AWhat a waste of resources and potential... I have lots of respect for Michael Arias for his work in Tekkonkinkreet, and Nakamura has been partaking in the making of great films as early as the 80's... The problem is not the direction, it's the scenario. World-building is quite fine: a utopian & futuristic environment living under the ideology of "lifeism" where people are connected through a centralized system that values safety, self-preservation and empathy above everything else. So far so good... but after the exposition segment, the events start taking a curve that bends away from any reasonable or believable development. The writing is ridiculously bad, the ending both lazy & lousy.
A找爸(🕙)爸...幸福的一家(🤱)人突然(😎)某天爸爸失踪 女儿开(✌)始变得(🥚)孤僻 儿子带来(🏅)三个仙(🐢)女说爸爸去了(⏳)外星 然(🏾)后一群(🎈)人加上送上门(🤸)的小鲜(🍫)肉踏上奇幻之(🆒)旅 最后(🎗)在黑暗之星找到了爸(🏝)爸
A电视过(🏨)年期间演的老片,感叹一下当(📃)年的尼(💻)克尔森(🚔)和菲佛(❤)~