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时尚摄影师发现自(zì )己和美(měi )丽(🥙)名(🆒)模(mó )一(✉)起被困在南美小岛(dǎo )国中(👟)(zhō(🤙)ng )，不(📲)料还(🏑)杀初一批前来找寻钻(zuàn )矿的(🤙)恶(🏖)(è )徒一起搅局。 Satirical comedy set in Rio de Janeiro about a general's playboy son meeting a leftist intellectual who wants to write/film the playboy's dolce vita. Various shenanigans follow in a thinly-disguised attack on the military régime which started in Brazil in 1964 and ended only in 1985. A story of romance between the girls and guests at a hot spring resort, the film's freshness and freedom was in welcome contrast to Impotent's heavy-handed moodiness. The star of the film, actress Yasuko Matsui, was Kobayashi's wife. She starred in or appeared in many of Kobayashi's films of the 1960s. The popularity of this film inspired the studio– Mutsukuni Eiga– to make a quick sequel. However this second film departed from the original's story, lacked director Kobayashi and Yasuko Matsui, and was not well-received Mario, a university student and banking, through a loving connection with Cristina, young rich, proud and emancipated, tries to climb socially. Between the two is the sexy commercial Neusa, inexperienced and angry with the obscurity of his family. Each seeking a place in the sun of life, entangling themselves in a diabolical game of sex and love. Yeong-il finds himself on the verge on an arranged marriage despite the fact that he has a girlfriend whom he wishes to marry. Womanizer suddenly finds a woman who makes him change the way he looks at women. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life or embrace this special relationship and become a monogamous man. Eduardo Coutinho是巴(bā )西(xī(💕) )新(🏯)浪潮(chá(🌐)o )电影运动中的又一位(wèi )天(🗓)才(🧠)导(🍂)(dǎo )演(🧟)，虽然他在新浪潮(cháo )时期(qī )只(🐾)(zhī(😊) )拍摄过(guò )两部影片，但却都堪(kān )称(🌳)杰(🛫)作(zuò )，这(🈵)部在剧情上非常(cháng )复杂新(🆘)(xī(🎉)n )颖(📯)的影(yǐng )片是他最好的作品。 翻拍自(🔦)(zì(🤝) )1957年台语(👃)片。小演员吴(wú )凤凤凭(píng )此(🔌)片(🏍)获(🌎)(huò )得(🤭)1968年第七届金马奖最(zuì )佳童(👖)星(💆)(xī(🌿)ng )。