王牌对王牌第一期

希腊(🕐)神话(⛪)，海伦与特洛伊的(🎓)故事(🚂) For his third film in France, L'Enfant du Carnaval (1921), Mozhukhin directed himself. This is a delightful work, hinting at the astonishing visual vocabulary Mozhukhin would employ in his next directorial effort, Le brasier ardent (1923). Full of visual witticisms that include amusing match cuts and a terrific use of scenography, it can be argued that the choice of subject matter (wealthy bachelor finds a child on his doorstep and hires the child's real mother as nanny) has more than an old-fashioned air about it, but he manages to keep it fresh and sparkling until the tragic conclusion. There are some stylistic similarities between L'Enfant du Carnaval and an Italian film from 1917 which screened at last year's Festival, Luigi Serventi's Le Mogli e le arance (Wives and Oranges), written and supervised by Lucio D'Ambra, although this may be pure coincidence. "Die schwarze Natter" shows the director with a fine example of the 'Sensationsfilm', i.e. a pulpy adventure much in the vein of the early crime serials of Feuillade and others. Two agents from different sides are working in a circus, one - the Schwarze Natter (Black Adder)- as a dancer, the other as a horseback artist. The Schwarze Natter is informed that the other is receiving information by one of the visitors this night, who is also in love with her. She is trying to get him and the information herself, making it look like the other side has her finger in this incident. But an officer of the local police had an eye on them, because some things happening before made him suspicious and starts playing his little game. An accident-prone Danish girl arrives in Canton to take a dignified post in a rich Chinese family, but lands instead in a brothel where she is tortured and held prisoner until rescued by the Danish Consul, helped by an overseas Chinese (played by Henry Sze) whom she had met on the ship. 对于神秘的印度，出生(🆒)在澳大利亚的女孩露(🎋)(lù )丝（凯特(tè )·温丝(🌄)莱特(🍬) Kate Winslet 饰）一直心驰神(😲)往，一(🎽)次激动人心的印度之(🌇)旅后，露丝不惜违背父(🔍)母的意(yì )愿滞留在(zà(🐂)i )此地(🚐)以完成自己长久(😃)以来(🆒)的梦想。为了心爱的女(🥃)儿能够回到身边，露丝(🦔)的父母雇佣了(le )一个名(🧥)叫(jià(🍛)o )沃特斯（哈威·(💋)凯特(📩)尔 Harvey Keitel 饰）的男子，让(🚱)他以(🐬)精神辅导师的身份接(🎻)近露丝，以达到劝说(shuō(🚥) )她回家的(de )目的。 Fiction patriotique dans laquelle une jeune femme qui attend son fiancé parti sur le Front devient folle. The plot follows the novel more closely than does any other Tarzan movie. John and Alice Clayton take ship for Africa. Mutineers maroon them. After his parents die the newborn Tarzan is taken by a great Ape, Kala. Later the boy finds his father's knife and uses it to become King of Apes. Binns, the sailor who saved the Claytons and who has been held by Arab slavers for ten years, finds the young Tarzan and then heads for England to notify his kin. A scientist arrives to check out Binns' story. Tarzan, now a man, kills the native who killed Kala; when their chief is killed the black villagers appease Tarzan with gifts and prayers. The scientist's daughter Jane is carried off by a native, rescued by Tarzan (who has burnt the native village), aggressively loved by him ("Tarzan is a man, and men do not force the love of women"), and at last accepts him with open arms. An absentee landlord's agent frames his rival for burglary.