏)(yǒu )Imran的建议下她假(jiǎ )意(🙍)和(🌼)Arjun举(⚓)行了印度的结婚仪式得(🍕)(dé )以(yǐ )回到伦敦(🛢)。回(🔆)到(🗞)(dào )伦(lún )敦的Jazz告诉(🧒)父母和(hé )Arjun这个婚姻在英(🐷)国(🚿)不(👸)具有合法性(xìng )，然后答(🕚)应了男(nán )友(yǒu )Charlie（克(🥈)莱(📲)夫•斯坦登(dēng ) Clive Standen 饰）的求(💮)婚。Arjun对Charlie一行人的印度(⭐)(dù(💤) )偏见的据理力争(zhēng )让(🕘)(rà(🤗)ng )Jazz对(duì )他有所改观，朝(👚)(cháo )夕相处让她甚至觉得(💨)渐(🤖)渐爱上(shàng )了这个印(❇)度男人(rén )。