カタツ(🦆)ムリは交(☕)尾の際「恋矢(🚵)(れんし)」(🤝)と呼ば(💀)れる生殖(🚡)(zhí )器官を互い(🏣)に突き刺(👐)しあう(😓)という。男(🍎)(nán )でも女(nǚ )で(📹)もない雌(🚆)雄同(tó(🕝)ng )体の心(xī(🎑)n )を持てあましながらカ(😼)タツム(❄)リのよう(🍉)に絡みあう４人(rén )の若(🔈)者を抒情(🕋)的に描(🎅)く。新進脚(jiǎo )本家・荒(huā(🐕)ng )井美早(zǎ(🤧)o )のオリ(✉)ジナル脚本を齋藤久志(🍦)が映画化(🚼)(huà )。
"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.
广州(🐛)(zhōu )知府查(🛀)出(chū )九王爷(yé(🤪) )欲谋反遭(🕵)到杀手(⚡)追杀带着(🛤)爱女逃(táo )到黄(🦈)澄(chéng )可之(🌔)处，黄澄(🐋)可(kě )送二(🌿)人(rén )出城之际(🗣)，杀手杀死(💱)知府(fǔ(🅾) )和黄澄(ché(🎐)ng )可师傅(fù )，黄澄可(kě )带着(🌱)知(zhī )府(🎩)之女逃离(🍚)，黄澄可为替被九王(wáng )爷(🕴)杀死(sǐ(🚍) )的(de )人报仇(😞)(chóu )，秘密(mì )查出九王爷谋(🐯)反的证据(🧑)，并将他(🥞)(tā )歼灭……
浅见光(guāng )彦(😧)是推(tuī )理(👑)小说家(🤞)内田康夫(🚑)笔下的名侦探(🍋)(tàn )，1982年在(zà(🐷)i )《後鳥羽(🔅)(yǔ )伝説殺(🍜)(shā )人事件》中首(🌠)次登场。这(🚏)个系列(🍆)(liè )迄今已(🐄)(yǐ )出版一百(bǎ(♐)i )多部，并多(😬)次(cì )被(🔷)影视化，在(📝)日本有相当(dāng )高的知(zhī(🍽) )名度。富(🥩)(fù )士电视(🔱)(shì )台从1995年(nián )开始播出浅(🎎)见光彦(🦕)系列，2003年主(😖)演(yǎn )换成中(zhōng )村(cūn )俊介(🥝)。
22世纪，机器(🍍)人及人(⛩)工智能技术取得颠覆(fù(🔧) )式发展(zhǎ(🥇)n )。由于人(🕵)(rén )工智能(néng )基点提前到(🚬)来，数量和(🐹)智力上(🥩)都(dōu )以指(🔴)数(shù )型增速完(🦈)(wán )成自我(🍱)(wǒ )进化(🗨)的机器人(👅)，开始大肆占领(🔅)国(guó )家重(🕚)要(yào )枢(♒)纽机构(gò(💷)u )，全面(miàn )清洗人(rén )类，节节(🎱)败退的(🌫)人类处境(🚫)(jìng )岌岌可(kě )危。一(yī )小(xiǎ(🏑)o )部分人(👒)(rén )类伺机(🧢)(jī )而动，成为正邪泯灭，钱(♿)字当头(tó(⛰)u )的赏金(👃)(jīn )猎(liè )人。三(sān )方势力(lì(😻) )胶着，日趋(🥞)白热化(🤾)，彼此的仇恨(hèn )一触即(jí(👈) )发…
A transplanted American living the boho life, Charlotte "Charlie" Parks (Nekrasova) glides through Berlin's streets on her bike, clad in stylish items she steals from mall boutiques. Her larcenous method — using a magnet to desensitize security tags —(🥑) works until it inevitably doesn't. Faced with the possibility of jail time (her "I'm a victim of late capitalism" defense doesn't fly with the German court), she needs to come up with the euros for a hefty fine. At the same time, she's being considered for a prestigious poetry grant, the prospect of which is more scary than thrilling for her: "I'll be like a real adult."