An Arkansas farmer stages a one-man war against corrupt land developers who want to evict him and his neighbors from their farms for real estate developments.
Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society.
テス(🚬)トド(🚙)ライバーの速水(🦌)は、テスト(🔑)中に事故(🦓)を起こ(🧑)し会社(shè(🐽) )をクビにな(🆔)ってしまう。数日(🖋)後、(😻)速水は(🛢)友人(rén )の(🔣)女性ドライ(🌨)バーの岩(yán )崎美(🧒)代子を誘い、大阪の(🌌)宝石店を襲い数(💬)千万円相当(🍩)の宝(bǎo )石(⚡)強(qiáng )奪(🚶)に成(🎥)功、警察(chá )の追(🥂)手(shǒu )をくら(💾)ますため(👡)に別々に逃亡し(🌑)た。速(sù )水は(🈵)宝石を持って府(🦂)営(yí(🙄)ng )バスに乗り込み(🉑)、逃走(zǒu )は(📅)完全に成(🚬)功した(😴)かのよう(👪)に思われた(🖍)……。ところが、(🐐)その(🏇)バスに(⛓)、銀行強(🐖)(qiáng )盗に失(shī(🤾) )敗して警察に追(🛴)(zhuī )われている谷村と(🏦)桐野(yě )が乗(chéng )り(🛤)込み、バス(😛)を占(zhàn )拠(💤)してし(🐎)まっ(🆘)たのだ。愕然(rán )と(📛)する速水(shuǐ(💬) )、バスの(🚧)運(yùn )転手で心筋(🏜)(jīn )梗塞(sāi )を(📷)患う官本、そし(🌋)て乗(👘)(chéng )客たち－－駆(🌏)け出(chū )し女(🧠)(nǚ )優の立(🐄)花かお(🔝)る、主婦(⭐)(fù )の戸田政(❇)江、ホステスの(👦)小林(🧞)ハルミ(🍨)、大工(gō(🏙)ng )の西勲、小(🔝)学校教(jiāo )師の松(💋)原啓一、その松(sōng )原(🚱)の教え子で彼(bǐ(👕) )と浮(fú )気を(🚹)続(xù )ける(🛺)河原文(😘)(wén )子(🏮)、チンドン屋の(❓)極楽(lè )一郎(🚬)(láng )、良子(🚑)、達たち、無職(🙄)(zhí )の老人・(👜)半(bàn )田市(shì )次郎(🔀)、塾(⤴)に通う小(xiǎo )学生(⛺)(shēng )の加藤と(🌸)田中、総(📫)(zǒng )勢13名(🚿)(míng )である(🚾)。谷村、桐(tó(🕣)ng )野は乗客を人質(👄)にし(🚝)たため(➕)、恐怖を(🍤)感じた乗客(🆓)(kè )たちは徐々に(👝)エゴをむき出し、車(🛍)内のパニック状(🐫)態はエスカ(⛲)レートし(🛣)ていく(🤕)。やが(❕)て、速水は隙を(🦀)見(jiàn )て脱(tuō(👆) )出を試み(👘)るが、逆(nì )に宝(🌀)(bǎo )石泥棒で(🤭)あることを見(jià(🏙)n )破ら(⚫)れてしまう。警察(💂)(chá )は各国道(🐪)沿(yán )に非(🙁)(fēi )常線(📑)を張るが(🏪)、バスは次(🍕)々と非常線を突(✌)(tū )破(💪)し、そ(👹)の後をパ(🤸)トカー、白(🕑)バイが追った。一(🐨)(yī )方、速水の乗った(😽)バスがバスジャ(🔤)ックされた(🎌)と知った(📍)美(měi )代(🍁)子も(🐀)、オートバイで(🔚)バスを追走(👋)した。やが(🙈)てバスの運転手(🐪)の宮本(běn )は(🦉)持(chí )病の心筋梗(🌜)塞で(🤨)倒(dǎo )れたため、(🐱)速水(shuǐ )が運(🍀)(yùn )転する(🖨)ことに(😩)なったが(✌)、緊張のた(💪)めに眼(yǎn )は徐(xú(✖) )々に(😿)かすん(😳)でいった(🌎)……。
