22岁的(🍱)青年(♍)齐木顺（水谷(🗃)丰 饰(🚈)）其(qí(🤳) )家中(zhō(🌶)ng )经(jīng )营一家(🕤)修车行(🎴)(háng )，他(tā )靠父(🚻)母出钱(🔌)开了(le )一个(gè(🆎) )小酒吧，年轻貌美的(📶)(de )美子（原田美枝子(🗂)(zǐ ) 饰(shì )）在酒吧中(🉐)作(zuò )女招(zhāo )待，久而(🐠)久之，两人(rén )产生了(🐐)感情。
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll need to drive a little faster than that. Well actually, they will need to drive a LOT faster that 55.
影片讲(jiǎng )述德(🚼)川时期发生的(🛤)两(liǎ(👿)ng )个残酷故事：(📳)
这部(🍘)(bù )跟(gēn )风恶搞(🌍)经典(💗)怪(guài )兽电(diàn )影(🙋)#金刚(👧)# （King Kong）的英(yīng )国(🍷)喜(xǐ(🎙) )剧B级片，可能是(🤕)史上(🐾)(shàng )最烂(😝)的电影(✳)之一。剧(jù )情(🏭)和金刚(🤕)如出(chū )一辙(🥟)(zhé )，只不(🕌)过性别发(fā(⬜) )生了(le )颠倒，一只母猩(💾)(xīng )猩爱(ài )上一枚帅(🤫)男……值得(dé )一提(🗓)的是，此片在(zài )日(rì(👒) )本引发了一小(xiǎo )股(👊)的(de )cult风潮。
时值1935年二(è(🚳)r )战期(qī )间，法国(💝)国内(🚨)局势混(hún )乱。一(💻)对小(💗)混混雅克(kè )和(🏔)布鲁(🌸)诺专门(mén )以盗(🆓)(dào )窃(👴)(qiè )新款的雪铁(👺)龙(ló(💠)ng )车为(wéi )乐。并且(🤡)组建(⏫)了(le )一个(🐽)(gè )“前置(📡)引擎驱动团(🚢)伙(huǒ )”，与(💪)警察们玩起(🌿)了(le )猫捉(👱)老鼠的游(yó(➖)u )戏，这(zhè )一玩就是10年(🍙)。雅克(kè )等人享受着(🧢)这个(gè )惊险(xiǎn )而刺(🔘)激的过程，不断(duàn )偷(🗿)窃，逃跑，并以(yǐ )摆(bǎ(🐥)i )脱追捕为荣。而动(dò(🤟)ng )荡的环境下，好(😕)(hǎo )坏(🔄)是(shì )非已经渐(🎆)渐模(💒)糊，好(hǎo )人便不(🔵)再永(🎺)远是绅士(shì )，而(🧣)坏人(🛑)也不(bú )注定(dì(🕍)ng )就(jiù(🏀) )是最残(💈)忍的...
이(🚞)백호와 효정(🏨)의 두딸(🆗) 중에서 언니(🛎) 추하는(⏭) 음악에 소질(🌧)이 있고(💛) 조용하나 추(😀)운은 말괄량이다. 백(⛔)호는 추하가 불치병(🥒)에 걸렸기 때문에 편(🤐)애한다. 함께 자란 자(🥠)량은 추하를 좋아하(📘)고 추운은 자량을 좋(😵)아하나 추하는(⛑) 맹아(✋)학교 선생인 국(🐂)휘를(🕒) 사귀고 맹아를(🚙) 가르(🌞)치기로 한다. 추(🔱)하는(😫) 자신의 병을 알(🤕)고 국(📫)휘 곁을(🎒) 떠나나(🅿) 설악산에서(💕) 둘은 다(♒)시 재회하게(🈺) 된다. 그(🕧)러나 국휘의(🍁) 품에서 추하는 숨을(🐓) 거둔다.
故事讲(jiǎng )述(🎷)宇(yǔ )达的父亲赵仁(🗃)欺(qī )骗了(le )雅芳的感(🐷)情，还为了(le )钱财杀害(👧)了雅芳母女(nǚ )俩，事(📯)后过了多年(nián )，没想(🧐)到有一夜(yè )晚(🍤)竟(jì(❎)ng )看到鬼魂幻觉(🏆)，雅芳(📩)(fāng )母女俩变成(🚙)鬼复(🔏)仇而(ér )来.......
TV Series:"BBC Play of the Month" (1965)
Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.