When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.BY:
天蝎星》是(shì )1973年上(shàng )映的(⚫)美(mě(🦁)i )国(🔁)惊悚电影，由迈(mài )克尔·(🎆)温纳(😥)(nà )执导，伯特·兰卡(kǎ )斯(🤧)特主(👘)(zhǔ(🤶) )演。
Teresa Numa in Nardecchia, an orphan of a mother and daughter of a peasant and heartless Lazio peasant, then a war widow and a mother constantly looking for new jobs, she is often forced to steal in order to live.
某公(gōng )司科长信(🎋)利和(🔠)(hé )妻(🍣)子昭(zhāo )子、上高中的的(⏪)儿子(👲)阿敏一起(qǐ )居住(zhù )在(🛐)正房(🐕)(fáng )里(👒)，父亲茂造和母(mǔ )亲(🚼)一(yī(🌊) )起住(👘)在(zài )偏房。母亲突然去(⬇)(qù )世(🐽)，信利他(tā )们才发现父亲(⭕)茂造(⚽)(zà(🚈)o )已经患(huàn )有痴(chī )呆症。由(📸)于过(🕛)去都是母亲(qīn )在照(zhào )顾(📪)，他(tā(🔥) )们(👱)对此毫无察觉。茂造(zào )的(💨)病情(🧚)(qíng )越来越严重，他们(men )只好(🎗)让茂(🎎)造(🎲)(zào )搬到正房和他们(💏)一(yī(🥪) )起生(🙁)活(huó )。一(yī )到晚(wǎn )上，茂造(🕐)就会(😢)(huì )让全家(jiā )人不(bú )得(🤭)安宁(💹)，在白(🎸)天又常常一(yī )个人(💔)(rén )跑(🤡)出去(🥞)(qù )。无奈之下信利只(zhī(🥝) )好每(🐨)(měi )天将茂(mào )造送到“老人(🌅)之家(🚫)(jiā(🚁) )”，晚上再(zài )接回去。“老人之(🤔)(zhī )家(🔚)”里(lǐ )有一(yī )个老太太，她(😱)对茂(🎲)造(🌄)非常(cháng )和气(qì )也非常(chá(👝)ng )照顾(🐪)，茂造却毫不(bú )领情(qíng )，甚(💴)至(zhì(🥐) )恶(💠)言相向，让老太(tài )太很不(😂)高兴(🚦)(xìng )。医生认为只有精(jīng )神(❇)病院(👟)(yuàn )才能(néng )收留(liú )具有(💵)茂造(🧠)这种(🕡)(zhǒng )症状的(de )人，但茂造连洗(🏖)澡、(🎉)上厕所都(dōu )要有(yǒu )人(⏬)帮忙(🎵)(máng )，当然就去不了精(jīng )神(🌎)病(bì(🛀)ng )院(🧥)。期(qī )间发生了许多令人(👻)(rén )啼(🚠)笑皆非的(de )事情，就在昭子(🎞)觉(jià(🍗)o )得(🥓)自己(jǐ )的神(shén )经也要崩(🕎)溃的(➿)时候，茂造(zào )却去(qù )世了(🍈)。一家(🐂)人(🧚)终于喘过气(qì )来，准备饮(🥑)(yǐn )酒(👅)庆祝一下，唯有(yǒu )饱受折(👽)磨的(😥)(de )昭子热泪盈眶，始(shǐ )终(🕺)无法(🛃)高兴(➰)(xìng )起来。
故事讲述老(lǎo )妇(📵)人因(🆕)(yīn )为自(zì )己的女儿跟(🚛)一个(🏯)男子走掉(diào )了，于是将(jiā(👢)ng )自己(🚝)的(🧔)灵(🚳)魂献给魔(mó )鬼，并发下(✂)(xià )毒(🏷)咒诅咒自己的女(nǚ )儿要(❄)是跟(👀)那(🚸)(nà )个男子结婚，毒咒(zhòu )就(🐤)会灵(💷)(líng )验，会变成蛇妖精。之(zhī(🔐) )后月(🅾)圆(🎡)(yuán )祭祀(sì )的时候将一个(🔫)处女(🔴)的献给(gěi )蛇魔(mó )神......
Hot Wins (made in the majority language, Hindi) boldly confronts a problem familiar to every Indian but hitherto 'taboo' in Indian cinema, theatre and literature: the tension between the Hindu majority and the Muslim minority in India, one of the most delicate and sensitive issues in Indian politics. Indian art had conventionally avoided the issue by showing HIndus and Mislims in their own repective communities, with hardly any penetration of each other's worlds. The truth is, of course, less tidy, and Sathyu tries to broach it by looking back to 1947, the year that india was granted independence, when the sub-continent was divided into India and Pakistan. The partition is not only the background and context for the film's plot, but also its main dynamic, since the storyline chronicles the break-up of a large Muslim family in North India as more and more of its members leave for a brighter future in Pakistan.
未来(💕)(lái )世(👑)界，一帮年青的(de )歹徒活(🥇)跃在(🚚)(zài )夜(🏜)色里，甚至闯入(rù )民宅胡(🦍)非为(🐐)(wéi )。另一方面，以桑(sāng )特(🕳)医生(🚵)(shēng )为首(shǒu )，正在试验一种(🎏)仪器(🥛)，以(yǐ(🤵) )实现(xiàn )改选犯(fàn )人的(🕷)目的(💿)。歹徒的(de )首领(lǐng )大卫被(bè(🛹)i )手下(🌻)人(👫)背叛，打成(chéng )重伤手送入(🦄)(rù )桑(🌞)特的医院，没想(xiǎng )到桑特(👐)(tè )的(👥)女(🏭)(nǚ )助手安娜护士自己(jǐ(🎴) )就是(🐢)一(yī )个喜(xǐ )欢杀害年青(🌊)男性(🎾)的女杀狂(kuáng )...一部(bù )西(📴)班牙(🚕)(yá )版(📝)的《发条橙》，安娜的加入(rù(🛃) )，让故(💛)事在深刻性(xìng )上又有(🤘)所加(🈲)(jiā )强。
独行杀手剑琢(zhuó )磨(💵)（千(💒)(qiān )葉(📰)真(zhēn )一 饰）得到最新(🏿)任务(😄)，他(tā )故意(yì )犯罪进(jìn )入(❤)警察(🚦)局(🤱)，在众目(mù )睽睽(kuí )之下杀(🚶)(shā )害(📀)一名嫌疑犯，随(suí )后又成(🍲)功杀(🤠)(shā(🏫) )害另一名携带金佛(fó )的(🌏)外国(🐐)(guó )人。他的大胆举动以及(🔦)(jí )出(🐽)色身(shēn )手引(yǐn )起了警(💁)员山(😥)上七(🦖)郎（島直(zhí )樹 饰(shì )）的(🕚)注(zhù(💽) )意，他继续调查的(de )想法(🤹)未得(🤔)到(dào )上层支持，于是辞(cí(🌧) )职展(👖)开独(🛵)立(lì )调查，并从师傅正(📲)(zhèng )武(🈳)馆馆(guǎn )长政(zhèng )冈宪道（(😓)鈴木(🌔)正(🔆)文 饰）了(le )解到(dào )琢磨的(💵)(de )来历(🔲)。