日在校园结局

影片描(miáo )写(🙂)了地位(♑)低下的黑(hēi )人(🃏)青年霍默．(😅)史密斯(🏴)(sī )，热心(xīn )帮助(📱)一些逃难的(🚖)东(dōng )德(👔)修女，并答(dá )应(🐱)为她(tā )们修(🔞)建(jiàn )一(👽)座小礼拜堂…(😹)…从而展(zhǎ(✍)n )示了他(🕙)(tā )的人性(xìng )美(⏪)。本(běn )片触及(✊)全美最(🛷)敏感(gǎn )的神经(🚨)(jīng )——黑(hē(🏁)i )人问题(🔲)(tí )，一开(kāi )始就显得不同反(🌼)响。还有(👝)(yǒu )波蒂埃细腻的(de )表(🏪)演更(gè(🎧)ng )引人注(zhù )目，赢(💐)得36届奥斯卡(😹)(kǎ )最佳(🎖)男主角奖(jiǎng )，跻(🚻)身(shēn )于好莱(🔁)(lái )坞超(💤)级影星的行列(🍫)(liè )。 作家民野(📶)（茂山(🏪)千(qiān )之丞 饰(shì(🚉) )）和妻子政(🍲)子（川(✂)(chuān )口秀子 饰）(🏄)、妻子的(de )妹(📣)妹珠(zhū(🏭) )子（川口秀延(📦) 饰）观看舞(🧣)(wǔ )台剧(👐)《晶子抄(chāo )》，主(zhǔ(🚃) )角肌肤雪白(🤛)，令民野(🎩)赞不(bú )绝口，而政子(zǐ )心生(🔼)嫉(jí )妒(👱)。演出结束后，三人来(🚔)(lái )到中(🍔)华第一楼(lóu )吃(👛)饭。席间姐(jiě(🍒) )妹俩谈(😙)到正在上映(yì(🏫)ng )的话题影片(🕞)《浴池中(💑)(zhōng )的魔女(nǚ )》，讲(🉐)述的是一个(🎴)(gè )娶了(🥏)艺妓作老(lǎo )婆(🍺)的失(shī )意画(🔁)家(jiā )，担(♒)心自己不能满(🤜)(mǎn )足妻子的(🧓)需要(yà(👆)o )，只能(néng )通过绘(🅿)(huì )画妻子的(🎳)裸体来(🎿)宣(xuān )泄心中(zhō(🐘)ng )的痛苦(kǔ )，而(⛑)同(tóng )时(🌊)，他(tā )也遭受着浴池中沉着(🐌)妻子(zǐ(🗝) )尸体这样幻觉(jiào )的(🦎)困扰(rǎ(🍬)o )。好奇于女主角(⛩)（柳美那(nà(📬) ) 饰）的(🐯)完美肌(jī )肤，饭(🥑)(fàn )后民野(yě(🚈) )独自前(🛥)去观赏。 Nightclub owner Madam (Hwang Jung-seun), known as "the President" in Busan's red light district, has made her money using any and all means, including prostitution and smuggling, in order to support her three daughters who live in Seoul. Her daughters, all of them college students, think that their mother runs a dressmaker's shop in Busan. Their success is Madam's only wish, but her eldest daughter Seong-hui disappoints her by insisting on marrying a truck driver and aspiring novelist (Kim Jin-kyu). Younger daughter Dong-hui (Kim Hye-jeong) dates a rich man's son (Lee Sang-sa) to Madam's delight, but the young man abandons Dong-hui without a second thought when he tires of her. In despair, Dong-hui comes to Busan in search of her mother, but Madam has already been taken into custody on smuggling charges. After she gets out of prison, Madam is shocked to learn that Dong-hui is working as a prostitute in a bar across from her nightclub, but she continues to hide her identity. Youngest daughter Yang-hui (Tae Hyun-sil), who is a violinist, visits Busan to give a performance before getting married and heading to Germany to study music. She discovers Madam's true profession and, enraged, repudiates her own mother. Dong-hui repents her behavior and comes looking for Madam with Seong-hui, but Madam has already committed suicide. 著(zhe )名歌(👲)舞伎演员(yuá(🕵)n )中村雪(🌾)(xuě )之丞（长谷(🔽)川一夫 饰）(📯)，其童年(🔧)时父母(mǔ )遭奸(🙈)人(rén )陷害，相(🔺)继身亡(⛏)。年幼的(de )雪之丞(🍣)无依无(wú )靠(🎊)，幸(xìng )遇(⌚)仗义(yì )善良的(🚹)歌舞伎一人(🔀)(rén )中村(🥒)菊(jú )之丞（市川中(zhōng )車 饰(🙇)）。菊之(🔁)丞将其收为徒弟，倾(🍾)囊传授(🍣)舞技(jì )和剑术(shù )，发誓协助(🗒)雪之丞(♊)报仇雪(xuě )恨。 The closest Japanese cinema ever came to the full-blown Broadway-style musical, with singing and dancing on the streets of Tokyo, music by avant-garde composer and jazzman Toshiro Mayuzumi, lyrics by renowned poet Shuntaro Tanikawa, and direction by one of Toho’(🤞)s most prominent “new wave” directors, Eizo Sugawa. Popular jazz drummer and actor Frankie Sakai stars in this comic version of the “industrial competition” genre: two tourism companies compete for foreign clients in the run-up to the 1964 Tokyo Olympics. Highlighting the coming internationalization of Japan, the film dramatizes the felt tensions between tradition and modernity, the pressures of the “economic animal” lifestyle, and the energy of high economic growth. An illegitimate child works on his father's apple orchard, all the while suffering abuses from his half-brother. When his father is killed in a storm, he decides that it is time to leave his misery behind.