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女神(🤥)学(xué )家安娜(nà )婚(🚕)后长年不(🤤)育，她接受(shò(😤)u )新工作，去(🧟)女子(zǐ )监狱主(zhǔ )持小(🏗)礼拜(bài )堂(🏏)，认(rèn )识了一(yī )个(🆓)似乎有(yǒ(🚄)u )超能力(lì )的(🏹)女犯(fàn )人(🎇)。不久(jiǔ )，安(🐼)娜(nà ) 发现自(👡)(zì )己(👋)怀孕(🥍)了(le )。根据(jù )《圣经(jī(🌤)ng )》教义，一切(🚡)非(fēi )教会的(🛒)超自然力(🦌)(lì )量都是(🍚)(shì )邪恶不洁的，她(🛵)该不(🚤)该(gā(🐋)i )打掉这个孩(🎭)子呢？ 诺(🍷)贝(bèi )尔和平奖提名人(⛱)Tookie Williams的传记电(🍳)影。 一位在奥地利(🚳)饭店工作(👖)(zuò )的女服(fú(🎤) )务生艾琳(🕳)，发现(xiàn )她接替(tì )的女(💱)服务生神(😮)秘(mì )地失踪(zōng )了(🚵)。当艾(ài )琳(🏯)找寻(xún )女服(💉)务(wù )生失(💪)踪的(de )答案(🚎)时(shí )，遭遇(yù(🌋) )到饭(❤)店其(🤑)(qí )它主管(guǎn )的漠(🙇)视(shì )与敌(🌄)意；而和艾(📥)(ài )琳相伴(💓)(bàn )的只有(🤤)一(yī )支失踪(zōng )女(🛍)服务(👚)生所(🏢)留下(xià )的红(😄)框(kuàng )眼镜(☔)，与一只脸(liǎn )上有疤(bā(👅) )痕的木偶(🛎)。艾琳开始警(jǐng )觉(🌋)到她必须(🖤)躲避她自身(🎃)将遭遇(yù(👢) )到的不幸。 一批价值100亿(🗞)(yì )元的毒(💙)(dú )品在送往警察(🔱)局(jú )的途(🧣)中(zhōng )被抢走(😁)，警察局(jú(🙁) )认为负(fù(🐓) )责护送毒(dú(📉) )品的(🕤)吴(wú(🍥) )组长有(yǒu )最大嫌(🥜)疑(yí )，并着(🅾)(zhe )手调查(chá )。但(🔮)是，坚信伍(💾)(wǔ )组长的(⏫)(de )清白的手(shǒu )下姜(⏪)成(ché(🏁)ng )洙在(📕)追(zhuī )捕嫌疑(💽)犯(fàn )的时(😊)候(hòu )，那个嫌疑犯发(fā(🥇) )生交通(tō(🛒)ng )事故而死亡。姜(jiā(🏔)ng )成洙用(yò(🎄)ng )嫌疑犯的手(🐓)机里面的(🚆)电(diàn )话号码进行调查(🐩)，但是别的(💻)嫌(xián )疑犯一个接(📛)一个地死(🍩)去(qù )，而案(à(🧀)n )件越来越(🏉)陷入迷(mí(🕣) )宫。在(zài )一次(🥀)追捕(💠)嫌疑(🎢)犯(fàn )时，姜(jiāng )成洙(🗺)认识(shí )了(💲)嫌疑(yí )犯的朋(péng )友—(💐)—交(jiāo )通(🛡)台的(de )记者徐(xú )有(🍽)真，他(🎂)(tā )们(🦇)都有(yǒu )似曾(🎼)相(xiàng )识对(⛏)方的(de )感觉，而有真(zhēn )还(✝)预见了(le )姜(🚲)成洙(zhū )死亡时的(🤪)样子。晴朗(👵)的(de )天空下，拿(🐢)着彼(bǐ )此(🐖)的生(shēng )命钥匙的两个(😓)男女，向(xià(🧘)ng )24小时后预定的死(📷)亡奔去…(👃)… A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. En 1933, Gaston, devenu amnésique à la suite de blessures subies dans les tranchées de 1917, n'a plus de passé(🈸). Il croupit depuis quinze ans dans un asile, en attendant qu'une famille le reconnaisse. En tant qu'invalide de guerre, il a perçu des pensions, qu'il a économisées jusqu'à(📪) se constituer un joli petit pécule. Tout cet argent commence à attirer les convoitises. De plus en plus de familles viennent