片名：(🈯)魔(mó )法女(nǚ(🖲) )巫(wū )/女巫(wū )师们 Brujas mágicas
秦梦丈夫被谋财害命，化成冤(🗻)(yuān )魂(🍵)求(⭕)(qiú )助(📉)(zhù(🎵) )妻子(🍁)(zǐ )附身(🍱)布娃娃(🕠)上京告(🛡)御状的故事
整部(bù )影(yǐng )片讲(jiǎng )的(de )就是(shì )一个演员兼(🚚)编剧跟(💕)一个(🐮)导(🔷)演在(🌀)餐桌(zhuō(🌳) )上(shàng )讨(🚐)论(lùn )各(⏹)种人(rén )生话题，有很强的思辨性。片中的(de )两(liǎng )个男(nán )人，“我”和安(🤺)德烈。一(😞)个是(⬜)心(🚴)比天(🅿)高，另(lì(🦆)ng )一个(gè(🚩) )则安于(🐾)现状。两人在(👩)一顿晚饭的时间(jiān )里谈(tán )了(le )各自(zì )对生活、对(🛢)人生、(👻)对世(⛏)界(😆)的看(👞)法和迷(👘)(mí )惘。说(🦊)(shuō )起来(🔮)(lái )，这两个人无限的平凡，不仅貌不(bú )惊(jīng )人，甚(shèn )至你(nǐ )回过(🦏)身就(🈺)会(👣)忘了(👸)...
年轻而(🖊)性感的(⚓)西莉(lì(🚗) )亚(yà )·伯(bó )尼是一(yī )位意大利模特，她即将从她的美国(guó )叔(🛹)(shū )叔那(💹)(nà )里(🎥)继(🎨)承(ché(🌲)ng )一大笔(✉)钱。条件(🐍)是她必(🕖)须表现(xiàn )出(📏)一(yī )种(zhǒng )特殊(shū )的道德行为。
宣教影片
年轻的玛(📌)丽亚(yà(🚧) )Maria（安(📧)(ā(🐝)n )热(rè(⏺) )莉娜(nà(🔰) )·穆尼(🗞)斯饰）(🦍)是渔夫（若泽·瓦伦西(xī )奥饰(shì )）的女(nǚ )儿，不幸的是，她被(😶)父亲(💁)卖(📞)给了(🔈)一(yī )个(🌐)(gè )皮条(🗽)(tiáo )客(kè(🛅) )骗子(zǐ )鲁菲诺Rufino（路易吉·皮基饰）。鲁菲(fēi )诺(nuò )将她(tā )改名(⏫)为(wéi )“卡(⛳)丽娜(🎨)”后(🛒)迫使(🎀)她卖淫(🕟)为他挣(🎥)钱(qián )。同(⛑)为(wéi )皮条客(🕛)(kè )的卢卡斯Lucas（克劳迪奥·库尼亚(yà )）不(bú )甘(gā(👆)n )示弱(ruò(🥗) )，试图(📡)说(👁)服卡(🐛)丽娜离(💈)开鲁菲(➖)诺，跟自(🎮)(zì )己以(yǐ )前(qián )生活(huó )在他的农场。有一天，鲁菲诺与卢卡(kǎ )斯(🚕)及(jí(🈹) )其(🎆)(qí )他(🛠)两(🤑)(liǎng )人(☕)玩牌赌(🕊)钱。输光(🥟)的鲁菲诺用卡丽(lì )娜(nà )投注(zhù )，结果(guǒ )还是输了。卡丽娜拒绝(🤞)跟卢卡(♉)斯走(⛸)(zǒ(👄)u )人(ré(➕)n )，气(qì )恼(💬)的鲁(lǔ(🗼) )菲诺便(🦕)殴打她。卡丽(🎡)娜拿起抽屉里(lǐ )左(zuǒ )轮手(shǒu )枪，杀(shā )死了鲁菲诺(💁)。卡丽娜(🤡)被送(💟)进(🐟)监(jiā(🎸)n )狱后(hò(🌦)u )，法院(yuà(🈹)n )指定的(🥡)女律师塞拉Sheila（罗西娜·马尔博(bó )伊松(sōng )饰(shì )）承(chéng )诺让她(😍)走出(💦)监(🔙)狱，不(🏘)久(⏮)，便成(🚙)为了卡(🤯)(kǎ )丽娜(🐐)(nà )法(fǎ )定监(jiān )护人。离开监狱的科琳娜住进塞拉(lā )的(de )濒海(hǎ(🙇)i )房子。寂(♋)寞的(🧒)塞(📒)拉渐(🕟)渐地与(😦)卡丽娜(😕)彼此亲(🤸)(qīn )近(jìn )，随(suí )后建立(lì )起拉拉关系。殊不知，此时的卢卡(kǎ )斯(sī(🤥) )不甘(gā(⛄)n )罢休(🌷)，依(🌃)然在(🎢)跟踪着(🍆)卡丽娜(🕍)......
Anna is married to her teacher, Professor. Their marriage is a mutual agreement with no great feelings. Marriage gives both a status they need; love must be found elsewhere. Roland is a young man, beautiful body, transparent skin, clear eyes, a keen mind for wisdom. He falls in love with Professor, a man older than Roland's father. Affection grows to be mutual. Roland is eager to give all he has to give, he even tries to be a part of the family. When he finds out that there is no family, his focus is Professor and his happiness. This elder man is also intellectually highly affected by the love Roland gives. They have beautiful conversations, the likes that we seldom hear in movies anymore (not even in books). They speak of virtue, honor, love, affection, and integrity, which are all the cornerstones of their relationship. But they don't speak of flesh. Professor nearly faints down when he sees Roland's bare breast since the beauty of youth has its own reasons and own power. He listens behind Roland's door as if to get a non-physical touch of that beauty. The story is really intense and when the separation of those two is evident, not only Roland is in tears; anyone who remembers will shed tears for his or her own dreams that did not come true.