本片(🏬)改(🐺)编自德国(⛵)作家(jiā )雷马(mǎ )克的同名(🖨)小说，围绕(⛏)(rà(🚶)o )一名(míng )在(🍔)一战中的普通德国(guó(🔠) )士(🍈)兵(bīng )保罗(⛺)(luó(🔶) )·鲍曼（理查德(dé )·托(tuō )马斯(🐾)(sī(🎊) ) Richard Thomas饰），作为(🕝)整个(gè )西(🤒)线(xiàn )残酷(kù )战(💌)争中的小(🔋)小(🦆)缩(suō )影。战(🍉)争(zhēng )的残酷性和毁灭(miè(⬇) )性使他的(🛴)(de )英(🏑)雄主义彻底破(pò )灭。保罗(luó )从迷(🐚)(mí(🐚) )恋战争到(🛷)目(mù )睹战争后(hòu )的心灰(🚏)意冷，他(tā(🥅) )才(👦)意识到(dà(🦊)o )战争的恐怖及其对人(ré(🎎)n )性的(de )摧残(🔄)。尾(🤜)声，死一般(🛁)(bān )沉寂(jì )的前线出现(🏹)了(🕤)鸟鸣，保罗(🥠)(luó(🤾) )循声而找。突然一句(jù )战地(dì )报(🏨)告(😞)(gào )打破了(📉)这短暂的(🦃)(de )宁静(jìng )与和(hé(🕚) )谐，影片在(🔹)“西(💥)(xī )部前(qiá(🐷)n )线一(yī )切平静”中结束(shù(🕷) )。
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Yasmine (Karin Schubert) stars as a beautiful young newlywed with a serious drug problem. Her low-life husband (Georges Gueret) uses this addiction to manipulate her, forcing her to smuggle narcotics for him and even sleep with his gangster cronies to settle his drug debts. When Yasmine catches him in bed with another woman, she steals a large quantity of his heroin and goes on the run with the smugglers in deadly pursuit.
For some strange reason I have now sat through practically all of these 70's cheerleader movies. Only The Swinging Cheerleaders (directed by Jack Hill) is a drive-in classic, but Satan's Cheerleaders comes close. The Cheerleaders (1972)is truly awful but it does deliver on the softcore sleaze. The Revenge of the Cheerleaders features the disturbing images of a very pregnant Rainbeaux Smith and a not-so-pregnant David Hasselhoff cavorting around in the nude. The Pom-Pom Girls is surprisingly innocent and realistic and might have appealed more to actual 70's teenagers than horny middle-aged men. The Cheerleader's Wild Weekend is forgettable (at least, I've forgotten it). Then there's this movie, which is probably the most obscure of the cycle. The plot resembles that of the original The Cheerleaders where our nubile heroines attempt to "wear out" the opposing team before the big game, except that it's set on the beach (where's Jaws when you need him?) It might be the worst of 70's cheerleader exploitation flicks, but at least it's better than Bring It On.
瑟(sè(🆖) )斯(🖊)顿·摩尔评价(jià )说：“这(zhè )部1979年(🚆)的(🛶)纪录片讲(🤗)(jiǎng )的是北爱(ài )尔兰(lán )朋(💬)克运动的(⛳)(de )早(🦃)年光景(jǐ(🚦)ng )，导演是约翰·T·戴维斯(🚊)(sī )（John T. Davis）。我(👭)第(😱)一次也是(🕘)(shì )唯一(yī )看这部电影(😷)还(🚇)是1979年，地点(😑)(diǎn )是纽约东村某个地方(fāng )。之(zhī )后(🗿)我(🤽)就再没看(😲)过第二(è(🛬)r )遍，但对(duì )那些(🏯)画面却记(📤)忆(🚥)(yì )犹新(xī(🚭)n )：在(zài )一片奇怪的土地(💿)(dì )上，身穿(🤡)(chuā(📈)n )皮夹克的朋克青(qīng )年反抗压(yā(⚾) )迫(😫)，对抗天气(🏚)，始终满腔(qiāng )热情。”
一只老(🐔)(lǎo )鹰朝着(🍢)向(🕣)(xiàng )大陆(lù(🕓) )飞翔的群鸽(gē )冲去，一(yī(💿) )只小白鸽(📟)为(🔽)掩护群鸽(⚫)被老(lǎo )鹰击伤，羽毛飘(🙏)落(🤠)。刚放(fàng )学(〽)的大牛见状，取出(chū )弹弓(gōng )，老鹰中(📇)弹(⏲)逃走。受(shò(😶)u )伤的(de )小白(🎹)鸽飘落下来，被(🐄)(bèi )大牛(niú(🚝) )及(🆕)小(xiǎo )朋友(🅿)们拾起，他(tā )们在(zài )小白(🐉)(bái )鸽的信(🌓)筒(👀)中发现(xiàn )一张(zhāng )纸条(tiáo )，上写“六(🛴)月(😅)十(shí )日从(🐈)我海(hǎi )岛飞出，小白鸽(gē(🕗) )初次远飞(🛅)(fē(🌙)i )训练，回到(😽)北京(jīng )后，速联(lián )系，中国(👮)人民解(jiě(⏯) )放(🏷)军”。
剧情大(🥢)致为江明扮演的赌(dǔ(🧡) )徒(🗻)阿旺在归(🌷)途中巧遇(yù )南茜(qiàn )燕扮演的三娘(🥉)“卖(⛳)身(shēn )葬父(〰)(fù )”，刚好赢了钱的阿(ā )旺(🌷)於(yú )是慷(📭)慨(🔆)地给了她(🏥)五十(shí )两银(yín )子。只是一(🐛)时冲动阿(🌾)(ā(🚝) )旺并(bìng )无趁(chèn )人之危占便宜的(☔)(de )想(🐸)法(fǎ )，但(dà(💶)n )三娘知恩图报，宁愿跟著(🎬)(zhe )他吃苦流(🐣)浪(📫)，甚(shèn )至在(💼)阿旺(wàng )把她当作赌码输(🕯)(shū )掉後，变(🐷)(bià(🎹)n )作鬼的她依然记(jì )得阿旺的(de )恩(🚠)情(🗾)，寄望投胎(👅)後要再嫁(jià )给他。然而赌性难改(gǎ(❎)i )的(🔅)阿(ā )旺把(🐏)经营的绸缎生意(yì )也再(🌰)(zài )次输去(⏸)，并(🈺)受到赌场(🕜)(chǎng )老板(bǎn )的百般作贱，最(🏎)终才(cái )决(🐝)心(🦐)(xīn )断绝(jué )赌毒，狠下心自(zì )斩手(💱)(shǒ(🛡)u )指。这些，足(📇)以作为(wéi )生活中赌(dǔ )徒(👑)的“照妖镜(🧥)”，极(😸)为生(shēng )动(🐒)有力地为嗜赌(dǔ )的人敲(🍽)响(xiǎng )警钟(⏹)。编(❎)导并没(méi )有安排生(shēng )硬的说教(💽)，甚(💃)至(zhì )穿插(📢)了不(bú )少笑料，娱乐效果不俗。