朱兆明营(yí(😭)ng )生不(bú )善，妻范(fàn )玉珊(shān )貌丑(🅰)(chǒu )，二(èr )人为(wéi )追求(qiú )富贵(guì(🀄) )和(🕹)美(měi )貌，分别(bié )求陆(lù )判官换(🌐)心和换头，陆请他(tā )们三(sān )思(🉐)，但二(èr )人心(xīn )意已(yǐ )决。明、(🍌) 珊如(rú )愿以(yǐ )偿，但烦恼接踵(🙇)而(🍉)来，更惹来牢狱之灾。夫妇终觉(📉)悟，愿回复旧状。
梁璎、黄柳花(🔉)、袁璞君一起离开潮汕高级(🕯)商(🔵)船技术学校到上海实习。三人(🐹)一起到黄浦江(jiāng )边去(qù )看轮(⚫)(lún )船，梁璎(yīng )不会(huì )游泳(yǒng )却(📭)立(💑)(lì )刻跳(tiào )入江(jiāng )中救(jiù )人，结(❄)果(guǒ )二人(rén )都差点被淹死，幸(🐠)亏“人(rén )民9l号(hào )”的(de )水手(shǒu )长马(🍔)(mǎ )骏及(jí )时将(jiāng )他们(men )拉上(shà(🌡)ng )岸(🚔)。马骏(jun4 )责怪梁璎不应冒险救人(🤜)，赵船长也认为她太冒失，梁璎(🐨)又委屈又生气。但没想到她们(🔴)实(🐳)习的地方恰恰就是“人民91号”。赵(🤐)船长也想不到安排来实习的(🤖)就(jiù )是她(tā )们三(sān )个。
更多(duō(🅱) )外(🔛)文(wén )名：Flying Swordsman's Raid on Criminal Monastery Part 2
1895年台(tái )湾被(bèi )迫割(📷)(gē )让给(gěi )日本(běn )后，岛内(nèi )民(💴)众便开始了长达数十年(nián )的(⭕)抗(kàng )日斗(dòu )争。发生(shēng )在1930年(niá(😽)n )的(🧡)“雾社(shè )起义(yì )”，则是(shì )日据(jù(🥞) )时期台湾最后一次大规模抗(👷)日事件，反映了岛内少数民族(👆)对(🌏)抗种族差别和经济榨取政策(💪)所发出的惨烈抗议。日本人采(🚐)取所谓的“科学的攻击法”，运用(🤷)(yò(🥩)ng )打炮(pào )、毒(dú )气弹(dàn )才最(zuì(🥖) )终将(jiāng )起义(yì )镇压(yā )下去(qù(🏅) )。起(qǐ )义首(shǒu )领莫(mò )那鲁(lǔ )道(⬜)在弹尽粮绝后，悲壮地自尽(jì(📛)n )身(🎈)亡(wáng )。
EIGHT HOURS OF FEAR (aka HACHIJIKAN NO KYOFU, 1957) offers a classic suspense plot focused on a group of people confined to a small space under threat from criminals who have taken control of them. In this case, it's a small rural bus containing about 15 passengers on their way to make a train to Tokyo after the train line they meant to ride has stopped service due to a landslide. The bus is then stopped and boarded by a pair of criminals fleeing with the proceeds of a bank robbery. The passengers constitute a microcosm of Japanese postwar society and their numbers include a businessman and his arrogant wife; a lecherous lingerie salesman with crude personal habits; a radical student couple given to singing Russian work songs; a despairing single mother with her baby; an aspiring actress on her way to an audition; a seasoned sex worker lamenting the closing of American bases in Japan; an old couple going to visit their daughter; and a detective escorting his prisoner, a convicted murderer. The driver is an old man who works rural mountain routes and the rickety bus is a relic of an earlier age. The movie itself, although filled with references to World War II and postwar problems, plays like it could have been filmed and staged twenty years earlier. It has the feel of a much older movie and deliberately recalls such Hollywood movies of the 1930s as Frank Capra's IT HAPPENED ONE NIGHT, much of which also takes place on a long bus trip through back roads, and John Ford's STAGECOACH, but with a much darker edge than either of those films.
성악에 재질이 있는 금봉(🌫)(윤인자)은 보수적인 부모의 반(🌲)대에도 불구하고 손명규 선생(🕡)의(⭐) 도움으로 서울에서 학업을 계(➿)속하던 중 임학재(최무룡)와 연(🙂)인 사이가 된다. 금봉의 학비를(🙍) 만(🔎)들기 위해 공금횡령을 한 손선(🍑)생은 교직을 사직하고 상경하(🏴)여 김사장(주선태)과 동업을 한(🛂)다. 임학재를 짝사랑하는 을남(💗)(주(🐒)증녀)은 학재와 금봉의 관계를(⚾) 질투하여 학재에게 손명규와(🏼) 금봉의 사이를 이야기한다. 오(🈸)해(🔏) 때문에 괴로워하는 학재는 교(🔂)통사고를 당해 불구의 몸이 되(🦂)고 학재의 사랑을 잃은 금봉은(😥) 결(🧟)국 손선생과 결혼한다. 그러나(⏯) 손선생은 아편밀수에 가담하(🌠)여 경찰에 구속되고 금봉은 불(🕐)행한 삶을 산다. 마지막으로 사(👴)랑(🐃)을 고백하러온 학재와 함께 있(Ⓜ)는 금봉을 본 손선생은 학재를(🔲) 죽이려다 금봉의 손에 죽게 되(🏮)고(📢), 금봉은 살인죄로 감옥에 간다(😻). 감옥에 있는 금봉에게 학재는(🏸) 유학을 포기하고 금봉을 기다(🕌)리(🐄)겠다고 다짐한다.