原生之罪

东海(🙅)(hǎi )郡窦娥(👧)被冤杀(🧥)之后，血溅白(bái )练、六月飞雪(🛫)、大旱(😃)(hàn )三年，而(👠)后怪事频(💟)发闹得(🌺)民(mín )不聊生(shēng )。皇帝命重臣周(📯)天章(zhā(🧣)ng )（邱心(xī(💳)n )志 饰）赴(😧)东海郡(✝)调查(chá )缘(yuán )由并(bìng )查办此案(🚉)，险象环(🆑)生、蹊跷(🛠)(qiāo )不断(duà(🏩)n )，众多离(🚮)奇事件、怪(🚦)异(yì )人(📧)物(wù )纷纷(🍀)登场，随着窦(dòu )娥(👬)案(àn )的层(🌾)(céng )层剥(🏒)开，幕后的真(😰)相让(rà(😩)ng )周天章(zhā(🚧)ng )目瞪口呆(🚀)。 さびれ(🏍)た商店街(jiē )にある酒屋の跡(🚾)取り息(🍐)子の邦夫(🍝)は、母親(👴)の死を(🔁)きっかけに地元の新潟に帰(⛹)(guī )るが(🍴)、うだつ(😀)のあがら(🌈)ない邦(🍺)(bāng )夫に愛想を尽かした妻の(🏆)陽(yáng )子(🚲)は、子ど(🏡)もを連れ(🧓)て東京(🌨)(jīng )に戻(tì )っ(🎦)てしまう。陽子に(🛩)離(lí )婚を突きつ(💊)けられた(🥤)ことで(🖤)自分(fèn )のふ(🤩)がいな(🥅)さを痛感(🚁)した邦(bā(🍆)ng )夫は、(🖐)父の倉三とともに商(shāng )店街(🏬)の活性(✨)化を目指(🙊)す。新(xīn )潟(👱)県十(shí(💟) )日町市で開催された「大地(🧙)(dì )の芸(👆)術祭越後(✳)妻有アー(😈)トトリ(🤗)エンナーレ2009」で上(shàng )映(yìng )さ(📍)れ話題(🕋)を集め、(✔)10年に劇(jù(👄) )場(chǎng )公(🐀)開(kāi )が決定(🤕)。池内万作がダメ(🔲)息(xī )子を熱演。 ''This one is a feminist horror anthology, in which the beautiful bleach-blonde Stephanie Spencer fields a series of crude remarks from belching, T-shirt-wearing, pickup-driving character actors, then watches them die in grisly blood-spurting closeups after being visited by zombies, so that in the big final story of the video, she can dress up in black lingerie, tie her weenie boyfriend to the bed, and summon a demon into her body, if you know what I mean and I think you do. But the best story on the tape, “Too Much TV,” stars Lisa Hatter as a girl who watches a slasher-movie host on cable all day, figuring out ways to kill her sarcastic mother Sonja Etzel. '' Michael's heroin addiction is beginning to test his limits, but when he is kidnapped and taken into the woods, he soon discovers just how far those limits will go. 玛(⏺)格特(tè )·(🍝)罗(luó )比(👙)将(jiāng )出演华(🎿)纳传记(🕕)片《空中(zhō(🏦)ng )女王(wáng )》(Queen of the Air，暂(🕔)译)。影片(🔚)改编自(zì )迪恩·詹森同名传(👷)记作品(😿)，讲述上(shà(💜)ng )世纪20年代(⏱)杂技圈(🍊)著名(míng )女飞人(rén )莉莲·雷茨(🚃)尔与搭(🦀)档(dàng )阿尔(🎖)弗(fú )雷德(🚈)·克多(👝)纳的浪漫(màn )故(gù )事。雷茨尔曾(😭)是“玲玲(👐)马(mǎ )戏(xì(🧜) )团”及“巴纳(🚆)姆和贝(👩)利马戏(xì )团”的台柱明星，1931年她(🤴)在演(yǎn )出时(shí )因(👘)绳(shéng )索断(🖍)裂丧生(💔)。 導演(yǎn )：劉(🏛)(liú )陽 学(🚱)(xué )校でい(😟)じめられている(🧠)10歳のフミ(♑)（福田美姫）。家(jiā(🙉) )庭では(☔)義父に虐(🗯)待され、(🌩)夫(fū )に(🔃)暴力(lì )を振るわれる母は新(🐖)(xīn )興宗(🖕)教(jiāo )にの(👳)めり込み(🌷)、フミ(🥎)には心(xīn )が安らぐ場所がな(🐧)く、助(🤼)けてくれ(🍥)る者もい(🎲)なかっ(💽)た。ある日、フミは町で連(liá(🎅)n )続殺(shā )人事件が(👅)起きてい(🍷)ること(🔵)を知る。殺害(🤔)現場を(😑)巡ること(🔡)にしたフミは、(🎎)そこであ(💩)る人にメッセージ(😪)を残し(🍠)……。 California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What's more, his wife won't answer his calls. It's as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty, hostile environment. Alone and without human contact for days on end, he listens continuously to a talk-show on the only local radio station. The host, a man named Eddy, takes calls from listeners who share their thoughts on a child killer at large in the area. At the same time, Sam starts getting psychologically harassed by strange threats he receives on his pager. Gradually, people begin to reappear and attempt to kill him. Sam has become a target and he must now defend himself. Little by little he loses it, caught up in a paranoid identity crisis. Is he truly the killer they're after, or is he being driven ... On the brink of puberty in 1962 suburban Winnipeg, Sarah Matthews is increasingly challenged and confused by her mother's instability and sexual power. While her father refuses to acknowledge that the family is fracturing under the stress of his wife's mental illness, Sarah uses her creativity, inner strength, and a new friend to discover her own identity. With courage, Sarah bears witness and demands truth from the adults around her, demonstrating love's capacity to endure.