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电影描述一群法国生意人(rén )在一战期(qī )间来到象牙海岸做(zuò )贸易，期(qī )间遭遇(yù )法国与德国开战，他们自发(fā )的组织起一支雇(🛸)佣(🏰)(yò(🕕)ng )军(🧠)对(😶)德(🦏)(dé(📜) )国(👭)人(🛎)发(😍)动(🏎)(dò(⏪)ng )攻(🚁)击(🍈)，途(🏫)中(🔩)经历了(le )很多事(shì )情(qíng )，引发(🅱)了(🗝)很(🔞)多(🚥)戏(🍧)剧(😧)(jù(🍥) )性(💓)的故(gù )事…… 女(nǚ )主角为了要迎接远(yuǎn )道而来(lái )的(de )男友而在豪雨中出(chū )了家门(mén )。就当女(nǚ )主角接到男友时，没想到(dào )在(zài )镇上因为高压电的关系而(ér )巨大化的(de )蠕虫开始袭击小镇(zhèn )上的所(suǒ )有居民。。。 影片讲述德川(😥)(chuā(❌)n )时(💓)期(⤴)发(📎)生(🤟)(shē(🤪)ng )的(🌇)两(🦒)个(🌠)残(⛱)酷(🛋)故(🧙)事(😧)：(🔄) 新(⏳)西班(bān )牙电影早(zǎo )期经典(🔛)之(🍺)一(🏇)，柏(🔅)林(👊)(lí(🎞)n )电(👓)影(🐛)节(📳)(jiē )银(yín )熊奖。 Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family. Written by Signy An Arkansas farmer stages a one-man war against corrupt land developers who want to evict him and his neighbors from their farms for real estate developments. 大導演楚原(yuán )作品中(zhōng )，唯一一(yī )部潮語戲曲電影，意義重(chóng )大(dà )。本片是家傳戶曉之潮劇(jù )戲寶，故(gù )事背景發生於南宋(sòng )末年，元(yuán )軍攻陷臨安，宋帝南逃至(zhì )廣東崖門(mén )，遭逢元軍圍困，危在旦(dàn )夕，下詔(🌎)(zhà(📺)o )張(🙍)達(🐟)將(😹)軍(📳)(丁(👖)敏(🤰) 飾(🐀))起(🏐)(qǐ(🔖) )兵(🥞)勤(🤘)王(🏎)。張(🎠)達(🎄)之義軍遭元軍(jun1 )水陸兩(liǎng )路(🤡)封(📝)鎖(✅)，糧(🌴)水(🏘)斷(🦅)絕(📵)，處(🙀)境(🦆)十(shí )分危險(xiǎn )；其妻陳璧娘(蕭南英(yīng ) 飾)聞此(cǐ )驟變，立(lì )即定下奇襲元軍之(zhī )計劃…… Roger Moore and Stacey Keach star in this Italian-American co-production, and try to be the Martin and Lewis of 70's crime exploitation cinema. The rigor mortis of Roger Moore was never more noticeable as it is here, playing the straight man next to the Keach's easygoing rouge. It's a rather stale exploitation film, with the typical one liners, car chases, shoot outs, and gratuitously bad dubbing of the Italian actors. The film does have one great highlight when Keach takes a gangster's car for a test drive, and in hair-raising fashion, wrecks it through the streets of San Francisco. Unfortunately, it all doesn't work- the comedy isn't funny enough, neither Keach or Moore are particularly convincing (especially Moore, who is as dry as a desert), the violence and stuntwork is middling, the story isn't very engaging, and the ending is painfully banal. There may be just enough `so bad it's good' work that 70's exploitation fans may be entertained, but no one would call it great.