日本少女人体艺术

第二(🕉)次(cì )世界(🦆)(jiè )大战结(🦕)束后，曾(cé(🛺)ng )经的大(dà )都会东京放眼望(wàng )去一片疮痍，破(pò )败凄(qī )凉。在穷苦百姓(xìng )聚集(jí )的(💝)长屋街，活(🍺)不(bú )容易(yì(🍶) )活下来的(🎆)人们用(yò(👊)ng )勤(qín )劳的(😼)双手重新(🛸)修缮自(zì(🆗) )己的生活(🚵)，他们(men )团结(🏺)(jié )一心，向(🧝)往美好(hǎ(🦈)o )的(🍝)未(wèi )来(🌘)。某(💴)天，田代(dà(🤹)i )领回(huí )来(🕸)(lái )一个名(🎋)叫幸平（(🤮)青木放屁(🏥) 饰）的男(💇)孩(hái )。幸平(🗯)的父母双(🤱)(shuāng )双死(sǐ(🚊) )于战火，他(🐪)一个(gè )人孤(gū )苦伶仃，朝不保(bǎo )夕。虽(suī )然善良的人们都(dōu )很同情幸平的遭(zāo )遇(🐍)，可是维持(🏞)自身的(de )生计(🦕)(jì )已然勉(🌁)强，如何(hé(⬇) )再应(yīng )付(✂)新添的一(🐺)张嘴(zuǐ )呢(🆓)(ne )？几经合(🥖)计，田代决(🕊)(jué )定将幸(📛)平托付给(🕜)(gě(🚆)i )经营(yí(⏲)ng )店(🚡)铺的老板(😷)娘阿(ā )胤(🕢)（饭田蝶(🤔)子 饰）。然(🏯)而(ér )阿(ā(🎗) )胤由于自(🦀)身的痛(tò(🐠)ng )苦经历，对(🧣)孩子表现(♋)(xiàn )出抗拒(🤼)厌恶的态(tài )度。不过随着时间的(de )流逝(shì )，她心底的温柔(róu )母性慢(màn )慢地苏醒过来(🌊)…… Philip Marlowe（亨(🕉)弗莱·鲍(bà(🤝)o )嘉 Humphrey Bogart 饰(shì )）(🖍)是一个私(🍸)家侦(zhēn )探(😺)，这天他接(⛪)到邀请(qǐ(👑)ng )来到(dào )General Sternwood的(🤓)家中，Sternwood让马(🧣)洛(luò )调(dià(🥢)o )查关于他(🌂)女(🐣)儿的一(📺)笔(🏧)(bǐ )债务，他(🤭)的女儿(é(😅)r )Carmen Sternwood 欠了(le )一个(👠)叫Geiger的人一(🎊)笔(bǐ )赌债(🚣)(zhài )。在Marlowe想要(🤔)离开的(de )时(🔉)候(hòu )，Sternwood的大(🚤)女儿Vivian（劳(🔛)伦(lún )·白(🎫)考尔 Lauren Bacall 饰）栏下了(le )他，告诉他其实(shí )她父(fù )亲找他来调查的(de )真正(zhèng )目的是为了寻(🌅)找(zhǎo )一个(📏)失(shī )踪的朋(🔤)友，Marlow将信(xì(♐)n )就疑。第二(👻)天Marlow去(qù )寻(⛎)找(zhǎo )Geiger，在Geiger家(🥂)门前却听(🏔)(tīng )到一(yī(👓) )声枪声，等(🍜)Marlow进去(qù )的(😝)时(shí )候，却(🏒)只(🔡)发现了(📐)(le )Geiger的(⏯)(de )尸体(tǐ )还(🕖)有被绑住(🎿)的Carmen Sternwood（玛塔(❎)·威克斯(🗽) Martha Vickers 饰(shì )），还(🚸)有一台相(🗜)机。Marlow带走(zǒ(💤)u )了相机并(👕)把Carmen送回(huí(😴) )家，等(děng )到(🤷)Marlow再回到现场时(shí )，却发现Geiger的尸体已经(jīng )不见了。而Sternwood家的(de )司机(jī )也因车祸(👳)身亡。案件(🕒)(jiàn )变得越(🤱)来越扑朔(shuò(📳) )迷离，这些(📔)事情间到(💵)底(dǐ )有什(🌛)么联系？(🚎)Marlowe能否发(fā(🧚) )现真相？(👵) 这是一(yī(🌾) )部想(xiǎng )当(⛔)令人愉悦(🥞)的(🚵)歌(gē )舞(♿)片(🌥)(piàn )，获1946年奥(⛴)斯卡最(zuì(👾) )佳(jiā )音乐(🏸)(lè )歌曲奖(🖲)和最佳音(🕌)(yīn )乐—音(🈵)乐片配乐(🙆)(lè )提名(mí(🧗)ng )奖！ On vacation, Tom Lawrence--The Falcon--and his Brooklyn-born sidekick 'Goldie' Locke meet cute with a little girl named Annie whose nurse has just been murdered. Accompanying Annie home, The Falcon is arrested for kidnapping, but bailed out of jail by a mysterious woman (Helm). A labyrinthine plot then unfurls involving silk smuggling, a steamship called the S.S. Citadel and an ex-bootlegger named Duke Monette. Helen Brent has just received a Reno divorce. That night, she discovers one of her neighbors, Laury Palmer, and a gentleman caller murdered in their home. The killer is her neighbor's other boyfriend, who won't abide anyone "cutting in" on him. This is Sam Wilde, a man who knows what he wants, is insanely jealous of what he has, and will kill to keep it. Rather than tell the police what she knows, Helen hops a train back to San Francisco... "Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafströ(😫)m, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." 本片是(shì )迪士(shì )尼(ní )于1948年推出的第十(shí )部动画长片，也是该(💿)(gāi )公司制(⛺)作的第五(wǔ )部短(duǎn )篇(🔬)合集，它分(🤽)别(bié )由冬(〽)(dōng )日回忆(🏩)（Once Upon a Wintertime）、狂(🧀)(kuáng )乱的飞(🦂)(fēi )行（Bumble Boogie）(🚀)、强尼苹(🎈)(píng )果籽（(🥧)Johnny Appleseed）、拖船(🥧)小(📵)嘟(dū )嘟(🌘)（(🦕)Little Toot）、树木(📋)之(zhī )颂（(🈁)Trees）、忘情(📔)森巴舞(wǔ(👪) )（Blame it on the Samba）和佩(🚫)柯斯`比尔(🥁)（Pecos Bill）等七(🌽)(qī )部音乐(💃)短片组成(🏣)(chéng )。音乐风格涵盖(gài )古典(diǎn )、流行、桑巴、爵士(shì )，应有尽有，剧(jù )情上(shàng )既有无(💦)拘无束的(🐄)奇(qí )思妙想，也有根据(🐕)美(měi )国民(🤡)间人物改(🔯)编(biān )的故(🔺)(gù )事。许多(💯)当时著(zhe )名(🀄)的(de )歌手、(🛁)演员、作(🌼)(zuò )曲家、(🥧)动画人加(🦌)盟(🌛)制作(zuò )团(😬)队，打造出(🔲)丝毫不(bú(🏐) )亚于幻想(🍴)曲的经(jī(🗼)ng )典动(dòng )画(♎)作品。 In this mystery, a private detective is falsely accused of murder by his secretary who wants to protect her little sister who has been formally charged with the crime. The detective must solve the crime before it is too late. To do so, he gathers all the suspects at a radio studio and reenacts the crime. The killer is revealed.