病(🛅)院で撮(cuō )影(😕)(yǐng )中の女(nǚ )優(yōu )・島田陽子(🚷)（本人）は(🎽)不本意(yì )な(🌾)相手と濃厚(🀄)なラブシー(💊)ンを(🙌)演じる(🏡)こと(👪)になり、退(tuì )院しよう(⌚)としていた(🔄)五(wǔ )郎（甲(🐏)(jiǎ )本(běn )雅裕(🎦)）と一緒に現場(🌽)(chǎng )を抜け出(🧤)してしまう(🔎)。しかし五(wǔ(🐕) )郎が末期癌(🐫)に侵されて(🕡)いる(🚓)ことを(👶)知った陽子は、(😸)五(wǔ )郎と一(🌗)(yī )緒に彼の(🏎)先妻(qī )と娘(🖍)に再(zài )会しに行く。五郎が役(🚍)(yì )者を志(zhì(🥖) )していたと(➿)知った陽子(🆎)(zǐ )は、彼と(🐦)の数(⛑)日間を(🌙)寄り(♟)添うように生きること(🌤)に決(jué )めた(🕣)。高(gāo )級旅館(🍿)に立ち寄っ(💤)た二(èr )人は、そ(🍽)っと抱き合(🛣)う…。
朴(pǔ )久(🍹)（申久 饰）(🏫)年近七(qī )十(💠)，一人(rén )抚(fǔ(🐕) )养年(🚚)仅六岁(😧)的孙女达(dá )成（(🎽)金香(xiāng )奇 饰(🍼)），尽管爷孙(🌋)两(liǎng )人(rén )终(🤳)日生(shēng )活在贫穷和困(kùn )顿之(🔏)中，仅靠着收(🏁)废品的微薄(🛋)(báo )所(suǒ )得勉(🥀)强(qiáng )度(dù )日(✴)，但因(🚾)为有着(🎇)彼此(🛍)(cǐ )的陪伴，朴久和达成都(📿)感到由(yóu )衷(🥌)(zhōng )的温暖和(🔘)快乐。噩(è )耗(♏)(hào )传来，爷(yé )孙两(🖱)人最后的庇(🎅)护所(suǒ )面(mià(🏫)n )临被拆(chāi )迁(🎇)(qiān )的命运，朴(🌭)久和达成(ché(🖇)ng )也因(🈺)此而流(😁)落街头无(wú )家可(🛥)归。
Scott Kane（德鲁·(🌮)傅勒饰）是(🦋)一(yī )个有着(😓)曲(qǔ )折的过去的人，现在(zài )只(🚄)(zhī )想过上(shà(👛)ng )平静的生活(🐼)。可天有不(bú(💭) )测之风云，有(🗜)一天(🏍)他(tā )的(🎉)(de )儿子(💇)病(bìng )倒(dǎo )了，Scott Kane的面前只有(🌽)一个(gè )选择(🎉)，就(jiù )是求助(😌)于当地的黑(👾)帮(bāng )头(tóu )子Daniel Morgan (William Atherton饰)。Morgan答(🌕)应帮助Scott Kane的(de )家(🔻)(jiā )人，但这(zhè(🐬) )却是一个骗(🌿)局。Morgan收买(mǎi )了(🆔)(le )警察Jace Olsen (伊(yī )桑(🤗)(sāng )·(🐒)恩布里(🍎)饰)，让致Scott Kane于(yú )死地(✋)，但Scott Kane却从监狱(🏠)中(zhōng )逃了出(💞)来(lái )，开始了(🗞)复仇和拯救他(tā )儿子和行(há(😕)ng )动。他必需在(🌇)一名FBI(William Devane饰(shì ))和(👃)(hé )一名警(jǐ(👔)ng )察(Embry饰) 追捕下(😆)拯(zhě(🕳)ng )救自己(🙇)和(hé(👝) )家人。
朴久（申久 饰(shì )）(💞)年近七(qī )十(🛋)(shí )，一人抚养(🌼)年仅六岁(suì(🎗) )的孙女达(dá )成（(🏓)金香奇 饰）(🌶)，尽(jìn )管(guǎn )爷(🤮)孙两人终日(🕯)生活(huó )在(zà(📓)i )贫穷和困(kù(🌃)n )顿之(🐓)中，仅靠(🎟)着收废(fèi )品(pǐn )的(📄)微薄(báo )所(suǒ(👓) )得勉强度日(➰)，但因为(wéi )有(🍄)着彼此的陪伴，朴(pǔ )久和达成(🎖)(chéng )都(dōu )感到(🍾)由衷的温暖(👝)和快(kuài )乐。噩(😌)耗(hào )传来，爷(🧜)孙两(🌄)人最后(🔬)(hòu )的(🥏)(de )庇护所面临被拆迁的(de )命(📸)运，朴(pǔ )久和(🤣)达成也因此(📓)而流(liú )落(luò(⬛) )街头无(wú )家(jiā )可(🐩)归。
Marie is an insecure housewife whose husband, Joe, is having an affair. The two of them take a holiday to rural Scotland, but by sheer bad luck, end up at the hotel Joe uses for his "getaways." There, Marie is told the story of a young boy who drowned in a nearby lake long ago, and finds herself becoming more and more obsessed with his ghost. Written by Kathy Li
深陷黑帮(🥞)泥淖(nào )的南(🛌)都在一次执(🐅)行任务中失(😞)去(qù )了(le )自己(🥗)最敬(💰)重的老(👴)师(shī )，也同时夺(duó(🐴) )去了一个花(🤘)季女孩的(de )双(🛏)(shuāng )目。当(dāng )两(👴)个暗夜的游魂在轮滑(huá )中相(❇)遇，曙光渐现(💋)......
