别叫我兄弟剧情介绍

Tomek is 14 and a good student. He's interested in astronomy and plays football to please his father. The only thing is, he lives in a poor little border town plagued by unemployment, whereas across the river lies Germany with all its relative affluence. Tomek meets Marta at a disco and falls in love with her. He starts to think up ways of earning money in order to keep her interested. He approaches a pimp who seeks out local boys for his German clients. Tomek has no idea of the brutal fate which awaits him. 抗日(rì )战(🎤)(zhàn )争时(😣)期(📐)，一队八(🍈)路军来(🤳)(lái )到了(le )沂(yí )蒙山区(🗻)的堡垒(💣)村(⛩)马牧池(📤)(chí )，随(suí(📽) )他(tā )们一同前来的(🕖)还有国际(💝)(jì )友人(🛃)(rén )捐(juān )赠的奶牛。长年生活(🔝)在大山中(👕)(zhōng )的村(🌩)(cūn )民从没见过这种黑白相(🏞)间(jiān )、奶(🍎)(nǎi )量(lià(📉)ng )充足的牛，他们备感惊(jīng )奇(🐴)。不(bú )久，日(💄)军船尻(🗃)部队逼近(jìn )，八(bā )路(🐞)(lù )军紧(👷)急撤退，临(😏)行前将(🦇)奶牛(niú )托(tuō )付给村(🚒)民喂养(⛓)。贫(〰)穷胆小(🦉)的村(cū(🏑)n )民担(dān )心(xīn )奶牛会(🗓)带来灾(🌆)难(🍹)，他们(men )通(📒)过(guò )抓(zhuā )红豆的方式选出(🕍)养牛人(ré(💏)n )，小(xiǎo )寡(🅱)(guǎ )妇九儿（闫妮 饰）帮破(🏘)(pò )落户(hù(🔲) )牛(niú )二(🎖)（黄渤 饰）抓阄，最终使牛(🎉)(niú )二成了(🌮)这倒霉(🚤)的“幸运儿”。 Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo. ◎简(jiǎn )　　介 《奇(🕦)妙英雄》的(⭐)主(zhǔ )角(🍮)是(shì )一(yī )位叫做“亨(🍤)利·帽(📫)贝”（Henry Limpet）的(⭕)(de )记账员(👔)，他胆小怕事，唯一(yī(🧖) )的(de )爱好(🚖)就(🍗)是鱼。一(⚾)次意外(⛅)让亨利(lì )掉落(luò )水(🀄)(shuǐ )中变成(🕥)了一条(📪)鱼，没想(xiǎng )到，变(biàn )成鱼后的(🦄)亨利勇敢(🥡)多了(le )，还(🔝)(hái )帮(bāng )助美国海军成功定(📠)位纳(nà )粹(🔱)潜(qián )艇(🈸)(tǐng )，立了大功。 “另一边的背后(🎢)(hòu )”是1972年由(🎪)简·雅(🏁)顿（女）编剧(jù )和执(zhí )导(😊)(dǎo )的一部(🏐)英国独(👦)立制作故(gù )事片(pià(🎢)n )。它是20世(⏪)纪70年代唯(💫)一的一(⛑)(yī )部完(wán )全(quán )由一(🏽)个女人(🏏)执(👸)导拍摄(⏱)的(de )英国(🖱)(guó )独(dú )立制作电影(🖐)。简·雅顿(🏪)自己也(🈵)(yě )在影(yǐng )片(piàn )中客串了一(🗒)把。电影片(📁)(piàn )名是(🎆)(shì )取(qǔ )自简·雅顿1969年伦敦(🥂)艺术(shù )实(🥞)验(yàn )室(⛪)(shì )剧院取得巨大反响和成(🏑)(chéng )功的(de )舞(📺)(wǔ )台剧(📓)“Vagina Rex and the Gas Oven”（阴道脉动（或者翻(fān )译(🍨)成阴道痉(🤬)挛）和(🏡)燃气炉）。 The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years after Capone was imprisoned.