外交(🗽)官杜米尼克·(🙊)奥法尔(ěr )任命(🏢)为(👳)“南北(🐓)交换机构(🌐)”的法(fǎ(♿) )国(guó )代表。这一(🙅)机构是一个拥(yō(🐖)ng )有巨(🔉)(jù )大(dà )权(🏬)力的国际组织。有个代(🦍)(dài )码为(wéi )“奥林匹(⛸)”的情(🤳)报机(jī )构(🏃)(gòu )，将(jiāng )杜米(mǐ )尼克·(🚵)奥法尔夫妇确(què(🐟) )定(dìng )为“51号”和“52号(🛤)”，他们搜集(jí )了解“51号”的(🗣)全部档案(🌕)资料，伺(💘)(sì )机采取(qǔ )行(➡)动(dòng )。影片主要表(🥖)现了(💨)这(zhè )个机(🈷)关(guān )特(😧)工人员介绍“51号(😱)”的有(yǒu )关情况(🎗)(kuà(👨)ng )，他的(🍀)家庭，经历(🎎)，私生(shē(🏳)ng )活等(děng )等(děng )，并(🧒)最终说明他如(👻)何(🎹)别人(🏁)(rén )暗害(hà(💤)i )。
阿炳（郑茂松 饰）天(🛁)资聪(cōng )慧，自幼跟(🧖)父亲(🥧)华雪梅（(🤖)宁(níng )化鲁(lǔ ) 饰）学艺(🈁)。父母双亡后，他(tā(🔱) )已是(shì )无锡(xī(⌚) )城有名的“小天师”。孱弱(🗼)(ruò )艺人(ré(⛱)n )钟师傅(🤾)（邵华 饰）遭(❓)(zāo )恶霸李(lǐ )老虎(😺)(hǔ )（(🔗)董玉刚 饰(💤)）欺凌(🙌)，其女琴(qín )妹（(🐯)袁梦娅 饰）卖(🎭)艺(💜)还债(🎎)(zhài )屡遭街(👷)(jiē )头混(🖇)混滋扰，阿炳因(🍚)无力(lì )相帮(bā(🤑)ng )，心(🕉)生愧(🕣)疚，遂云游(🤸)他乡。数年(nián )后(hòu )二人(😸)重逢，各诉衷肠。官(🛩)(guān )至(🍁)警(jǐng )察局(✂)长的李老虎越发(fā )霸(🎙)(bà )道，由于(yú )倔犟(✡)的阿炳和琴妹(🆒)不(bú )肯(kěn )为其(qí )唱堂(🍪)(táng )会，他差(🥐)人弄瞎(🕕)阿炳(bǐng )的双眼(🦈)(yǎn )，遭(zāo )凌辱的琴妹绝(🚄)望中命(mì(🦗)ng )丧黄泉(🏀)(quán )。阿炳再度四(🕐)处漂零，一(yī )腔(💻)悲(😖)愤(fè(🚬)n )时时灼烧(❌)着瞎子(🤣)阿炳的心(xīn )，回(⚫)顾(gù )几十年自(📸)己(📻)所走(😡)坎坷之路(📗)(lù )，心(xīn )中(zhōng )万般感慨(🗺)。最终，流传千(qiān )古(🖲)的(de )《二(🔄)泉映月》从(🤼)指尖流出......
This adaptation of a story by Knut Hamsun is about the impossible love between miller’s son Johannes and Victoria, the daughter of a manor house owner. Created as a co-production with ZDF, Widerberg adapted the original with fidelity to each and every detail while placing his own emphasis along the way. The translation of the dialogue into English – for production technical reasons – heightens the artificiality of the film, which can also be seen as creating an ironic distance to the romantic material. VICTORIA exhibits numerous similarities to ELVIRA MADIGAN, but remains more reserved, calmer, more autumnal. The film’s poor reception was one of the reasons why Widerberg was only able to make three more features in his final 18 years of life.
排(🃏)骨才(韩国才饰)任(🧡)(rèn )职(zhí )小巴(bā(🤽) )司机(jī )，因家境贫困日(🚋)夜加(jiā )班，玫(méi )精(🥕)神(shén )不足。小巴(🦒)总站被芋(yù )黑帮控(kò(💍)ng )制经(jīng )营(🗒)白粉，才(😢)误听道友(yǒu )奇(🎩)为他(tā )打捕针，及(🚯)后始(🍝)发现奇为(👕)(wéi )其注(🈴)射(shè )的乃白粉(🚓)针，才痛悔不已(👸)(yǐ(🎥) )。王忠(🚷)(zhōng )汉(猛丁(🏟)哥饰)与周小娟(周丽(lì(🚒) )娟饰(shì ))同(tóng )属军(🏕)装警(🔰)员，在木屋(🔐)村巡(xún )视，经才家，见毒(🐛)引发作手持白(bá(🐐)i )粉，拘捕才，才及(🚞)妻衰求(qiú )并(bìng )愿作(zuò(💖) )线人(rén )。汉与娟戚(🎶)才提供线(xiàn )索(🦌)，得(dé )破白(bái )粉机关。未(🙏)几，黑帮(bā(📗)ng )头子林(🛩)(lín )祺(郑(zhèng )麒膺(🤮)饰)施计下毒，汉(hà(👙)n )毒发(🔗)身(shēn )亡…(💯)…
Bush Mama powerfully captures the anger of America when the dream envisioned by Martin Luther King met with violent suppression and the stark reality of inner city neglect exposed by the uprising in Watts in 1965. Haile Gerima's iconic film shows the Black community under siege, harassed and starved of opportunities. It is a powerful portrait of the political awakening of a mother struggling to survive on welfare and bring up her daughter. Deftly combining fiction with documentary, including footage of the LAPD questioning Gerima and his crew during filming, the film draws on a range of topical events from police killings, treatment of Vietnam veterans to the militant liberation movement in Africa. The mesmerising performance of Barbara O. Jones shows the protagonists shift from passivity to empowerment. The film vividly conjures her interior world, a fractured reality filtered by memories and anxieties as she moves towards political consciousness following the arrest of her husband for a crime he didn't commit.
When a teacher takes a group of troubled school children on a school trip to Conwy in Wales, the children understand life outside of Liverpool.