奥斯卡终身成就奖

Bolivia, 1945. Two murders have been committed in Hotel Central, the inhospitable meeting point of the mixture of indigenous, Creole and European people who live in San Jacinto, a city of despair. Adela, the attractive owner's wife, blames Maria, one of the servants. But Timar, a young traveler, finds out some information that suggests a very different truth. In an oppressive atmosphere, where escaping seems to be the only thing that matters, Timar will struggle between his feelings for Adela and the injustice of convicting an innocent person. The risk of it is losing the few values he still has; the reward, experiencing love at its most. When a man wishes for a son, he learns what it means to be a father. 援助交際で男を手(🚅)玉にとる喜びを味わってしま(🧟)ったコギャルの奈津美。彼女(🙊)は一緒に暮らしている姉の(🐦)愛人とも寝てしまう…。 文(wé(🏠)n )迪(😋)(dí )是(shì )一(yī )名(míng )漫画家(jiā )，他(🔐)自小生于贫民区，小时候常被(🚷)母亲无理虐打，因而变得缺乏(🦅)信(👎)心(xīn )，所以(yǐ )只(zhī )能(néng )从(cóng )幻(⛰)(huàn )想(xiǎng )世(shì )界重拾(shí )自信。一(⛱)天，文迪母亲被杀害，杀人狂魔(🍾)被通缉。十八年后他是漫画(huà )主(🍎)(zhǔ )编，他(tā )所(suǒ )创(chuàng )造(zào )的(de )角(💛)(jiǎo )色“大狂魔”与“丑小孩”依稀很(🍰)像他的童年往事，后来自己更千(🚏)方百计找(zhǎo )出(chū )狂(kuáng )魔(mó )决(🎣)(jué )一(yī )死(sǐ )战；而(ér )狂魔却(🥞)告知文迪他母亲的死竟与文(Ⓜ)迪(🔔)有关连...... 这部电影的主要人物(🚃)是以(yǐ )神秘人(rén )物(wù )为(wéi )代(💠)(dài )表(biǎo )的(de )称(chēng )为“Gaja Gamini”的女人,神秘(👮)的“Gaja Gamini ",表现了四个人物特点,其中之(🤱)一是Sangeeta,一个盲女孩，以Banaras村为(wéi )开(🖼)(kāi )端,他(tā )鼓(gǔ )舞(wǔ )村(cūn )中的(🅰)(de )女(nǚ )性 (Farida Jalal, Shilpa Shirodkar, and Shabana Aazmi)起来反抗男权制。Shakuntala是另一(🐕)个角色,他的主题是像'Kalidas′诗一(🐓)样。沙昆塔拉煽动嫉(jí )妒(dù )的(⏰)(de )妇(fù )女(nǚ )和(hé )爱(ài )她的周(zhō(🐆)u )围(🧦)的男人们,迷惑人类和动物去(🏜)喀拉拉邦的森林里。第三个，“Gaja Gamini”以(🔇)文(wén )艺复兴(xìng )时(shí )期(qī )画(huà(🛍) )家(jiā )达(dá )芬(fēn )奇作品蒙娜·丽(📸)莎为对象表现一类女人的困(🧓)扰。最后是莫妮卡,最复杂的电(🙁)影(yǐng )部(bù )分,代(dài )表(biǎo )了(le )新(xīn )千(💌)禧(xǐ )年(nián )的女人。 故事发生在(📿)1939年，年轻的国王跟三位侍巨向(😤)全国宣布，三年内不接触(chù )任(🛒)(rè(👱)n )何(hé )女(nǚ )性(xìng )并(bìng )闭(bì )门苦(⛓)读(dú )。但誓言却因法国公主及(💕)三名侍女的造访而瓦解，公主(👺)远道而来是为(wéi )两国的(de )经(jīng )济(📊)(jì )关(guān )系(xì )，没(méi )想到却与侍(🎅)女们误闯情关。片中四名男士(👩)从未尝过爱情的滋味，首次与公(🥝)主(zhǔ )侍(shì )女们(men )爱(ài )得(dé )难(ná(🐾)n )舍难(nán )分(fèn )。片中演员又唱又(🏓)跳，具有三十年代的美国歌舞(📓)片(😴)风格。 正逢1999年，面臨20世紀(jì )末(mò(🤔) )的(de )地(dì )球(qiú )，為(wéi )即將復(fù )活(🌪)宇宙間的邪惡魔女格蘭狄努(♎)，旗下的邪惡組織災魔一族宣示(😗)要將大(dà )魔女復(fù )活(huó )的(de )關(♎)(guān )鍵(jiàn )就(jiù )是(shì )，用天然災害(🔗)來侵略地球，讓大魔女格蘭狄努(📈)重返人間，斷絕地球資源，世(shì(🚷) )紀(jì )末將(jiāng )是(shì )一(yī )場(chǎng )浩(👤)劫(jié )。 陸西安因一次機緣巧合(🎄)成(😘)為特務，連自己的女友露西都(🖌)必須瞞過去。這個任(rèn )務(wù )神(🖥)(shén )秘(mì )到(dào )連(lián )工(gōng )作內容(🗨)(róng )他都不知道，唯一的密碼是：(👞)今天天氣很好。然而最讓陸西(👷)安困擾的(de )是(shì )，許(xǔ )多(duō )人(ré(🤩)n )打(dǎ )招(zhāo )呼(hū )的(de )慣性用語都是(🤤)：今天天氣很好。害得他不知(🍆)道到底是他的任務來了，或者(💫)只(zhī )是(shì )巧合(hé )。年(nián )輕(qīng )的(⬇)法(👓)(fǎ )國(guó )新銳艾曼紐莫黑在本(🚏)片身兼編導與男主角，並請來(🏨)女星瑪莉吉蘭助陣，全片(piàn )對(👞)(duì )白(bái )詼(huī )諧(xié )風(fēng )趣(qù )，營造(✏)(zào )出一種迷人的「侯麥式」(📧)電影風情。 You can't hold too much against this knowing that it was made in four days, and I had expected it to be campy anyway. (It's not all that campy in reality. With the exception of Kevin Kalisher and Huntley Ritter, who don't take themselves seriously, the rest of the cast plays it halfway straight; Riley Smith is exceptionally bad.) The ridiculous story is actually paid attention to, which kind of shocked me; I assumed the whole purpose with these ultra-low-budget horror movies was to cater to the basest sexual fantasies and not give a damn about the story, but they use lots of words like "technological" and "physicality" in the script to get their point across. (Although it's possible that the story is important only to explain why there's so few cast members.) Nobody cares about this stupid storyline, and the only things that are interesting in the film are the mocking of cults and the soft-core homoeroticisms (which aren't all that edgy). I would have enjoyed it more if there were just some random killings for no reason. The film is grainy, with a TV-quality look and acting level. There are a few "sexy" scenes that are alright -- the boys writhing in bed in their boxers, feeling themselves up; or being tied down and making orgasmic faces while wine is poured on them -- and some of them are kinda funny. And I liked the digs at L. Ron Hubbard and the intended irony of a story about religious cultists told with intense gay overtones, but it still isn't any good. 3/10