清末民初，日本列(♉)强(📓)对(🥃)我中华(huá )大(dà )地(dì )一(yī(🏂) )直(😍)垂(👝)涎三尺，虎视眈眈。他们派(♌)(pà(🔅)i )遣(❄)(qiǎn )特(tè )别(bié )行动队秘密 绘(🏓)制(🕥)我国边防要塞军(jun1 )事图(tú )，并(😅)制(🐪)成密(🗿)函伺机行动，侵犯我国(🐱)土(📼)。此(cǐ(🍄) )密(mì )函(hán )被我留日华裔(😍)青年(😙)木村偶然获得(dé )，为(wéi )阻(zǔ )止(🎢)侵(🍕)略行动，木村携妻子纪香，女(🎭)儿(🌜)(ér )樱(yīng )子带密函毅然返回(🧤)国(🐼)土。为缉捕木村(cūn )，夺回(huí(🕑) )密(🥃)函(🤭)毁灭罪证，日本列强派忍(🙉)者(🦄)(zhě(🌒) )特(tè )别(bié )行(háng )动队展开(🥫)了(😣)一(🏰)路追杀……
A look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.
特工布(bù )莱(lá(🏟)i )恩(🌨)(ēn )(利(lì )亚姆·尼森 饰)深爱(💳)着(🚕)女儿(👻)凯姆(麦(mài )琪·格(gé )雷(🐀)斯(🌃)饰)，却(🐕)由于工作的原因难以给(👈)予(yǔ(😴) )她(tā )日(rì )常(cháng )的父爱，失望的(🔽)妻(👭)子带着女儿改(gǎi )嫁(jià )他(tā(💭) )人(🙆)(rén )。退休后，见识过太多黑暗(🦂)势(😦)力(lì )的布(bù )莱(lái )恩生怕(🏯)女(😴)儿(🎖)受到伤害，费尽心力的守(🐎)(shǒ(🔣)u )护(😳)(hù )她却(què )也因此带给凯(🖱)姆(🐴)种(🍮)种束缚，引发(fā )了(le )父(fù )女(nǚ(♈) )间(🐭)的矛盾。
◎片 长 85 Mins
乔治(👣)娅(🧟)(yà )（(🔐)妮(nī )娅(yà )•瓦达拉斯(🔯) Nia Vardalos饰(😉)）是(💔)一位希腊裔美(měi )国人(ré(🍺)n )，是一(💇)位导游，常年带着游客在(🐇)希腊(🔂)的(🚔)(de )名(míng )胜(shèng )古(gǔ )迹间穿行。日(🦅)复(🌄)一日的重复着旅(lǚ )行(háng )介(🤑)(jiè(🐇) )绍(shào )，经过的地方也走过(🛑)太(🏪)多(💡)遍，还(hái )有来(lái )自(zì )不同(🙀)文(🎇)化(🐆)背景的游客们，这一切都(🎵)让(🧝)(rà(📣)ng )乔(qiáo )治娅(yà )头疼不已。于是(🔟)，乔(🤺)治娅萌生了(le )辞(cí )职(zhí )的(de )冲(🕵)动(🌥)，想彻底离开眼前的生活。无(🧣)(wú(🏳) )奈(nà(🌅)i )，老板还是把一个新旅游(👽)团交(😬)给了(le )乔治(zhì )娅(yà )，起(qǐ )初(🛷)一切(🐮)如她原来经历的没有什么(me )不(👚)(bú(📻) )同(tóng )，直至一名旅客厄夫（(😸)理(♿)查德•德(dé )莱(lái )福(fú )斯(💇)(sī(🔏) ) Richard Dreyfuss 饰(🕴)）的出现，这个形貌普通(🕜)的(💬)人(🤞)(rén )却总(zǒng )是(shì )快乐自在(🦇)的(✉)生(🕰)活。乔治娅慢慢被感染(rǎn )，开(🙍)始(🥀)(shǐ )换一种眼光去看自己的(🥊)工(🎋)作和生(shēng )活(huó )，不(bú )仅重拾(⛏)工(🥟)作的(🛸)乐趣，并注意到那(nà )个(gè(🕖) )一(yī(🎯) )直(zhí )在他身边默默无闻(👩)的司(🌑)机波皮（亚历(lì )克(kè )西斯(sī(🆓) )•(🔡)乔奇奥里斯 Alexis Georgoulis饰），一切悄然(🕺)发(⭕)(fā )生(shēng )变(biàn )化(huà )……
Included in Jonathan Rosenbaum’(♎)s list of 1000 essential films, Parviz Kimiavi’(🏰)s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’(🚛)s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
金发女郎玛丽一直(zhí(🛫) )梦(🤳)想(📨)(xiǎng )做(zuò )个演员，抛夫弃子(📪)到(🌖)大(🥠)城市追寻(xún )明星(xīng )梦(mèng )。她(📛)的(🛷)丈夫科夫寻找到这个城市(🍸)，苦(🐯)(kǔ )劝(quàn )她能(néng )够回归家庭(🌾)尽(🤫)母亲(🌒)的责任，玛丽(lì )一(yī )心(xī(👸)n )想(xiǎ(🛬)ng )的还是城市的耀眼和繁(⏸)华，她(🙊)趁(chèn )机(jī )摆(bǎi )脱(tuō )了科夫。第(❔)二(✖)天，科夫接到警方的消(xiāo )息(⬇)(xī(🗿) )，玛(mǎ )丽被谋杀了，玛丽的(🌝)死(🐁)亡(🗞)种种迹(jì )象(xiàng )表(biǎo )明(mí(😮)ng )与(😠)好(🐹)莱坞落魄的小导演內威(🍞)克(👋)有(🌙)(yǒu )关，內(nà )威克一直宣传自(🎌)己(😅)的特级效果，将是(shì )震(zhèn )撼(🍨)惊(📋)心的。科夫为寻求真相，又遇(💵)见(🐠)(jiàn )和(👀)(hé )自己(jǐ )妻子同样有着(🍠)金发(🛏)的美丽姑娘，这(zhè )姑(gū )娘(📀)(niáng )即(🚢)将成为內威克新任女主角。究(🥈)(jiū(🚽) )竟谁(shuí )杀(shā )了玛丽，小导演(😨)秘(🚔)而不宣的特级效果(guǒ )又(📖)(yò(🧖)u )是(✉)什(shí )么......