曾在西班牙杀过(🙋)人的水手Michael O'Hara（奥(🦀)逊(🙂)·(⏹)威(🔛)尔斯 Orson Welles 饰）回到(😒)了(🚍)纽约，一天夜(yè )里他在(zài )路上救(🌊)(jiù )了遭到(dào )打劫(😵)的(📼)(de )美女Elsa（丽塔·(😗)海(🛁)华(🥄)斯(sī ) Rita Hayworth 饰），于是Elsa让她(tā )的丈夫(fū(📈) )，律师(shī )Arthur Bannister（埃弗(fú(⤵) )雷(🥈)特·斯隆 Everett Sloane 饰(shì(🥌) )）(✡)找(🏡)到(dào )Michael，让他(tā )来(🎁)船上(shàng )当水手(shǒu )。Bannister一家(jiā )刚从上海(📂)回(🍨)到纽(niǔ )约，正(zhè(🛬)ng )要(📘)坐(🛡)船(chuán )前往旧(jiù(👴) )金(📧)山。在海上(shàng )航行的时候，Michael和Elsa情愫(🛤)暗生。而Michael也认识(⏩)了(🕉)Arthur的(💁)朋(🧡)友George Grisby（Glenn Anders 饰）。George知道(💚)Michael曾(🚑)经杀过人后，想让Michael再杀一个人(ré(🕘)n )，并承(chéng )诺给他(tā(🏟) )五(🐆)千美(měi )元的佣(🌹)(yò(🎺)ng )金(👦)，而(ér )他想让(ràng )Michael杀的人(rén )，就是(shì(🔻) )George自己。原来George想制造(🌎)自(🦆)己(jǐ )已经死(sǐ(👣) )了(🀄)的(👺)假(jiǎ )象，然(rán )后(🍣)从现(xiàn )在的生(shēng )活和他(tā )的妻子(🔑)(zǐ(🥩) )身边逃(táo )走。两(♉)(liǎ(🕸)ng )人(🥔)的计划看起来(🧜)天(🌧)衣无(wú )缝，George却(què )失手杀(shā )死了Arthur的(🍧)(de )管家，随后George也真(🚗)的(👍)被(🗽)杀(😷)。Michael被认为是两个(🚰)死(⛽)者的凶手，法庭上，为Michael辩论的却是(🍞)他的情敌Arthur，到底谁(🛳)才(🏸)是(shì )杀死George的(de )真(⏩)正(🖋)凶(📓)(xiōng )手？
Pretty Molly Lucian enlists the reluctant aid of psychologist Felix Milne in treating her potentially homicidal husband Adam, who refuses to see a "real" psychiatrist. Traumatized in a Japanese prison camp, Adam proves to be on the verge of severe schizophrenia. In his risky struggle to help Adam, Felix finds his none-too-functional home life deteriorating, and is unable to help himself as he helps others. The situation rushes headlong to a suspenseful climax...
本(běn )片以第(dì )二次世(shì )界大战(zhàn )末期，在(🤢)意(🐻)大(dà )利登陆的(😓)美(🤬)军(🧥)攻破德军(jun1 )防线(🏸)为(wéi )背景，导演以(yǐ )令人感(gǎn )动的(🔖)场(chǎng )面把美(měi )军(💜)从(🏢)南(🕟)(nán )部攻到(dào )北(🧚)部(🙎)期(qī )间所引发的一些意大利(lì(🆔) )民间故(gù )事编(⤴)成(🛢)(ché(🧗)ng )一部有(yǒu )连贯性(🐶)(xì(📪)ng )的社会写实的电影，画面上的真(🆗)实感，给予人们非(🔉)常(🤹)大的冲击，创下(🔇)了(🧝)意(⛎)大利电影的新潮流(liú )……
芳(fāng )齡十八(bā )的妮莉(👥)(lì(🆘) )，原本(běn )長年與(🥫)(yǔ(🌻) )養(🏷)母同(tóng )住瑞典(🕘)(diǎn )鄉間，平靜的生活就從某天生(shē(🏉)ng )母忽然(rán )來訪開(🍐)(kā(🌋)i )始(🦌)變奏(zòu )。她隨(suí(🛫) )著(🐾)生母(mǔ )來到斯(sī )德哥爾(ěr )摩一(☔)探(tàn )究竟，大城(🙋)市(🥒)為(😆)她帶來從未經(jī(🈁)ng )歷(😒)過的(de )體驗，也啟迪(dí )了她的(de )愛情(🚻)視(shì )野。但偏偏她(🌐)的(🈸)愛慕對象卻是(😷)生(🏾)母(🌞)的情人，母女關係猶如緊繃之弦，悲劇是否註定發(🥠)(fā(🏏) )生？影(yǐng )片當(🕜)時(🚺)(shí(🤷) )雖然票(piào )房不(🈚)佳(jiā )，卻是(shì )柏格曼(màn )初執導(dǎo )演(😋)筒的(de )處女作。
