掠夺狂爱

At first glance, our two stars of Born Winner, Pericles (Joe Dallesandro) and Sandro (Massimo Ranieri) do not appear to be Born Winners at all. Sandro, played by the charmingly handsome Ranieri, is unceremoniously dismissed from his job after a party he is catering for is robbed at gunpoint. Shortly after, he fails in his attempts to find a new job. Fate, or what you will, allows a piece of paper with Sandro's address to fall into Pericles' hands. Pericles is the man who committed the robbery at Sandro's last catering job, causing Sandro's dismissal. Soon, our Pericles, who is the gorgeous Joe Dallesandro incarnate, is living with the newly directionless Sandro; Pericles soon takes Sandro through the fast, thrilling, dangerous, and fleeting, swiftly fleeting, curves of life. As Pericles tries to help Sandro earn a living as a petty thief, Sandro tries to help Pericles learn to love life again. Joe Dallesandro is remarkable as an ex-championship motorcyclist whose career prematurely ended after a nasty accident. The fates of Pericles and Sandro leave an indelible mark upon the viewers; as the other poster commented, the curves are muddled, but they are muddled with good cause. Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema. 英意合拍(🙁)动画片，Ennio Morricone配(💘)乐 挥霍(🚾)无度(dù )的威(wē(🥍)i )利·利兰再次返(✂)(fǎn )回(👜)到(dào )一贫(🗝)如洗的(🚬)伦敦家里，他父(🈯)亲很(hěn )高兴(xìng )，但(🛒)(dàn )威(🍼)利·利兰(🏳)(lán )似乎(🥂)(hū )并不愿意留(💿)下。 Abigail Clayton独自一人生(shē(😄)ng )活，已将(jiāng )近20年(🛺)(nián )没有(🧦)离开她(tā )的公(🍐)(gōng )寓。当她的邻居(💔)死亡，侦探(tàn )Frank Giardello登(🤹)门(mén )造(🍁)访(fǎng )展开调查(🍝)，她原(yuán )本(👖)秩序井(💸)然的世界开始(🌡)瓦解。 【(📩)故事(shì )简介(jiè(🔢) )】 刘恩源(🏉)是(shì )国(🌧)内(nèi )受人尊重(🖍)的教头，收了不少徒弟(🤮)(dì )。其(qí )徒(🏜)弟(dì )郑(💾)为救妹妹(mèi )而(🔄)被(bèi )迫去参加在(🍞)曼谷(🖊)举行的泰(🔼)拳比赛(🥒)(sài )。刘(liú )同情(qí(🌚)ng )郑，与儿子(zǐ )康陪(💧)(péi )郑一同前往(🤧)。不料，康(🌸)与郑(zhèng )比赛(sà(🍍)i )输了(le )。由(yóu )于该比(🔬)赛被(bèi )视作(zuò(🧡) )是中国(🏰)人和泰国人功(🏕)夫实力(lì(🧛) )之较(jià(🍍)o )量，国内各派武(🥘)林高(gā(🙈)o )手因此非常气(⛴)愤，纷纷指(💺)责刘。刘(🤤)的(de )女儿(ér )小凤(🎒)因此被(bèi )退婚(hūn )，刘的(📳)徒弟亦纷(📇)纷离去(❎)，刘受不(bú )住打(💲)(dǎ )击，自杀身亡。为(👥)挽(wǎ(👬)n )回父亲名(🛎)声，小凤(🏹)和康前住(zhù )曼(🎤)谷(gǔ )学习(xí )泰拳(💔)(quán )，希望能在(zà(🍧)i )泰拳(quá(🈺)n )锦标赛中打赢(🥛)泰拳高... Alternate language version of Parisian Life (1936) An ex agent of the FBI and Interpol (Tony Lo Bianco) is expelled by the CIA and he starts a detective agency in Genoa, great Italian city. Here he is known as 'The American', despite his origins are Sicilian. Dr. Mayer entrusts him to investigate on the sequestration and murder of the shipowner Mayer, as well as of the recovery of a million of Liras poured for the not happened liberation of the dead one. 'The American' has to overcome a double barrier: commissioner Lo Bianco that fears the illegal methods and a violent gang headed by the gangster called 'The French'. 'The American' gets the friendship of Lo Bianco after manifold mishaps, showing to be still an excellent police officer. In the middle of the seventies Italy lived its darker season, because victim of the terrorism. Those were the so-called 'Anni di Piombo' (Leaden Years), so many Italian films reflect the fear that could be read in the eyes of Italians. This rare crime-cop movie is an explicit example of that climate. Excellent O.S.T. by Franco Micalizzi. French version (dubbed in Italian at bcult.it) is 95 minutes longer. 美国队(duì(🏁) )长的(de )初次(cì )影(🥔)像化由(🚓)共和电(diàn )影公(🤛)(gōng )司（Republic）完成，以(🕹)三四十年代(dà(⛺)i )很流(liú(🏒) )行的(de )系列片（(🔚)分集片(pià(🎉)n )） 为载(🤯)体，出现在观众(🛋)的面前。不过(guò )这次(cì(🔸) )初登场并(🤴)没(méi )有(⛵)获(huò )得预期的(✒)反响，反而很多人(🐊)不满(🍉)(mǎn )意影(yǐ(⏳)ng )片对(duì(🐒) )于固有情节(jiē(😫) )的修(xiū )改，比如说(🧢)美国队长的身(💕)份(fèn )从(🥠)一(yī )个战(zhàn )斗(🚈)英(yīng )雄变成了地(🚯)(dì )方检(jiǎn )察官(👊)，武器不(🎅)再是金属盾牌(🗄)(pái )，助(zhù )手巴(bā )基(🍨)没有出现等等(🎵)(děng )。这部(🆔)电影的价值恐(💡)怕就在于(👇)这(zhè )是(🌭)美(měi )国队(duì )长(🍖)的处子秀吧。