老夫子(💳)（王(wáng )沙）一(yī(🕳) )觉醒来，见已是(shì )日上(💔)(shàng )三竿，急忙催醒(🎱)仍(réng )熟睡(shuì(🌍) )的大蕃薯(🐓)（矮冬(👘)瓜(guā(🔭) )）。二人忙乱一(yī(🔕) )番，便(biàn )去做(🍚)(zuò )晨运。 (🧖) 在树(shù )林旷地(⛑)中，老夫子(zǐ(💟) )打出(chū )少林拳招(🌑)式，挥(✳)拳(quán )踢腿(tuǐ )之际(🖥)，裤裆突然裂(🙆)开，情状至(🏭)为狼(lá(🎑)ng )狈。幸而大(🦕)蕃薯早就为(🥙)(wéi )他备(bèi )有另一(🤭)条裤(🚂)子，让(rà(🐻)ng )他换(huàn )上(🏈)，始未贻笑大(⏸)方。时(shí )有一漂亮(🙃)女郎在(zài )附近做柔软(🎬)体操，一飞(fēi )仔对(🚶)(duì )之蠢蠢欲(🐸)动。老夫(fū(🎑) )子立(lì(🗣) )即上(😨)前负起「护花(huā(🥔) )」之(zhī )责，但(🌕)反被(bèi )飞(😩)仔打得天(tiān )旋地(🎒)转。幸(xìng )好该(🦃)(gāi )女郎功夫不凡(💺)，将(jiā(🖐)ng )飞仔(zǎi )击退。 (Ⓜ)老夫子(zǐ )坐(🚀)在(zài )公园(😇)长椅上(🧞)休息，无意(🤭)(yì )间坐於旁(🗨)一(yī )位文(wén )弱书(😌)生，居(♉)然亮刀(😀)(dāo )向他(tā(💣) )行劫。老夫子(♟)乃交(jiāo )出一(yī )张(👢)五百元大钞，书生接(jiē(💆) )得钱即飞步离去(🗜)(qù )。老夫子见(🤤)计得酬，开(🌦)(kāi )怀大(🔁)(dà )笑(🚃)，盖那是伪钞也(yě(🔤) )！岂(qǐ )知，未几(💪)又有一名(🚛)(míng )歹徒(tú )前来行(🧤)劫，老夫子只(👣)得(dé )把身上的真(🔵)(zhēn )钞(📗)交(jiāo )出，好不懊丧(🔄)！ 老(lǎo )夫(😋)子前往公(🕘)司上班(⛅)(bān )，由(yóu )於(🛬)很多人抢著(😩)搭巴士，老夫子时(🔡)而(é(🔮)r )帮助(zhù(🔋) )妇孺，时而(🚦)又被壮(zhuàng )汉(🍝)挤(jǐ )开，弄得来过(👶)好几(jǐ )辆巴(bā )士都搭(🐃)不上，反而闹出(chū(🔧) )连场笑话。迨(😕)去(qù )到赵(🤫)氏洋行(🚒)时，已(💃)迟到(dào )十五(wǔ )分(🌌)钟，遭赵经理(🆖)严(yán )词指(🌠)(zhǐ )责。 赵经理(💲)垂(chuí )涎职(zhí(🍧) )员陈小姐（李菁(😾)）的(🛠)姿(zī )色，特将她(tā(🏡) )叫进(jìn )经理(🚮)室去，色迷(🥗)迷(mí )加(🛠)上(shàng )一番(🍫)甜言蜜语。老(😁)(lǎo )夫子(zǐ )却偏偏(🆘)藉故(📬)作梗。赵(♉)经(jīng )理怒(🏡)不可遏(è )，声(🚴)(shēng )称要开除老夫(🈷)子。老夫(fū )子不惧淫威(🍏)，谓他(tā )昨晚(wǎn )曾(🚉)目睹赵偕一(🌶)女子进某(🧙)(mǒu )酒店(🎰)，当向(🎣)赵妻(qī )报告。争持(⛅)间，赵妻来(lá(🏈)i )到，赵经理(🏕)当即换上另(lìng )一(🍗)副(fù )面孔，对(🚓)妻子谓老(lǎo )夫子(🦃)(zǐ )如(🖐)何解救了(le )他之遇(🎏)劫之(zhī )类，且(🤡)声言(yán )除(➕)给(gěi )老(🎻)夫子加薪(🎢)五百大(dà )元(㊙)外(wài )，还升他当主(⛔)任，老(🧛)夫(fū )子(⛔)闻言好不(🤹)高兴。怎知(zhī(⛄) )赵妻一走，赵便(bià(🍸)n )向老夫子施以拳脚(jiǎ(✴)o )，直(zhí )把他打得遍(🍭)体鳞伤(shāng )，并(🤹)(bìng )将他开(🌂)除。 (🏴)老夫(🌚)子(zǐ )前往大蕃薯(🌎)跌打(dǎ )医馆(🤘)求医。大蕃(🌁)薯专医(yī )奇难(ná(🎑)n )杂症，医术果(🕞)也了(le )得。老夫子身(💞)上之(🐝)伤痛(tòng )，当(dāng )然很(⏭)轻易便(biàn )被(🍐)他治好。大(⛴)蕃薯且(🔎)对(duì )老夫(🕓)(fū )子之被开(🥚)除安慰一(yī )番，约(🌹)他同(😏)去跟秦(😧)先生(shēng )（(👽)刘(liú )陆华）(🧝)饮下午茶聊天以(💊)(yǐ )解不快。 秦(qín )先(👴)生年近三十，虽(suī(🛴) )对林(lín )小姐(🍮)（庄莉）(😳)甚是(shì(🙃) )爱慕(🗻)(mù )，但始终无法追(🔪)到手。大蕃薯(🦔)又鉴於陈(😮)(chén )小姐对老夫子(🌷)的印象甚(shè(🍟)n )佳，乃鼓励他们二(💒)人积(👛)(jī )极向(xiàng )意中人(👿)展开追求攻(🍹)(gōng )势，且认(😪)为追女(📪)(nǚ )子需讲(🏤)究策(cè )略，有(🐜)的放(fàng )矢，乃特授(👊)以「(🔚)锦囊妙(🍄)(miào )计」。