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汤(tāng )米的父亲因(yī(😿)n )病住(🌕)进医院,苦(🥐)心(xīn )经(jī(📧)ng )营的农场(📝)负(fù )债累累.回到阔别(🧖)十(shí )年之(🔀)久的(🐠)家(jiā )乡,汤(🦄)米重遇昔(👽)(xī )日恋人妮可.但是(shì(☝) )物是人非(😍),她已(👴)(yǐ )为人妇(📛).妮可的儿(🧝)(ér )子萨斯卡与汤(tāng )米十分投缘(㊙).在激(📜)(jī )烈(🔢)的争(🏛)吵中,父(fù(🧀) )亲将实情(✅)脱口而(ér )出(chū ):萨斯卡(👍)是汤(tāng )米(🗼)和妮(🏰)可的儿子(🤡)(zǐ ).对(duì )于(🎽)汤米的离(lí )开,父亲一直耿耿(gě(🧜)ng )于(yú(🤠) )怀加之农(👴)场(chǎng )经营(🍿)不善,两人(😻)总(zǒng )是(shì )争吵不休.汤(🐔)(tāng )米内心(💧)苦闷(👏),却从(cóng )女(🚃)(nǚ )友萨拉(🎽)那里(lǐ )得不到安慰…最终(zhōng ),在(🏔)朋友(😝)的帮(bāng )助(🍊)下,汤米使(🗽)父(fù )亲的农场渡过危(wēi )机,自己(🏌)也得(🤫)到(dà(🚬)o )了众(💍)人的原谅(🥞) . 卡(kǎ )车司(🦁)机寻找他(tā )的兄弟，他(💰)在一(yī )个(🛏)由腐(🔓)败法官(guā(⌛)n )管理的小(🎧)镇失踪(zōng )了(le )。 When Sergio learns that he will soon have a baby brother, his imagination kicks into gear in devious and alarming ways. But when his mother suffers a miscarriage, Sergio's feelings of guilt are all too real. 英国的德(dé )尔斯布(🙇)勒，正(🦉)悄(qiāo )悄(qiā(🔱)o )展开一场(📛)游(yóu )戏。这(💧)是属于富(fù )翁(wēng )和杀(🎯)戮者的(de )残(💜)酷游(🌟)戏，它每(mě(😱)i )7年(nián )举行(🍳)一次，幕后操纵者以一(yī )千(qiān )万(🔑)美元(🔺)奖金(jīn )为(👷)诱饵召集(➡)了(le )世界(jiè )上30位顶尖杀(shā )手，在24小(🌴)时之(zhī )内(➖)，他们(🙉)将在这(zhè(🎩) )个小镇内(🏟)捉对(duì )厮杀，只有最后(😰)(hòu )的王者(🌷)才能(🗺)获(huò )得巨(😥)额报酬。与(🐖)(yǔ )此同时，富豪(háo )们坐在大屏幕(🕺)前(qiá(🥐)n )观(guān )看现(🍭)场直播(bō(👝) )，大赌输赢(🆗)，场(chǎng )面(miàn )极其疯狂。 一(🤽)个神秘的(💌)陌生(😽)(shēng )人(rén )来(📏)到新墨西(✖)(xī )哥小镇。他总是(shì )骑(qí )摩托车(😄)，而(é(🚗)r )他身上所(🎽)有的东(dō(❔)ng )西(xī )都是圣经，因为他是一个(gè(🌶) )狂热(rè )的(🉑)公义(🐅)追求(qiú )者(🖍)。当他来到(💨)(dào )这个陌生的地方(fā(🔈)ng )，发现里诺(💇)家(jiā(💙) )族掌管着(👴)这里的(de )一(💫)切，人们都(dōu )很害怕里诺。但(dàn )是(❕)他不(🎧)惧怕这(zhè(🌋) )里的邪恶(💔)势力，坚(jiā(🎁)n )决要寻求正(zhèng )义，到底(⚡)他单人(ré(🤽)n )匹(pǐ(📝) )马能不能(📮)解(jiě )救镇(🍢)上的人们呢(ne )...... This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.