阿(🎍)茂是市(shì(📪) )政(zhè(🗜)ng )府清潔工人，為(👪)人(rén )憨(hān )直善良。某日，匪徒(📹)(tú )意(⏮)外地將糧款袋(😇)掛在(✳)(zài )阿茂的(🔎)垃圾(🕦)車上。茂(mà(💎)o )下班(🤑)時見袋，但(🏃)因匆(🚆)(cōng )忙赴女友琳(lín )琳(lín )之約(🔈)，乃不經意將(jiāng )之(zhī(📸) )置放床下。茂至(🎖)琳(lí(📧)n )琳(lín )家做(🚃)客，向(♊)琳母提(tí(🕰) )親(qī(🧕)n )，琳母要送女家六(liù )十(shí )桌(zhuō )酒席。茂為了儘(jǐ(🖲)n )早(zǎo )解(jiě )決六(🔇)十桌(🍳)酒席費(fè(👷)i )用(yò(🈸)ng )，和同房阿(🕕)福往(🕐)找(zhǎo )兼(jiān )職，二(🏅)人做收租員(yuán )，按址收租，發(🐒)現原(yuán )來(lái )全是大(❌)檔，色(🔭)情架步(bù(😙) )……(⛑)
门罗是好(🤺)莱坞(🅰)最(zuì )大牌(📚)的制(☕)片人之一，但妻子的突然离世让(ràng )门罗备受打(🐓)击(jī )。突然的一(👤)场地(🛎)震(zhèn )过(guò(🍁) )后，大(🚺)家都跑到(🌍)片(pià(🐆)n )场(chǎng )查看受损状况，门(mén )罗(luó )也不例外。在(💏)那里(🍧)(lǐ )他(tā )与(yǔ )一(😙)个系(🍊)着银色腰(🎋)(yāo )带(🎓)(dài )的(de )女孩(🐧)擦肩(✈)而过，一(yī )瞬(shù(🕢)n )间门罗联想到自(zì )己(jǐ )的(📕)妻子。为了找到(dào )这(🍈)(zhè )个(🍕)女孩，门罗(🎖)发动(🛂)(dòng )手(shǒu )下(📓)所有(📳)人搜寻女(🚵)孩的(🔆)(de )信息，终于与这个名(míng )叫凯瑟琳的女孩相识(shí(🈂) )。
费米·本纽西(🏑)领先(🚗)(xiān )主演的(🚭)一部(🏪)喜剧影片(🐤)，影片(🥘)关于(yú )一(yī )名意大利高管参议(yì )院(yuàn )好(💤)色放(🍐)纵的喜剧情(qí(🥙)ng )节(jiē(🌦) )……
Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating.
：《南(🌁)美夜(🥛)/当(dāng )心(xī(🥍)n )! 我们(🥕)要拍下流电影(🐹)(yǐng )》一(yī )个笨拙的摄制组(zǔ(✝) )计(jì )划(huá )拍摄一部(🎤)色情(💋)电(diàn )影(yǐ(Ⓜ)ng )。不幸(✖)的是，剧组(🐯)(zǔ )里(🔙)(lǐ )不是自(🌃)大狂(🛑)就是无(wú )能(néng )者，还有一个过于害(hài )羞的道具(🗨)经理不好意(yì(🏪) )思从(🤠)性用品商(🚞)店购(📈)买(mǎi )任何(💑)用具(🏁)。然而，他(tā )们还是凑凑合合地将拍片进行(🎢)到(dà(🖖)o )底(dǐ )~~
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
Bugsy Malone希望一举(⛪)击垮(❇)纽约(yuē )的(🕟)(de )黑帮(🧦)，自己号令(💚)全(quá(👘)n )城(chéng )，与Fat Sam及Dandy Dan展开(💢)一幕幕(mù )的(de )枪战...
星州探员(🙉)龙健(jiàn )天(tiān )在(zài )日(🐐)渡假，忽接急(jí(📉) )电(dià(🍵)n )获(huò )悉经(🈷)营小(🙆)店之老(lǎ(🍷)o )父(fù(🚝) )遭人杀害。遗物中(zhōng )有(yǒu )录音带一盒，乃亡(wáng )父(⭐)(fù )预先录下的(🐭)遗言(🗓)，说(shuō )生前(💴)曾与(⛏)陈、 张两(💍)友(yǒ(🐎)u )合作走私贩毒。龙出(chū )世后，其母劝父改邪(👊)(xié )归(🤐)正，但為陈所迫(🚵)，无法(🕖)脱离贩(fà(🔀)n )毒(dú(👸) )集团。龙长(🕎)大，父(🔪)(fù )暗(àn )充线人(⏺)，供龙情报(bào )。龙向张求助，张(🧑)告(gào )以(yǐ )欲得杀害(🎓)其父之主(zhǔ )谋(🍻)(móu )，必(🐌)须先赴香(🚨)港，找(✂)(zhǎo )已(yǐ )化(👞)名為(🈯)王大雄之(zhī )杀(shā )父仇人……
「五毒(dú )天(tiān )羅(🤬)」是武林至毒(👮)之(zhī(🔄) )物(wù )，失蹤(🔳)多年(🎻)後重現武(💤)(wǔ )林(🖋)。武當派門下弟子(zǐ )飛英雄（岳華）和飛(🚠)(fēi )英(😉)傑（王鍾）兄(🏫)弟下(☔)(xià )山查究(🥃)，英雄(🔣)途中遇五(🤤)毒教(🎵)教主(zhǔ )之(zhī )女(🐎)素素（井莉），暗(àn )生情愫(⛺)。素素為保(bǎo )五(wǔ )毒(🤴)天羅誤傷英傑(📶)。武(wǔ(👉) )林大會中(🚈)，英傑(🧟)認(rèn )出(chū(😔) )殘(cá(🐸)n )害自已的兇手，竟(jìng )是(shì )兄長心愛的女人(rén )，英(👅)雄晴天霹靂，不(💅)(bú )知(❔)(zhī )所措…(🆘)…