秦(💎)先生与老夫(🚵)子(zǐ )俱依(yī )「计(😃)」去做，不料同告(gào )碰(📦)壁，盖彼(bǐ )此之(zhī(🖨) )「锦囊」调(〽)换了也(yě(🕠) )！後(hòu )查(🛣)出失(🗳)败症结，重(chóng )整旗(🆙)(qí )鼓，秦先生(⬜)与老夫子(🍟)遂(suí )得以跟各自(📈)的意(yì )中人(🛠)把臂同游. 一(📸)日(rì(🅾) )，老(lǎo )夫子与陈小(🤤)姐在树(shù )下(🛠)喁(yóng )喁谈(⬇)心，树上(📦)突然(rán )跳(🚣)下(xià )一位又(😆)胖又(yòu )丑的女子(🐝)来(lá(🐠)i )，一把将(👙)老(lǎo )夫子(📒)(zǐ )搂住。原来(🐯)，那是(shì )老夫(fū )子(🔪)的表妹，一直痴(chī )缠老(🔷)(lǎo )夫子，老夫子对(➰)她非常(cháng )讨(🖇)厌。现她(tā(👋) )居然(rá(🐛)n )搂住(🐺)老夫子，状似(sì )亲(🚇)热(rè )，陈小姐(🏎)误以为老(💘)(lǎo )夫子(zǐ )另有心(🍍)上人，怒而离(🗨)去(qù )，声称与老夫(🥒)子(zǐ(❗) )的关系一刀两断(🕊)。 老夫(fū(🥐) )子失去陈(⬛)小姐，闷(🔶)(mèn )闷不(bú(🔂) )乐，大蕃薯与(📸)秦先(xiān )生约(yuē )他(😙)一同(👊)去钓(dià(🌮)o )鱼解闷。没(🎮)(méi )想到赵经(📔)理(lǐ )也到(dào )湖边(🐚)垂钓，却遇一(yī )帮飞(fē(🌬)i )仔打劫，老夫子奋(📱)(fèn )起营(yíng )救(🚢)，赵乃有惊(🛵)无险。因(📥)(yīn )此(🥙)，赵在感(gǎn )激之(zhī(⏳) )中，叫老夫子(🔅)重新(xīn )到(🚃)公(gōng )司去上班，老(🔋)夫子(zǐ )喜不(🔩)(bú )自胜。而陈小姐(🌈)在老(🔐)夫(fū )子的「愿以(🎭)一死(sǐ )明志(💓)」下，也恢(🤰)复了跟(🍓)(gēn )老夫(fū(👜) )子相爱至笃(🎙)。 老夫(fū )子与(😔)陈小(🏛)姐结婚之(zhī )日到(🐩)(dào )了，秦先生(🚬)(shēng )当伴郎，林(lín )小(🐇)姐作伴娘(niáng )，大(dà )蕃薯(👛)是证婚人，一(yī )齐(🔒)乘(chéng )著一架(📮)大花车去(🕋)接(jiē )新(🔄)娘(niá(📒)ng )，不料一帮歹徒居(🍸)然以(yǐ )奇谋(🍄)妙计劫(jié(🐣) )新娘(niáng )车，因而引(🏕)起一波(bō )三(🈯)折(shé )，险象纷呈。最(🐮)後(hò(🤬)u )老夫(fū )子和大番(🚮)薯开溜了。
外(😡)(wài )表平凡(🌠)性格内(📁)向(xiàng )的嘉(🚇)利·怀特（(⏯)茜茜·斯派(pài )塞(😆)克 Sissy Spacek 饰(🐁)）一直都是(shì )班(📍)上(shàng )默默无(🛺)闻的丑小鸭(yā )，她(🚦)(tā )古怪的性格(gé )和沉(📬)迷于宗(zōng )教崇拜(🥍)的母(mǔ )亲更(😍)(gèng )为她遭(👐)受同学(🌵)的欺(👾)(qī )凌创(chuàng )造了得(🔼)天独厚的条(🦎)(tiáo )件。尽管(💪)现实残酷，但在校(📒)(xiào )园里，依然(🐿)(rán )有人(rén )默默的(✌)关心(👠)着嘉利(lì )，这(zhè )使(🥣)得嘉利树立(🏿)了信(xìn )心(🥜)想(xiǎng )要(🚱)融入校园(👫)生活中去 。三(👔)年一度的毕业(yè(📫) )晚会(🌵)要开始了，尽管母(💗)(mǔ )亲玛(mǎ )格(💧)丽特·怀特（派(🏜)(pài )珀·劳瑞 Piper Laurie 饰）极力(📍)反对(duì )，但(dàn )嘉利(📋)下定决(jué )心(🈴)要在舞会(💋)(huì )上夺(📰)得“舞(😊)(wǔ )会王(wáng )后”的头(👫)筹一改往(wǎ(📎)ng )日抑(yì )郁(🎓)的形象。可是，一些(🦒)(xiē )人总是不(😱)愿意放过她，舞会(⛪)当晚(💟)，头戴(dài )王冠的嘉(🕯)利在众目(mù(😛) )睽睽(kuí )之(😏)下全身(✖)淋满了猪(🛁)(zhū )血，愤怒激(📘)活了她体内的女(👇)(nǚ )巫(😠)血统，她要使(shǐ )用(🎽)她的能力，将(💌)整个会(huì )场变(bià(📥)n )成人间地狱。