蓝菁(🐨)与(🗽)父(📳)亲及(jí )朋友范(🕑)(fà(🚔)n )丽玉准(zhǔn )备去重(chóng )庆，在(zài )路上(👂)她(tā )们认识(shí(🏡) )了(❤)工(🤒)程(chéng )师王子(zǐ )超(🚖)，蓝(🔷)(lán )菁和子超相爱了。 不久(jiǔ )蓝菁(💐)的(de )父亲去(qù )世，子(♑)(zǐ(🕖) )超因公(gōng )事必(🤭)须(🕕)(xū(⛩) )离开，他和蓝菁相约两个月后在重庆结婚，子超告(😵)诉(😑)她如有困难可(😯)以(🧜)找(🏀)他的朋友沈世(🆔)(shì )平。一(yī )天，蓝(lán )菁在阅(yuè )报栏上(🍑)(shàng )看到遇(yù )难工(🖇)程(🧘)(ché(⌚)ng )师的名(míng )单，子(🛶)(zǐ(🧦) )超也在其中，蓝菁受到(dào )打击一(🎽)(yī )病不起(qǐ )，丽(⛸)玉(♉)(yù(🕌) )为了给(gěi )好友治(😣)(zhì(🥏) )病做了(le )暗娼。沈世平(píng )看中了(le )美(🛂)貌的蓝菁，并趁机(🏘)将(🕰)(jiāng )她强暴(bào )，蓝(🥨)菁(🔫)(jī(💝)ng )心灰意(yì )冷与丽(lì )玉一起(qǐ )做了妓女。几个月后(🔋)，子(👯)超突然出现，原(🥎)来(🍖)他(🛅)只是受伤，在婚(🚆)礼上蓝菁觉得自己不配(pèi )当子超(😝)(chāo )的妻子(zǐ )遂离(🍁)开(🕷)(kā(👵)i )了他。三年后(hò(🍀)u )，蓝(💓)菁(jīng )已经成(chéng )了一名(míng )护士，她(🗺)突然发现了双(🖍)(shuā(🗓)ng )眼(🔎)受伤(shāng )的子超(chā(✅)o )，蓝(🚮)菁(jīng )精心照(zhào )顾子超(chāo )却并没(😈)(méi )有表明(míng )身份(🛄)，子(🛁)超病(bìng )好后找(🥛)到(🌫)了(🍴)蓝菁，两人(rén )终于走(zǒu )到了一(yī )起。
李(lǐ )文华告(gà(🥋)o )别(🏃)未婚(hūn )妻梅玉(💟)奔(🚴)赴(📊)抗战前线。梅玉(🐢)和母亲生活艰难，被迫嫁给汉奸陈(💍)彼得。战后，文华返(📨)沪(🤢)，与(🥊)沦(lún )为交际(jì(💶) )花(🔣)的梅(méi )玉重逢(féng )，两人(rén )旧情复(👚)(fù )燃。梅(méi )玉因不(🕸)(bú(🔼) )愿拖累而离开文(😜)华(💷)。文(wén )华追至(zhì )舞场，与彼得(dé )发(💶)生冲(chōng )突。混(hún )战(🐀)中(🏻)，梅玉被(bèi )彼得(🍬)枪(📋)(qiā(🍁)ng )击，却(què )也同时将彼得击毙。临(lín )终之际(jì )，梅玉(yù(🌌) )向(🚁)文华(huá )表白，对(✋)他(🥎)的(🛶)(de )爱始终不渝。
In this gritty film noir, cynical ex-RAF flyer Morgan, bored with civilian life, joins a break-in gang led by Narcy. On his first job, the getaway car crashes after killing a policeman. Morgan is framed as the driver and sent to jail. Seeking revenge, he escapes and heads for London. Along the way he's helped by a woman (Mrs. Fenshaw), who wants him to murder her husband. In London, Morgan is sheltered by Sally, who falls in love with him. He confronts Narcy and the gang in an abandoned warehouse. Brazilian Director Cavalcanti's crime drama should not be confused with the totally unrelated "They Made Me a Criminal" (1939).
电(🎄)影名称：大雷雨
Police detective Joe Warner investigates the shooting of womanizing composer Keith Vincent. Evidence points to suicide and that is the official verdict, but Joe doesn't buy it and obsessively keeps looking, tracking down one discarded love after another, despite being ordered off the case.