监狱生活电影

本片将于(🚦)2月4日在(📔)(zà(🍕)i )爱奇艺(yì )独家上映。该片由(⛷)(yóu )后(hò(📧)u )亘执(zhí )导(🥈)，后亘、凝雪翼任(rèn )编剧(jù(🏮) )，罗文林(❄)、(❎)钟恒任(🐉)制(zhì )片人，安康伟、孟娇霞(🐫)联(lián )袂(🙋)主(📱)演(yǎn )。 安(🍲)德斯·希尔（本·门(mén )德(🎋)尔森饰(🤨)演(💫)）长期(🐗)(qī )生活在(zài )“痼习之地”，这是(♟)(shì )康涅(🤣)(niè(📘) )狄(dí )格(🙉)州一个富裕的小(xiǎo )村庄，位(🥋)于通勤(⏰)铁(🔑)路线上(shàng )，如今(jīn )他准备好享受明(🚴)智(zhì )生活(🛍)的(de )回报了。他五十多(duō )岁，刚(🛠)(gāng )刚退(🃏)休(❎)，付清了(♿)成(chéng )年(nián )儿子(zǐ )读大学的(🧜)学费，安(🌄)德(⛲)(dé )斯觉(🔌)得(dé )他已经受够了这种(zhǒ(🚼)ng )稳定的(🚬)(de )习(👩)惯：于(👐)是他离开(kāi )了妻子(zǐ )（埃(🔘)迪·法(🥤)可(⬇)饰演(yǎ(❣)n )），买(mǎi )了一个公寓，等待(dà(🌅)i )无拘无(🎍)(wú(Ⓜ) )束的自(🚖)由给他生活带(dài )来转(zhuǎn )变(🦐)(biàn )。没有(🕒)了(🚠)之前身份(fèn )带来的(de )舒适感，安德斯(😓)开(kāi )始了(🧓)一(yī )段磕磕碰碰而又令(lì(🚇)ng )人心碎(💺)(suì(♊) )的旅程(🚷)，试图调和(hé )他的过(guò )往和(💠)现在。本(🍶)片(🗜)由(yóu )妮(🌲)(nī )可·哈罗芬瑟（《无需多(💸)(duō )言》《老(💈)友(👁)有钱》）(😨)担任(rèn )编剧和(hé )导演，改编(📫)自泰德(👜)(dé(🏭) )·汤普(🐈)(pǔ )森于 2014 年发表的同名(míng )小(😉)说。参演(🐰)《痼(👝)习之地(👠)》的其他(tā )演员还包括康妮(😞)·布(bù(♟) )里(🍧)登(dēng )、伊丽莎白·玛维尔(ěr )、托(🛫)马(mǎ )斯·(👤)曼和比尔·坎(kǎn )普。 年(nián )輕(🏂)的單親(🔸)媽(🖐)美樂蒂(⛪)(dì )在一名(míng )專橫的老闆手(🎼)下擔(dā(🏑)n )任(🎥)製作(zuò(👲) )助理，老闆要她找(zhǎo )出(chū )消(🉐)失(shī )了(🦔)(le )十(🌤)年的鋼(🔘)琴家麥克(kè )格林莫(mò )，並說(🏭)服他辦(🏛)一(🏯)場(chǎng )特(💝)別演(yǎn )奏會。如果美樂蒂(dì(🕕) )辦到了(🚌)(le )，就(🦀)能夠加薪，但(dàn )她必須(xū )在三天內(🕡)完成任(🏠)務(🛬)(wù )。美樂(lè )蒂在奧地利境內阿爾(ě(😴)r )卑斯(sī )山(♎)(shān )區找到退休的麥克(kè )，但(📬)他(tā )已(🤯)放(👗)棄古典(🌧)音樂，在當地(dì )的酒吧彈鋼(🏊)琴自娛(🐇)(yú(📙) )娛人。美(😌)樂蒂以無比的耐(nài )心和計(♑)(jì )謀，試(🕋)著(🍮)讓麥克(🍜)重(chóng )回(huí )舞台(tái )，但兩顆破(🌑)碎的心(🚨)逐(🐝)(zhú )漸滋(🛅)生(shēng )愛苗，美樂蒂越來(lái )越(🎸)不可(kě(🗨) )能(🚗)完成任務……。 To face the long avoided task of digging through her deceased mother's belongings, an otherwise composed young woman, Emily, returns to the family farm in the south of Sweden. But when her childhood friend, Mia, arrives for moral support, Emily falls into the murky terrain of trauma and grief, straining their relationship. While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. Through one year we follow the Norwegian artist Vebjørn Sand towards his exhibition: Guernica a turning point. During this process, he visits places in Guernica where attacks carried out in 1937. He meets with survivors and does research for his work. Compared to Picasso's famous painting of Guernica, Vebjørn wants to represent the scenes of the bombardment realistic and figurative, with the color pallet of the 1880s classical painters. We follow him to New York where he works day and night to get the exhibition done. After an accident, while running, he is forced to stay in Norway. Recovering at his parent's house, he has to lay a new strategy to be able to finish his work. It is a journey through an artist's inner thoughts around art, himself and the continuing battle with his work.