A crazy woman who lives in an old mansion thinks she's with her brother/lover, who lures victims to her.
故事(shì )发(🍮)生(shēng )在1966年6月6日的(👝)上午6时(shí )，在(🌪)(zài )这样一(🍆)个不(bú(🤙) )吉利(🌤)的时刻(kè )，美国大(🍽)使(shǐ )罗伯(bó(🚵) )特（格利(😝)高里·派(pài )克 Gregory Peck 饰(💌)(shì )）领养了(💾)一个男孩(hái )并取(👺)(qǔ )名(📰)戴米（哈维·史(✌)蒂芬(fēn )斯 Harvey Stephens 饰(🙄)）。随(suí )着(🕌)时(shí )间(🥞)的推移，戴(😀)米渐(jiàn )渐长(🦏)(zhǎng )大，一些奇怪事(🗻)件(jià(📛)n )的接(jiē )连发生预(🔄)示着厄运敲(⛺)响(xiǎng )了罗伯特的(😇)家门(mén )。
Although pretty much forgotten, The Last Round aka Il Conto é Chiuso is a good example of a familiar story made fresh by the quality of its execution, as a stranger drifts into a decaying Italian industrial looking to settle an old score. But this violent modern-day (well, 1976) poliziotteschi is closer to Dashiell Hammett's Red Harvest than the first two films it inspired, Yojimbo and Fistful of Dollars, set in its own Italian Poisonville divided between two rival gangs that he soon sets against each other. Surprisingly, despite being directed by the sometimes more adequate than inspired Stelvio Massi, it's shot with striking visual imagination and remarkably fluid camera-work from Franco Delli Colli. The two leads are impressive too, with Luc Merenda a wonderfully effective and dapper villain and undefeated middleweight champion boxer and offscreen wife-beater and murderer Carlos Monzon a surprisingly effective leading man in the mould of a young Charles Bronson.
在一次世界(🌏)大战期(qī )间，有两(❇)名西(✅)方冒险(🐉)家(jiā )来到(🕴)(dào )南非(🈁)，他们(🐘)想通过(guò )猎取(qǔ(⏫) )象牙，来谋(mó(📋)u )取巨大的(🎗)利(lì )润．在他们(men )进行(háng )这种(✏)肮脏的交易的(de )过程(ché(🏇)ng )中，与当地的德国(🈯)(guó )军队(duì )有(⛲)一连串的(🚻)冲突，以(🍵)至(zhì )到了水火不(bú )容(☔)的(de )地步，最后二人合(hé(✖) )力炸(zhà )毁了德国(🎼)的战舰作(zuò(🔛) )为报(bào )复。