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수원에(😾)서 세탁소를 경영(🐩)하는 구(😗)덕수와 최혜(🐺)순은 시아버지와(🍏) 며느리(🦅)로 가장한 북(🕗)괴 공작원이다. 위(🙋)장하여(😋) 남파된 후 1년(📒)간 그들의 공작성과가 좋(🎶)지 않아 혜순(🧓)의 남편(👩) 강치호가 검열원(🕶)으로 파견된(🍕)다. 월북(🤵) 복귀명령을 거부(🔀)한 구덕수는(🕵) 살해되(🚯)며 수사진의 수사(🚡)망에 최(🌶)혜순(🥓)이 걸려(👩)들게 된다. 공작원(🌷)의 잔악(🎇)한 행동을 수(🍀)사진들이 예리하(🛢)게 파헤(🚤)친다. 醉(zuì )拳(🔸)、双(shuāng )节棍、五(🔑)形拳等(🎗)……是中(zhō(🍗)ng )国(guó )功夫的(de )精髓(🙃)，随着中(👆)国功夫片引(🔗)(yǐn )进(jìn )海外市(shì )场，中国(👄)功夫在世界(💰)各地(dì(❣) )被(bèi )受重视(shì )，更(🅾)掀起追求、(🖕)研究中(👽)国(guó )功(gōng )夫奥秘(🏓)(mì )的热潮。中(🍬)国功夫(🌗)的最大(dà )特点是(🐤)将(jiāng )动(⚾)作与(🗽)人体结(🕣)构配合，如(rú )运用(🥋)得(dé )宜(🍿)(yí )，能超乎人(⤴)类体能极限，刚柔(🗿)并(bìng )重(♏)(chóng )，千变(biàn )万(👛)化，充满神秘感(gǎ(🤘)n )。何谓(wè(🌾)i )「十八般(bā(👲)n )武艺」呢？著名(👲)的少林(🚫)功(gōng )夫(fū )有(🐥)甚么(me )奥秘呢？少(🉑)林弟子(🤬)如何挑(tiāo )战(🏕)(zhàn )木人巷(xiàng )而下山呢？(😽)这些鲜为人(🕡)知(zhī )的(⬇)(de )事，在(zài )本片中都(🤹)可一一找到(🌘)。 早(zǎo )期(🚞)(qī )香港發(fā )生多(😳)宗駭人(📅)命案(🍫)，引起公(🚞)(gōng )眾關注，《香港奇(📱)案之二(💺)：兇殺》以真(🕺)人(rén )真(zhēn )事改編(🧜)四個故(🌝)事：「鬼頭(🗿)(tóu )仔」、「大家(🚖)姐(jiě )」(🏄)、「臨村大(🏐)血案」，與(yǔ )轟(hō(🦀)ng )動一時(🐴)(shí )的「紙盒(😹)藏屍」。編劇團(tuá(🧕)n )以(yǐ )倪(😽)匡為(wéi )首，扣(📄)人心弦的劇情引人(rén )入(🔆)(rù )勝。擅(shàn )長(👆)拍驚慄(🤬)片的導演桂治洪(🔢)(hóng )，在「鬼(guǐ(🕉) )」與「(📵)臨」故事中，殺人(🕡)(rén )情(qíng )節殘(🚅)酷(kù )真(🦊)實，拍出恐怖片的(💼)味道(dà(🌇)o )。看完四(sì )個(🔜)兇案故事後，必定(🔽)不寒(há(🌝)n )而慄。 A murderous drug dealer breaks his partner out of police custody. An undercover cop is assigned to track down the two killers and bring them in. The film tells a story of a young chambermaid from Venice who is a fan of Italian "Telefoni bianchi" cinema of the fascist era. She decides to follow her dream and goes to Rome, hoping to become an actress. The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.