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（转自IMDB） 易卜生(shēng )的(🕕)《群鬼》，內(nà(🗝) )容涉及亂倫(母子、兄(xiōng )妹)、性病 (梅(méi )毒(dú )) 和上流社會的偽善面(miàn )貌，在1882年首演(yǎn )，震撼當(🈯)年整個歐(😇)洲(zhōu )劇(jù )壇。左几的(de )改(gǎi )編，除了把牧師一角(jiǎo )改成是女主(zhǔ )角(jiǎo )的哥哥（相信是因為(wé(🕗)i )不符中國(💌)社會(huì )的(de )狀況）、和把開放(fàng )曖(ài )昧的草草收(shōu )場(chǎng )改成雨過天青的完滿(mǎn )結局外（(🏟)證(zhèng )明(mí(💈)ng )左几依然大膽有餘，勇氣不足），基(jī )本上保留了原著的(de )精(jīng )華。高潮揭(jiē )露(lù )兒子（張瑛(📄)）發現一(🌼)(yī )直活在父、母(mǔ )親（黃曼梨）給自己(jǐ )編(biān )造的謊言世(shì )界(jiè )中、和無可救藥地愛(⛓)(ài )上同父(🌁)異母(mǔ )的(de )妹妹，還有母親獲悉(xī )兒子遺傳了她(tā )深(shēn )痛惡絕的丈夫的性(xìng )病(bìng )，劇力一瀉(💧)(xiè )千(qiān )里(♍)，其飽滿及奔放程(chéng )度，直逼他(tā )的(de )另一傑作《魂歸離恨(hèn )天》(1957)。影片又(yòu )再(zài )次見證了左几的(👁)穩健(jiàn )運(👆)鏡與場面(miàn )調(diào )度（開場介紹鍾家大(dà )宅的一段蒙太(tài )奇教人想起《大國民(mín )》(1941)），看官不(🥫)(bú )容(róng )錯(🌳)過。 徐端的大女儿(ér )碧桃自小许(xǔ )配(pèi )给张道南，但徐夫人(rén )嫌南家贫，执(zhí )意(yì )悔婚。未几(😦)，南父(fù )圭(🦒)(guī )被人陷害，端(duān )偕圭上京。他俩在京(jīng )期间，徐夫人(rén )将南赶出徐家，更叫(jiào )亲戚向圭落井(😧)(jǐng )下(xià )石(🌭)。最后圭因罪发配(pèi )边疆，南往(wǎng )营(yíng )救，一去经年。桃日(rì )夜盼望南归来(lái )，终不支病倒，临终(🎰)(zhōng )嘱(zhǔ )咐(🚮)家人，将(jiāng )妹(mèi )碧红嫁予南。 A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case. Les déboires d’une troupe de théâtre dans le Bengale des années 50. 阿安在(zài )花(huā )店工作, 负责卖花, 送花(huā ), 故有花仔安(⌛)之(zhī )称(chē(✍)ng ). 阿安喜欢唱歌, 因一(yī )次(cì )义唱筹款认(rèn )识(shí )了名歌星剑兰, 两人一(yī )见投缘. 剑兰自(zì )幼(🥄)由姑妈养(🐦)大, 姑妈势(shì )利贪财, 希望剑(jiàn )兰(lán )能嫁予富翁大有, 但剑(jiàn )兰喜欢了阿(ā )安(ān ), 姑妈于是对(🐿)阿安非常(🏗)(cháng )痛恨, 更听从大(dà )有的指示把剑兰软禁(jìn ), 剑(jiàn )兰死不就范(fàn ). 姑(gū )妈和大有为使剑兰死(📅)(sǐ )心, 安排(✋)了阿(ā )安(ān )与别的女人鬼混让剑(jiàn )兰看见, 剑兰心(xīn )碎(suì ), 又遇上姑妈的儿子(zǐ )九(jiǔ )仔受(🐣)伤需医(yī(🎡) )治(zhì ), 剑兰无奈答应向大有(yǒu )借钱. 阿安在酒(jiǔ )店借酒消愁, 巧遇大有(yǒu )和剑兰, 剑兰大(dà )醉(🗒)(zuì ), 阿安救(📫)出剑兰, 同到医(yī )院看望九仔(zǎi ). 九(jiǔ )仔需输血, 阿安仗义帮(bāng )忙, 姑妈十分感(gǎn )激, 再不阻挠(😄)阿安和剑(🧡)(jiàn )兰(lán )相爱。 The idle lives of the rich or famous or both are depicted from an aloof and uninvolved perspective in this standard though uneven drama by director Francesco Maselli. Claudia Cardinale appears in one of her early screen roles as Fedora, a member of the elite and privileged in a provincial Italian town. The seedy underside of illicit affairs, quick flings, betrayals and deceptions, and other, similar pasttimes of the "in" circle slowly become apparent when a young outsider tries to gain acceptance into the exclusive group. As the plot weaves in and out of the various liaisons in a cool and remote manner, the motivation for wanting to take part in it all is hard to fathom. ~ Eleanor Mannikka, All Movie Guide 赫鲁(lǔ )晓(xiǎo )夫看了这部片，才恢(huī )复了佐尔格(gé )的(de )荣誉 Park Nam-u (Kim Jin-gyu) works at a Japanese pharmaceutical company and lives happily with his wife, Gyeong-hui (Choe Eun-hui), in a house filled with beautiful white roses. Not long after hearing the wonderful news that his wife is pregnant, Park Nam-u is drafted into the war in the Pacific. Posted in the Gwandong army, he survives the battle, though his face is burned. Back home, Gyeong-hui receives a telegram stating that her husband is dead. When she gives birth to their son, Cheol-su (Nam Yang-il), she goes to live in Seoul. When Nam-u comes back to the country, he doesn't go to his wife, but rather goes to live in his hometown. On his way home, he encounters a child whose mother is dead, and takes her in as his own daughter. As his daughter, Park Pyeong-suk (Eom Aeng-ran), enters university in Seoul on a scholarship, Nam-u joins a pharmaceutical company thanks to his friend (Heo Jang-gang). Pyeong-suk and Cheol-su meet by chance and begin to have feelings for each other. When the president of the pharmaceutical company (Lee Min) holds a party commemorating a pending patent and invites Nam-u, Gyeong-hui, who is now the wife of the president, runs into Nam-u at the party, and she tells him that Cheol-su is his son. When Nam-u participates in the April 19 Revolution, he finds Cheol-su injured and brings him to the hospital and tells his family. Nam-u leaves, saying that everyone would be happier if he were to disappear. With that, he gloomily walks away.