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Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era. 富(🦌)翁杨(yáng )寿昌晚年丧子(zǐ )。为占家产，侄子道(🙊)培(🏎)与(❇)陆守敬狼狈为奸，诬告儿媳余蔚(wèi )如不贞(🖼)，致(🤫)使(📒)(shǐ )蔚如扫地出门(mé(🕜)n )。数月后，蔚(wèi )如生下一(📢)子(🍂)，取(🚭)名余璞。余璞十岁，就(🤡)读寿昌所建学校。寿昌(💲)亦(❄)居住于(yú )此。祖孙互(💑)不(✌)(bú(🧦) )相识，然余璞(pú )彬彬(♏)有(🏫)礼，胆识过人，颇得寿(🏬)昌(🙄)喜(💟)爱。余璞(pú )亦常到其(🛒)居处(chù )玩耍。一日，道培(💷)守(⏪)敬(🐐)到寿(shòu )昌处要钱，遭(zāo )斥责后，意欲行凶，恰(🎩)好(🚜)余(📰)璞来到。守敬被(bèi )捕。道培重伤(shāng )，余璞亦受(🎢)伤(🎏)(shā(📑)ng )。道培临终悔(huǐ )悟，说(🈵)出实情(qíng )。一家人终得(🍕)团(🌴)聚(🚍)。 书生何梦霞诮秦石(🔭)疾之(zhī )邀，就任石湖(hú(🛵) )小(🦍)学教师，便(biàn )中造访(🍦)旧(🍆)戚(🤮)崔(cuī )元礼。崔的孙子(🏵)鹏(😢)郎自幼丧父，崔元礼(🔙)请(🛅)梦(🧔)(mèng )霞做鹏郎的家(jiā(🎗) )庭教师梦霞应(yīng )允。鹏(🐧)郎(➿)聪(🎽)明(míng )努力，经常把(bǎ )教师如何教导自己告(🦃)诉(🎞)母(🗽)亲梨娘。梨娘年轻(qīng )守寡，全部希(xī )望都寄(🍂)托(🚝)在(🌁)鹏(péng )郎身上，见鹏(pé(🌵)ng )郎在梦霞教导(dǎo )下进(💕)步(🎍)很(🍖)大，对梦霞十分感激(🌍)。一日，梨娘(niáng )在花园里(🥟)见(⛄)到(dào )被风吹落的梨(🌡)(lí(⛩) )花(💐)，暗自感伤(shāng )，与葬花(🤑)的(🔯)梦霞相遇，二人相识(😴)，日(🌂)久(🕹)生情(qíng )，梦霞向梨娘(🐬)(niáng )求婚，梨娘以(yǐ )自己(🈵)身(👤)为(🏯)未亡(wáng )人而拒绝，梦(mèng )霞告以非梨娘则终(🗞)身(🍢)不(🚘)娶，梨娘恐为此贻误(wù )梦霞一生，决(jué )心投(📪)江(🦖)一(🐗)死以(yǐ )表心迹，不料(🥎)(liào )被鹏郎半夜醒(xǐng )来(🏛)发(🏨)觉(🗾)，母子二人抱头痛哭(🔏)，梨娘从此绝了(le )自杀的(🌆)念(🔘)头，致柬梦霞，请(qǐng )他(🔧)移(⭕)请(🏇)于小姑(gū )筠倩，梦霞(🏚)恐(🚗)梨娘轻生，故允之。筠(♋)倩(😭)在(🔨)女(nǚ )塾读书，假期(qī(🌵) )归来，与嫂子(zǐ )相敬相(💯)爱(🌾)，石(🚅)(shí )湖小学英文教(jiāo )员李先生向她求婚，她(📳)未(🤴)同(🚍)意，后又有邻人(rén )富翁方德富为(wéi )其子大(🛥)元(💹)求(🌼)婚(hūn )，被崔翁拒绝(jué(🔠) )，崔翁与梨娘(niáng )商量，梨(😮)娘(🎏)推(🔋)荐梦霞，筠倩本无意(📝)于梦霞，但恪于老父寡(🦖)(guǎ(🐹) )嫂之命，未便(biàn )回绝(🎺)，勉(✉)强(📑)成(chéng )婚，夫妇二人绝(🐛)无(🧔)感情。梨娘觉察后自(🐈)知(🌉)铸(🏗)(zhù )成大错，既负(fù )梦(💪)霞，又误筠(jun1 )倩，情悔交加(💫)(jiā(🏅) )，恹(⛩)恹成病。梦霞婚后郁郁寡欢，闻蒙古之役，投(🏹)笔(Ⓜ)从(💔)戎(róng )，筠倩也鼓励(lì )他从军。秦石(shí )痴本是(🖌)军(🐦)人(💕)，此刻解散学校(xiào )鼓(📣)动师生从军。梦霞离去(📏)后(🍱)，梨(🍮)娘的病与日(rì )俱重(🏺)，终于不(bú )治，临终遗书(🔖)(shū(🙁) )二封交鹏郎，一致梦(😞)霞(☔)，一(🛷)致筠倩。筠倩阅后，方(🤞)知(🐨)寡嫂(sǎo )为自己而死(🏎)，便(🌘)把(🖼)感激梨娘(niáng )之情，倾(🚇)注于(yú )鹏郎身上，于(yú(🕔) )是(📯)带(🤢)鹏郎到战地看望梦霞。梦霞负伤住在医(yī(🎑) )院(🗝)，见(🏞)到鹏郎(láng )悲喜交集，读(dú )罢遗书后痛不(bú(💫) )可(😹)忍(🏽)。念筠倩(qiàn )对梨娘托(🥚)孤之忠，以一个弱女子(🦑)长(♌)途(🏾)跋涉看(kàn )望自己，敬(🍫)爱(ài )之心油然而起(qǐ(👃) )。筠(🌿)倩见梦霞(xiá )受伤，足(🗯)见(🍀)其爱国心之诚，是一个(⭐)好(📠)男儿，不禁心生敬爱(🚙)(à(🍎)i )。至(🥃)此，这对(duì )曾经貌合(🛅)神离(lí )的夫妻心心相(💱)(xià(🌡)ng )印(🚇)，成为恩爱夫妻。 