ainsi lui rendre visite et le revendiquer comme l'un des leurs. Il est tantôt reconnu comme un frè(🌗)re, tantôt comme un fils ou un neveu. Gaston appartient donc à tout le monde et à personne. Jusqu'au jour où la famille Renaud semble pouvoir prouver qu'elle est la sienne. Cette nouvelle vient bouleverser la vie de Gaston... こんな(😴)映画(❗)(huà )が観たかった(🏅)！漫☆（F）(🏯)画太(tài )郎作品の映像(📜)化(huà )第2弾(👗)はなんと爆(bào )笑(⛄)オムニバ(✍)ス短編集！「(📣)地獄(yù )甲(🤩)子園(yuán )」の漫☆（F）(🥛)画(huà )太郎(🧘)と山口雄大(dà )が(📙)再びここ(🏌)にタッグを(🥫)組む！ 【剧(🏄)情简介】军(jun1 )方高科(kē(🌁) )技工作人(🌴)员拉赛受到恐(kǒ(👕)ng )怖分子雅(🔉)塞克威胁，被(🎃)迫更改战(🏓)斗机电子(🏗)战系统的组(zǔ )件(🔞)，最(zuì(🔈) )后在老侦查员哈(🕥)(hā )兰德的(🍵)(de )帮助下不仅扭转(zhuǎn )乾(🏼)坤，还摆脱(🏘)了事件带(dài )来的(👀)种(zhǒng )种影(💄)响，重新过(guò(💷) )上平静(jì(😨)ng )的生活。 "The Tuner" is Muratova's brilliant portrayal of a sick society on the verge of complete moral collapse. Her protagonists are the little people so removed from reality that at times they seem unrealistic, invented, and their actions unmotivated. In the end, their weakness and crushing defeat by the petty con artist gives them moral power that vindicates their social marginality. Their quirkiness, their refusal to live by the rules, or, as in the last scene, to accept their own defeat even when their very survival is at stake, becomes, paradoxically, the last hope for humanity. Against the context of the Orange revolution, "The Tuner" becomes Kira Muratova's prophetic vision of the return of human dignity in her home country. 警視庁(tīng )捜査(😕)一(yī )課の(❤)刑事(shì )・村上(shà(📷)ng )徳郎（柳(🕦)葉敏郎(láng )）(🧞)は、ヤミ(📍)金融会社(📩)社(shè )長殺し(📼)の犯人を(🎭)追っていた。村上(🐿)は、市川(😴)史恵（浅(qiǎ(🚝)n )野麻衣子(🍸)）という(👲)女性から、事件(🏒)を目(✂)撃していたとの(💊)連絡(luò )を(🐅)受ける。身柄(bǐng )を保護(🥠)(hù )するた(🦅)め、村上(shàng )は彼(🍩)女(nǚ )のマ(🎹)ンションへ(🏹)向かう。そ(😗)の史(shǐ )恵の部(bù )屋を(🤬)社(shè )長殺(🏓)しの犯人らしき(🛹)男(nán )が探(💗)し当(dāng )てて(😇)いた。そこ(🔅)に到着(zhe )し(📗)た村(cūn )上は(😉)犯人を追(🧙)うが、取(qǔ )り逃(🧥)がす。史恵(🔊)(huì )も姿を消(🍩)してしま(🦇)った。村上(🐿)(shàng )は上司の下田(👋)敏夫(🔬)係長（光石研）(👭)に叱責さ(🥃)れ、捜査(chá )から外さ(🧚)れる。