The Compact is a television miniseries directed by Fernando Colomo for Telecinco that addresses issues such as the importance of friendship during adolescence, parent-child conflicts, personal concerns and the search for identity, and is inspired by the case real case in Massachusetts (USA), 7 teenagers from the same school made a pact to get pregnant at a time.
黛(dài )西(xī )（(🔶)Lisa Rieffel 饰）和(hé )泰(📀)勒（米歇尔(📽)·隆(📙)巴(bā )多(🌅) Michelle Lombardo 饰）(🕗)组(zǔ )建了一支摇滚乐队(🔦)，并(bìng )获得了(👤)参加一场非(♟)常(cháng )重要的(🐨)比(bǐ )赛的机会。可(🗃)是，正(zhèng )当(dā(🏌)ng )她们决(jué )定(🧓)(dìng )驱车前往(⏺)赛场之际，车(🤲)却坏了。为了(🎞)不错(🚂)过这千(🈶)载(zǎi )难(nán )逢的机(⏭)会，两人找(zhǎ(😬)o )到(dào )了黛西(💯)的(de )妹妹科尔(🏣)比（嘉布里(lǐ )尔(ěr ) 克里斯(sī(🐎) )蒂安 Gabrielle Christian 饰），作(⏭)为交换条(tiá(🏷)o )件，黛西和泰(🥌)勒决定(dìng )帮(💴)(bāng )助(🤖)科尔(ě(🐺)r )比(bǐ(🔣) )追求她一直深深喜欢(huā(✨)n )着的女演(yǎ(🧙)n )员米斯蒂（(🏻)Mandy Musgrave 饰），然(rán )而(⭕)(ér )糟糕的是，米斯(🤝)蒂其(qí )实早(🗽)就已(yǐ )经对(😀)泰勒芳心暗(🤭)许了(le )。
说起知(😲)(zhī )名(míng )动画(🎸)监督(🦆)宫崎骏(🌡) 和吉(jí )卜力工作(🏎)室，在动漫圈(🐷)可谓是(shì )无(🖌)(wú )人不知无(🎖)人不晓。《龙猫》、《幽灵公主》、《千(🎫)(qiān )与(yǔ )千寻(⚡)》、《借东西的(💟)小人阿莉(lì(📄) )埃蒂》……至(🗽)今为(🌐)止(zhǐ )宫(🚱)(gōng )崎骏和(hé )吉(jí )卜力工作室(💠)创作了许(xǔ(😆) )多脍炙人(ré(🤜)n )口的优秀作品，也带(dài )给(gěi )了(🗼)我们无数的(🌏)欢笑与(yǔ )感(🥡)动。日(rì )前，披(🐚)露宫崎骏监(🏤)督(dū )创(chuàng )作(🚽)秘密(🚠)(mì )的(de )《吉卜力的书柜》，其DVD与(🤜)蓝光碟已宣(😛)布将在今年(🏇)6月(yuè )3日(rì )由(😱)Walt Disney Japan同日发售。宫崎骏(jun4 )监督从岩(yá(🐯)n )波少年文库(🌞)中为孩子(zǐ(⚽) )们(men )选出了(le )50本(🧕)儿童文集，每(🛰)一本(➖)都(dōu )附(🏻)上了他亲自写的推(tuī )荐(jiàn )文(🧖)。儿(ér )童(tóng )文(⌚)集正是宫崎(💡)骏那些(xiē )优秀作品(pǐn )的原点(🍃)和灵感来源(🤶)，童(tóng )年的读(🐇)书体验对人(🛳)生(shēng )都有着(🏡)深(shēn )刻的影(🍾)响，文(🌨)中也写(xiě )了(le )宫崎骏(jun4 )对(duì(🎢) )书本的感想(🤯)和儿童文(wé(🌊)n )集的魅力。此(🚝)外作品还收录了(le )宫(gōng )崎骏监(🗳)督与儿童文(😣)学(xué )家石井(🔞)桃(táo )子、中(🐗)川李枝子的(📗)对(duì(🚻) )话(huà )，还(🚼)谈(tán )到了他与盟友高畑勋的(🗨)(de )关系。
Downtown Cairo is an organism that still seems alive back in winter 2009/10, but is becoming increasingly alien even to those born there. Khalid is looking for a flat. He’s a filmmaker. He looks at his images over and over again, as if he were waiting from them to produce some sort of meaning. The stories of his protagonists seem to come from somewhere inside him, he seeks points of reference in the outside world. The more he looks for them, the more they seem to disappear; not abruptly though, but in lengthy moments full of tenderness, such as when he bids farewell to his girlfriend who is leaving him, to his ill mother, to friends who have come to the city to premiere their films. For them, Cairo is a fixed reference point: One left Baghdad and is now living as a refugee in Berlin, another stayed there, a third lives in troubled Beirut. When they decide to send Khalid video material from their cities, it's not so much about helping him with his film than preserving something they still associate with Cairo via this bond, fully aware that it’s already a fantasy. An almost noiseless film in which time is overtaken by history. berlinale 2016