电影 人在囧途

Salvatore "Toto" Cangemi(Antonio Sabato) is a sicilian who has made it big in Milan as a crime boss, his area being prostitution. He is approached by a French crime boss know as "Le Capitaine" he wants to go into business with Toto using his hookers to sell his drugs, only problem is the French aren't giving Toto much of an option. He decides against it and this leads to a big gang war, with tit for tat killings and Toto's hooker being beaten and kidnapped. Toto's second in command Lino Carruzzi, proposes getting his American crime boss uncle "Billy Barone" involved, Toto has little option but to agree in order to save his business. Highly un pc film, that denigrates women all over the place, promotes racial stereotypes and its also homophobic, despite this its an entertaining ride, there's even time for Toto to have some liaisons with the mysterious Jasmine (….but underused Marisa Mell). The violence is as you'd expect with Lenzi quite violent with breast slashings galore and even some genital electrocution…nice! Carlo Rustichelli's jazzy score is nice but a little overused. 将(jiāng )少林寺视为眼中钉(🕕)(dìng )的(de )清廷利用(👭)安插在少林(🦄)(lí(🕡)n )寺中的(de )奸细(👉)提(🏎)供的情报，调(dià(📔)o )遣了各路高手(🤪)火烧少(shǎo )林寺，处心积(🐣)虑地想(xiǎng )一举(🆔)消(xiāo )灭少林(🍫)子(🚼)弟。事出(chū )突(⤵)(tū(⏳) )然，寺(sì )中僧人(🛐)及俗家(jiā )弟子(🚠)仓(cāng )促应战一番后十(〽)死(sǐ )其(qí )九。 本(🦐)片以法国中(🤗)产(💦)(chǎn )阶级为(wé(🚢)i )背(🌜)景讲述了政(⛔)治(⛷)暴力(lì )和恐怖(🍠)，讥讽了政(zhèng )府(fǔ )的伪善(shàn )和无能。纳(🌃)达(dá )是一个(gè(⛏) )法国的小型(🚧)恐(🚥)怖主(zhǔ )义(yì(⏮) )组(😔)织，成员都是无(🚭)政(zhèng )府主义(yì(💅) )者，他们计划将美(měi )国(🐱)(guó )大使从妓院(🗄)绑架到巴(bā(😲) )黎(♋)并将(jiāng )他囚(🍪)禁(😭)起来，以便换(huà(😨)n )取赎金。然而法(🗑)国(guó )政(zhèng )府并不(bú )关心被绑架人(ré(🗽)n ).. 一个叫(jiào )穆(😿)罕(🕗)默德的14岁小(🎌)男(🚾)(nán )孩(hái )在一(🥇)家(🕒)照相器材店里(🚁)(lǐ )做勤杂(zá )工(🔩)，晚上可以睡在店(diàn )里(📖)。他对一个住在(🕸)(zài )富(fù )人区(🔽)的(🌂)(de )小姑娘产生(🐍)了(🙍)(le )朦胧的(de )爱意。一(🛑)天早上，他(tā )得(♑)到机会到这个女孩(há(🖌)i )家里维(wéi )修照(❕)相机，但是最(🌈)(zuì(👨) )终(zhōng )他意识(🍙)到(🌤)自己对女孩(há(🖼)i )的爱是(shì )无望(👜)的。 A group of kids in Brooklyn form a gang. From this moment on they do everything together. This makes things easier but at the same time they have to face new problems. Giulio Borsi (Marcello Mastroianni), a reactionary pharmaceuticals executive, has just set off for a weekend with his young mistress (Carole André) when the two are taken hostage at a gas station by three anarchists. Hunted by the police and transformed into media stars by the press, the trio escapes with their hostages to an isolated villa. For a brief moment, it seems as if class contradictions can be overcome, but then there is a showdown between the authorities and the far-left outlaws. Dino Risi’s darkest political satire was loosely based on a true story and anticipated the armed struggles between the Brigate Rosse and state power. It is also a clairvoyant account of the increasingly sensationalist and bloodthirsty media. At times, it almost seems like a model for the Gladbeck hostage crisis of 1988.