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前松(🤵)田组(zǔ )干部岛(dǎo )谷良一（高倉(👥)健 饰(👚)）在(🍕)人(ré(👵)n )生最巅峰(fēng )时选择隐退，从(🌁)(cóng )此(🌇)不问(🛰)江湖(🏙)恩怨(yuàn )，偏居东(dōng )京一隅经营一(⬅)家(jiā(😂) )饭店(🛐)，并(bìng )和倾慕(mù )自己的女(nǚ )记者(🐤)仁木(😽)克子(💖)（梶(🕚)芽衣子(zǐ ) 饰）萌生了爱情(🦒)(qíng )。 淒(⛸)美的(📢)(de )愛情(🤑)故(gù )事，看得(dé )人眼眶濕透。宋(sò(🔎)ng )蓮花(🈲)（李(⏫)(lǐ )菁）與(yǔ )韓世龍（林偉圖）(🌇)乃富(💗)家(jiā(🌭) )小姐與高(gāo )官子弟，二人準(zhǔn )備(🏺)成親(⏺)前(qiá(🍛)n )，韓家(🔷)(jiā )被罷官，世龍隨父被放逐(😘)(zhú )回(🔈)鄉。愛(🕴)(ài )侶(👋)一別十數載，蓮花念郎成疾，病重(🏝)離世(🌋)(shì )，世(😔)龍獲悉後心(xīn )如刀割。一日，蓮花(🌈)亡魂(🥃)(hún )出(🐋)現，縱使陰陽(yáng )相隔世龍(lóng )仍決(⛵)意迎(🌓)娶，但(😓)(dàn )卻(🧢)為友人張鐵（金武榮）極(🎞)力反(📡)對，且(🗣)找(zhǎ(🕣)o )道士驅鬼(guǐ )。世龍(lóng )排除萬難(ná(🌂)n )，終能(📗)與蓮(😂)花成(chéng )親共渡一(yī )宵。可惜醒來(🥏)發(fā(❇) )現蓮(📑)花升(🚆)(shēng )天而去(qù )，感人情(qíng )節令(🅿)人心(🌴)酸。 Returning from retirement, Frank Sinatra gives a concert that includes both old standards like "I Get a Kick Out of You" as well as newer fare such as "Send in the Clowns". Much of the program consists of Sinatra solo, but he is reunited with former MGM co-star Gene Kelly during one charming segment. While some Italian crime films (particularly post-1977 ones) are just mindless violence (particularly violence against women), many pre-1977 ones are serious commentary on corruption and the justice system in Italy...and by extension to other Western countries. THE BIG FAMILY is such a film. The Mob is in charge at the film's beginning, the Mob is in charge at the film's end. Anyone who challenges it is killed or somehow taken out of the picture. A police inspector or prosecutor who is making progress may suddenly get the offer of a significant promotion...to another part of the country. Every branch of the government...and the church...is compromised. American businessman Richard Conte can come to Sicily hoping to do some construction projects and thinking that his friendship with the Don back in New York will help him here and that he doesn't have to play by the local rules. An honest cop works hard and makes countless sacrifices, and many good people die because he keeps on his quest. Eventually, he nabs the top man...and it turns out he has achieved nothing and he is back at square one. Even the top man is expendable to the overall survival of the big family. I was impressed by this film when I saw it fifteen years ago, and I'm still impressed with it today. It has enough action to satisfy any fan of 1970's Italian crime films, one of the most exciting genres in film history, but it also has a sobering message, one that is relevant to anyone watching the film anywhere. Although both CROSS CURRENT and GREAT TREASURE HUNT have their moments, THE BIG FAMILY is probably Tonino Ricci's most successful film as a director (I haven't seen his recent family films, although I especially want to see the Buck film with John Savage, nor have I seen the shark film with Treat Williams). Highly recommended to fans of the genre and those willing to see the value in a dubbed genre film. Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him dead, including the crime syndicate, the cops and the brother of the African leader he killed. Shatter teams up with a kung fu expert (Ti Lung) to try to get the money that is owed to him. Various double crosses and fight scenes ensue. A sexy black woman, Foxy Brown, seeks revenge when her government agent boyfriend Michael is shot down by gangsters led by the kinky couple of Steve Elias and Miss Katherine 根(💩)(gēn )据(🔙)史上１００部(bù )伟大推理(lǐ )小(♐)说改(🤵)编而(🏘)成 In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork. ★1973 電影旬報(bào )年度十大第七(🗝)位(wè(👉)i )