To win the hand of the caliph of Bagdad’s daughter (played by Julanne Johnston), a thief (Fairbanks) embarks on a dangerous and mystical journey to secure the most desirable treasure imaginable. An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I. 查尔斯•百代《被拴(shuān )住(🛐)的(♿)马(🔧)匹》（The Horse that Bolted），使用“平(píng )行剪辑”的手(shǒu )法。这是电(📎)影(💽)(yǐ(🚑)ng )史上第一次通过新(😋)的词汇来表达时间的(⌛)“同(⛏)(tó(🙌)ng )时性”。此影(yǐng )片已经(🐂)不同于(yú )埃德温•史(🏩)坦(🎄)(tǎn )顿•鲍特《一个美(🍚)国(🚺)消防队员的生活》，镜头(😆)表(🧘)达不再是(shì )“后来”发(😂)生(🏧)(shē(♍)ng )的事情，而是(shì )“与此(🌃)同时”，这种细小的进步(🍗)却(🍉)是(🔀)电影艺术向前迈向重(chóng )要的一步。 Thyra arrives in Chekia to wed its old and ugly king. The Duke falls in love with her. A revolution erupts and the king is assassinated. Chief revolutionary Gigberto also falls in love with Thyra. The revolutionaries plan to drown Thyra and Gigberto in a boat, but the Duke takes Gigberto's place. And the loving couple are rescued. At the salon of his lover, Paris dancer Eva Sorel, Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker’s concern for society’s weak and poor, Christian develops sympathies for the movement’(🌈)s ideals. When Eva begins a relationship with a powerful Russian prince, she poses a danger to Becker, who has entrusted her with his secret plans for a revolution for safekeeping. And, indeed, they end up in St Petersburg, where Christian and Iwan try in vain to gain possession of them. It is then easy for the Prince to put down the 1905 revolution …(❄) Weltbrand is a wide-ranging panorama of society, unfolding along several parallel plot lines against a backdrop of luxury and misery. From its use of historical subject matter, to its gala premiere attended by dignitaries from industry and politics at the Hotel Esplanade, the two-part star-studded film version of the book anticipated later media storms, making Christian Wahnschaffe seem like a Weimar-era forerunner of modern-day event television. Hilde Warren, a famous actress, is impregnated by a convicted murderer and becomes plagued by visions of an extremely gaunt and sepulchral Death. Upon discovering her child is the image of its criminal father, Hilde must decide whether to allow it to live or to kill it and risk the embrace of Death himself.