获(huò )得2006年(🐫)美国独立(🏕)精神奖(⌚)(jiǎng )提(tí )名(🚭)最佳剧本。影(🏝)片(piàn )讲(jiǎng )述一(🕠)名记者(zhě )调(😺)查一(yī )位(wèi )宣(⚾)称创造出(chū(👫) )能将同性(xìng )恋(🚀)转(🔓)变为异性(⛄)恋的药(yà(💃)o )丸(wán )的(🆕)医生的案(👌)件。在(zài )这(❌)(zhè )部关于性别政(⏮)治以(yǐ )及(🐮)(jí )人类情感，发人(🕐)深(shēn )省(shě(👩)ng )的剧情片(🚍)中，这名(🦆)(míng )记(jì )者(🦗)、他的心(🌰)理医生男(nán )朋友(😽)和那(nà )位(🕥)医生三人(rén )的生(🙁)活彼(bǐ )此(🕖)纠缠在一(🎸)(yī )起…(🗒)…
蒂(dì )姆(🍽)·康沃尔(ě(🌆)r )（李·威(wēi )廉(👴)姆斯 Lee Williams饰），拥(😾)有一(yī )张(zhāng )天(🏇)使面孔的英(🏣)俊少(shǎo )年(nián )。伊(🤰)沃(🚁)·斯(sī )蒂(🔻)德曼(màn )（(🗜)马克·(🌏)沃伦(lún ) Marc Warren饰(🐲)），长(zhǎng )相(🎟)冷酷脾气暴躁的(👉)硬(yìng )朗(lǎ(📒)ng )男孩。于万千宠爱(🦂)(ài )一(yī )身(🥁)的蒂姆，在(🚱)大学(xué(🏼) )时(shí )期备(🥚)受众人喜(👷)爱。在(zài )一次有名(🚔)的创意写(🔂)(xiě )作(zuò )课程上蒂(🔢)姆邂逅了(🚆)伊(yī )沃。蒂(👴)姆(mǔ )的(🧀)魅力让伊(🔱)(yī )沃无法(💘)自(💵)(zì )拔，深深为(wé(🎢)i )之着迷。终于(Ⓜ)，伊沃还是表明(🕹)(míng )了心迹。两(🐔)人相爱。然(rán )而(⏱)在(🚍)一次旅行(🈷)中，蒂(dì )姆(🐤)邂逅了(😚)一(yī )名叫(❄)伊(yī )莎(shā(💞) )贝尔·温伍德（(😸)麦凯(kǎi )拉(🥒)·米卡埃尔Mikela J. Mikael饰）(📷)的(de )女(nǚ )子(😩)，此刻他才(😤)发现(xià(🐯)n )自(zì )己根(👲)本不爱伊(📬)沃。在(zài )看似无辜(🎮)的外表下(🛫)(xià )，蒂姆离开了伊(🚰)沃。而(ér )深(😳)爱蒂姆的(🎎)伊沃，不(🧣)(bú )惜一切(🚋)代(dài )价地(📭)挽(🍗)留着(zhe )他。就在(zà(👶)i )这次旅行结(💾)(jié )束的时候(hò(♒)u )，一切都发生(☝)了改变(biàn )。
杰斯(🌧)科(📹)患了白血(💞)病(bìng )，只有(🕜)移植母(❔)亲的骨(gǔ(🍻) )髓(suǐ )才能(😻)得以救(jiù )治。问(wè(🏅)n )题(tí )是：(🛶)母亲20年前患了精(🌽)(jīng )神分裂(🏕)症，在几乎亲(qīn )手(🚤)(shǒu )杀害自(⛷)己的两个(🍷)儿(ér )子(zǐ )后离家(🚤)出走，后来(🍴)(lái )成(chéng )了个瘾君(🐙)子。杰斯(sī(👆) )科(kē )能够重新接(💅)受这个不(⛽)(bú )负责任(🍕)的母亲么？
格(gé(🤬) )斗会是个(gè(🔻) )地下格斗俱(jù(🦉) )乐部,比赛(sà(🕰)i )没有规则、毫(😦)不(🗒)留情(qíng ),这(🙀)里只有大笔的赌(🔩)注(zhù )与不(🎗)败的传奇(😂),唯一的(de )出(chū )路就(🥢)是死路,德(🥪)克是(shì )唯(wéi )一活(🏇)着离开(kā(🛩)i )这个俱(jù )乐(lè )部(🙍)的人,在消(🔎)失多年后(😔)(hòu ),俱乐部的人找(🍖)到他,这(zhè(👑) )次(cì )他们找上德(🕔)克的弟(dì(🚸) )弟(dì ),杀害他的朋(🔁)友,德克(kè(📫) )只(zhī )有再(♎)度出赛才能救(jiù(💯) )出(chū )他的弟(😦)弟.....
Lauren Bishop, an efficient executive, meets Clay Harding, the son of the owner of the company where she works, in a business meeting. After having intense sexual intercourse, they decide to deviate the company money to a Swiss bank. Last, a cheating game between them two will make a winner and a looser.
