片名：无(🏯)(wú )影无(📤)形 Les invisibles
故事(shì )讲述因(yī(🛺)n )失(shī )火(🐩)，在(zài )木(🏅)屋区生活(huó )的大(🎃)明、小(📇)红兄妹成了流浪(là(🕖)ng )街头的(🔋)孤(gū )儿(🚢)。一个失业男(🚦)子(zǐ(🙅) )把他们(🏕)领(lǐng )回(🍡)家，他的(de )妻子(🛫)却不(bú(🐒) )愿接受(📬)，大吵一架(jià )后去(🎯)做了(le )妓(🍚)女。不久(👷)失业汉(hàn )因(🚇)参加偷(🏀)(tōu )运私(🕢)酒入狱(yù )，大明(míng )被(bèi )送(🐣)进孤(gū(👁) )儿院，小红(hóng )为一对(👣)教(jiāo )师(👣)夫妇领养。最后(hòu )终于在(🐉)贫(pín )苦(🚠)却善良的人的努(nǔ(🏜) )力下，失(💙)(shī )业汉和妻子(zǐ )和好如(💦)初(chū )，大(🍅)明(míng )和小红兄妹(mè(🐕)i )也得以(🚧)团(tuán )聚(🌂)
玉仪在同学聚会(🏷)(huì )中重(💋)遇初(chū )恋情人Roy Chan，现在(🅱)警队(duì(🌲) )当督察(🐭)，他比当年更(gèng )英(🐾)俊潇洒(🎄)(sǎ )，不禁(⤵)令玉仪心起(🧟)(qǐ )涟漪(♌)。事(shì )实(👃)上Roy Chan如今风流成性(xìng )，与富(🦗)婆(pó )金(📴)相恋。金(jīn )对他十(shí(🐴) )分(fèn )爱(⭕)慕，视他为生命(mìng )的一部(🐝)分(fèn )。一(🚖)天他在查案时(shí )勾(👰)搭了一(🏭)(yī )个女侍应，而那女(nǚ )侍(🖐)应后来(🍿)(lái )竟被杀了，而Roy Chan又收(♏)到(dào )一(🐖)些恐(kǒ(🍤)ng )吓信，叫他(tā )别再(🎣)沾花(huā(🆑) )惹草。他 开始怀疑(yí(🍉) )这些是(🦖)金(jīn )干(💪)的，而金却在这(zhè(🔦) )个时候(🥘)失(shī )踪(😫)了
1996年的OVA版(bǎ(✨)n )(4话)
毒犯(✡)艾(ài )力(🥒)斯等一行六人為(wéi )了偷(😞)運毒(dú(🌏) )品不幸遇到船難，快(❕)艇翻側(🕦)(cè )， 六人傍偟(huáng )無計之(zhī(☔) )際(jì )，發(📆)現(xiàn )了一艘油井(jǐ(👖)ng )，六人原(⛺)(yuán )以為暫得以棲身，那知(♊) 更大(dà(㊗) )的災難正悄悄降臨(⛸)(lín )在他(🎨)們身(shē(🎴)n )上。原來這(zhè )是一(🚽)艘用(yò(😪)ng )來研製複製生物 的(🎽)(de )油井，科(🎬)(kē )家家(🎚)將人造DNA注射入(rù(📟) )一條名(🥍)為(wéi )查(📨)理的鯊魚標(📕)本中(zhō(🕯)ng )，那知 查(📲)(chá )理復活了，並以變化(huà(💌) )無定 的(🙃)形象出現，一會兒化(🏅)(huà )身為(♎)保安員，一 會(huì )兒化身為(🥒)(wéi )失蹤(📗)的保羅(luó )……六(liù(🌹) )人(rén )的(🔆)命運(yùn )到底如何……？(🤸)
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quité(😾)ria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better. As Roxane says, no child sets out to become a maid. But once there, are all other doors closed?
故事梗概:
里昂（让(🍉)·雷诺(🚕)(nuò )饰）(🌚)是名孤独的职(zhí(🉐) )业杀手(🎤)，受人雇佣。一天，邻(lí(💓)n )居家小(🥎)姑娘马(🚏)蒂尔(ěr )达（纳塔(🏅)(tǎ )丽·(💸)波特曼(💈)饰)敲开(kāi )他(🕷)的房门(🐁)(mén )，要求(😉)在他那里暂(zàn )避(📦)杀身之(🛐)(zhī )祸。原(🤶)来邻(lín )居家的主(zhǔ(🔞) )人是警(🏫)方缉毒组的(de )眼线，只(zhī )因(🚴)贪污了(🐁)一小包毒(dú )品而遭(🔱)恶(è )警(➕)（加里·奥德曼(màn )饰(shì(😾) )）杀害(🦕)(hài )全家的惩罚(fá )。马(🖍)蒂尔(ě(🤢)r )达得到(💶)里昂的留救(jiù )，幸(😙)免于(yú(🐉) )难，并留在里昂那(nà(😎) )里。里昂(🗾)(áng )教小(📧)女孩使(shǐ )枪，她教(🍶)(jiāo )里昂(🍬)法文，两(📋)人关(guān )系日(🗄)趋亲(qī(🚴)n )密，相处(🏅)融洽。
Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
一(yī )个是已(🐓)近(jìn )中(❕)年无戏(🍯)可拍的女(nǚ )演(yǎn )员(🕷)Anna，一(yī )个(🥢)是冉冉升(shēng )起的新星(xī(😱)ng )Krystyna，两个人(🎡)在对方的(de )生活中看(📖)(kàn )到曾(🗂)经的自己……