电视剧生死钟声

A major of Red Army is late for the train that takes Soviet's forces from Berlin. He telephones to Moscow and finds out that his wife has left him and that someone has moved in his apartment. He decides to stay in Berlin and does so by staying in no man's lend between two Berlins. His only property is small tea-urn, parade uniform and white bicycle. His first contacts are with black market and underground. And while he makes first moves in the game of survival, we're getting to know his past. 正(zhè(✋)ng )在度假(jiǎ(😨) )的房产(🦊)(chǎ(♑)n )税收专(zhuān )家露易(yì )莎·劳伦特（Silvia Abascal 饰(🐋)）接(jiē )到(⌛)上司(sī(🏙) )爱(📟)德华(huá )多的电话，要求她火速前往位(🔰)(wèi )于蒙特(🕠)(tè )·奈(💡)格(📟)(gé )洛的(🔗)瓦(😀)(wǎ )德马尔(ěr )公馆。这座公馆建造(zào )于(🐑)维多(duō )利(🧚)亚时(shí(⏩) )期(🏑)，有着悠久的历史。早在一(yī )个月前(qiá(🚪)n )爱德华(huá(👋) )多便派(🚿)(pà(⛲)i )下属奥(😀)(à(🈯)o )利西亚(yà )前去进行资产评(🥇)估，准备将(🔝)(jiāng )公馆(🍑)拍(🧢)卖。然而(🍿)奥(🔚)利西亚从此(cǐ )杳无音(yīn )讯，适(shì )逢拍(💰)卖(mài )日期(💆)提(tí )前(🏨)，他(📁)(tā )只得匆忙找到露易莎(shā )。经过(guò )一(🎵)番讨(tǎo )价(👶)还价，露(😸)易(📀)莎临危(🦒)受(🈹)命。她(tā )来到这(zhè )幢破败(bài )的宅邸(dǐ(👻) )，却在(zài )视(🌎)察内部(🤐)情(🍞)况是见到(dào )一具高(gāo )度腐烂(làn )的尸(💉)体。 Hundred years ago, three students at the Hellestads Boarding School were brutally slaughtered, the murderer drowned himself in a lake nearby and his body was never found. The story has become a legend for generations of students as well as a yearly festivity. Sara, a student, is writting an essay based on the legend and uncovers new facts from the event that will cast dark shadows on the family name of one of the school's main benificiaries. On the night of the hundreth anniversary, the festivities go awry, students disappear and something dark and unknown is moving through the schools corridors... DETENTION SUCKS BUT IT'S KILLER FUN: It's four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore 'undercrust,' crashes the party to avenge her sister's death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It's not long before a naïve pussycat lover, gay drug dealer, smokin' hot preacher's daughter, squeaky-clean senator's son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each 'bad kid' pits one against the other, and one by one each falls victim to absurdly gruesome 'accidents' while trying to escape. (Based on the best-selling graphic novel sequel 'Bad Kids Go 2 Hell.') This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 今年(🔷)秋季一(🏩)部(📤)《午(wǔ )夜灵异(yì )录像》（Paranormal Activity）以(yǐ )一万多(👒)(duō )美元的(🅰)(de )超低成(🥀)本(🍹)在北美(🙂)取(🗃)得(dé )了一亿(yì )多美元的票房回报，让(🥐)人啧啧(zé(🚔) )称奇。眼(🏃)下(🚰)该(gāi )片导演(yǎn )Oren Peli已经和(hé )派拉蒙(méng )公(🏖)司再度签(🎚)约，将让(🏇)(rà(📦)ng )他们继(😢)(jì(😣) )续来发(fā )行自己的新片《51区》（Area 51）。