1942年10月，在大(dà(📤) )学中学习哲(😃)学和文学(xué )的(🔅)谢拉（保罗(🌐)·布里(lǐ )古力亚(🐅) Paolo Briguglia 饰(shì )）为(🛴)了证明(mí(🔛)ng )自己的勇(yǒng )气，以(🤮)志愿兵的(💎)身份(fèn )抵达位于(🦕)埃及的北(🎈)非(fēi )意(yì )军。这支(💛)驻防部队(🔪)(duì )的(de )长官(🔐)菲奥雷(léi )中尉面(🎯)(miàn )对(duì )久(🌥)久没有换防部队(🤵)接(jiē )应的(🎑)现实变得消沉易(🌺)(yì )怒(nù )，谢(🧠)拉被他分(💮)配到(dào )里(lǐ )佐中(👎)士（皮尔弗(⛰)朗(lǎng )西(xī )斯科(🙀)·法维诺 Pierfrancesco Favino 饰(🔩)）的(de )小队中，谢(⛅)拉的任务(wù(💻) )和同袍们一样，每(🕑)天(tiān )在英(🚒)军随(suí )意(🌍)的炮轰中(zhōng )坚守(♏)着茫(máng )茫(🔭)大漠里意(yì )大利(🛣)军队(duì )的(🚷)防线。这是一场战(🈸)(zhàn )争，同时(🐷)也更是一(🌠)场(chǎng )生(shēng )存竞争(🍥)，意军缺乏(🍟)(fá )物(wù )资供应，比(🎰)(bǐ )炮火更(🚢)(gèng )可(kě )怕的是疾(🖥)病和干渴(🤷)。意军每日(💛)生活在英军(jun1 )进(jì(📏)n )攻的恐惧中(📭)，谢拉(lā )和(hé )里(🔹)佐在哨探过(🏕)程中(zhōng )发(fā )现(💒)了被英军击(💉)毙的(de )意(yì )军，英军(📲)的进攻此(🐇)时(shí )显得(🏴)更加迫在眉睫…(⛳)…
刑满释(👗)(shì )放的洪忠都(dō(🏈)u )（薛景求(🕺)(qiú )饰）出狱后(hò(🤓)u )，家人对(duì(🛡) )他横加排(🥉)斥，而他之(zhī )所以(♑)被判入狱(⤵)，只是(shì )为(wéi )了顶(🦋)替哥哥的(🐃)罪名(míng )。之后心冷(👗)意(yì )凉的(🛄)他(tā )，来到(🎑)车祸死者的住所(🛳)(suǒ )拜访家属(⛲)，遇到死者(zhě )的(🌅)(de )女儿韩恭洙(🎞)（文素(sù )利(lì(🥠) )饰）——一(🥀)名重度(dù )脑(nǎo )麻(🔕)痹患者，面(🎷)容扭(niǔ )曲(🐡)(qǔ )、手脚抽搐。但(🛂)忠都(dōu )却(⛸)被她吸引，并在冲(🤓)(chōng )动下做(⛲)出(chū )大胆之举。
保(❤)罗和芭(bā(🐁) )芭拉是一(😇)对(duì )恩爱幸福(fú(🥐) )的夫妻，保(🔣)罗事业有(yǒu )成，芭(👘)芭拉怀孕(😧)添喜(xǐ )，她一直期(👲)待能拥有(🤲)(yǒu )一(yī )个(⛓)属于他们(men )两个人(🛋)(rén )的(de )孩子。正(😣)当两个人沉(ché(⏫)n )浸在喜悦之(👮)中时，保(bǎo )罗(luó(⛓) )从医生那里(⛏)得知自(zì )己(jǐ )的(👁)哥哥克里(🐁)斯蒂安(ā(❤)n )患(huàn )有一种无法(😫)治愈的(de )基(⛺)(jī )因疾病。保罗的(🛂)世界(jiè )一(👔)下子崩溃了，他怀(📕)(huái )疑自己(🥠)也(yě )可能(🗼)患有这(zhè )种病，因(🧐)(yīn )为一旦(💫)他确(què )实有这种(🕛)(zhǒng )病，他们(🍙)的孩子将面(miàn )临(🎭)很大的风(🦎)险，而芭(bā(🚶) )芭(bā )拉必须打掉(⛪)(diào )孩子。于(yú(🌶) )是保罗开始(shǐ(🖊) )安排检(jiǎn )测(🔨)(cè )。就在检测即(🎪)将开始(shǐ )的(🚉)最后一刻，保罗临(🛃)(lín )阵(zhèn )脱(⛔)逃了，他无(🤫)法面(miàn )对(duì )事实(⚾)的真相。保(📫)罗(luó )坚(jiān )信可以(📢)找到一种(🎴)治(zhì )疗(liáo )方法来(㊙)医治该病(🛁)。但(dàn )是焦(🧡)虑的芭芭拉不同(👂)(tóng )意。两人(🛂)(rén )发生争执，芭芭(👋)拉搬(bān )到(🚤)朋友家去(qù )住。
As the Franco era moves further and further into history, a number of provocative works dealing with that period from a great variety of viewpoints have begun to emerge. A remarkable portrait of Barcelona from 1945 to 1955, Carles Balagué(💄)'s LA CASITA BLANCA effectively explodes the myth of a docile, rigidly controlled postwar Spain. The film details everything from the impressive rise of prostitution to support for the urban "maqui" resistance movement; events such as the visit to Barcelona by Eva Duarte Peron, the massive Eucharistic Congress and the frenzy over Olympic champion Juan Antonio Samaranch are examined in telling and even surrealistic detail. As entertaining as it is revealing, LA CASITA BLANCA shows a level of popular resistance to the regime that while it rarely came into full view, nevertheless formed a persistent backdrop to everyday life in the 50s.