34岁的Daniel是欧洲第一(yī )个从大(dà )学毕业的(de )唐氏综合(hé )症患者。他在塞(sāi )维利亚(yà )开始了一份社工的(de )工作，在(🤥)那里他(tā )遇(📷)见了自(🙋)(zì )由(🙍)奔放的(🈷)同事(🤼)Laura。他们很(😜)(hěn )快(💒)成为朋(🏫)(péng )友(🦕)，引起(qǐ(🚅) )了同(🕘)事和家(👠)人的(📦)(de )注意(🛢)。Daniel爱(🏔)上了(🤣)她，让他(🙂)们(men )的(🍯)特殊(shū )关系(♓)产生(shēng )了问(⛷)题。但是，他(tā(🕖) )们的反(fǎn )抗(🗄)精神(shén )拒绝(🈚)接受规则的(🐒)束(shù )缚，让他(❤)们找到(dào )了从未发(fā )现的友谊和爱情(qíng )。
神户(hù )港，海堂(táng )组和龙神(shén )组两大黑帮矛盾(dùn )重重，抗争不断。海堂组(zǔ )的(🥌)老大百(🌷)合（(😪)久(jiǔ )保(👴)菜穂(🏒)子(zǐ ) 饰(☕)）凭(🕗)借女性(🏓)柔(ró(🐂)u )弱之躯(🐏)(qū )支(🦗)撑全组(➿)(zǔ )，野(🔋)心勃(bó(🛋) )勃的(🥗)龙神(🏒)因(🏨)此颇(👼)(pō )为忌惮(dà(🔇)n )。某日，关东各(👨)大(dà )帮派举(🚍)(jǔ )行三轩一(🏥)(yī )家的继承(👡)(chéng )仪式，但(dà(♈)n )龙神组(zǔ )老(💩)大刚(gāng )田升从中作梗，未(wèi )向百合发出邀请(qǐng )。海堂组(zǔ )小弟阿广（中山(shān )昭二 饰(shì )）倍感受(shòu )辱，于是(shì )怒闯庆典(☕)会场，反(🔏)遭龙(㊗)(lóng )神组(💚)殴打(⏪)，幸亏绰(🎺)(chāo )号(🏬)“台风”的(🛠)阿(ā(🙎) )政（宇(🤦)津(jī(🥫)n )井健 饰(🕖)）出(📸)手制(zhì(🎺) )止。百(🍎)(bǎi )合(🌬)亲(👒)自前(🙎)(qián )去讨还公(🎃)(gōng )道，令刚田(🍝)分外(wài )难堪(🚓)。
在一个毫无(🌱)任何征(zhēng )兆(🆔)的夜(yè )晚，打(🍯)扮(bàn )入时的(🍬)金(jīn )发妙龄女(nǚ )郎梅根(gēn )（珍妮(nī )弗·戴伊 Jennifer Day 饰）边讲(jiǎng )电话边行走在空(kōng )旷无人的(de )地下车库内。突(tū )然，他(tā )被一(🌴)双强(qiáng )壮有(😧)力的(de )大(🥪)手抓(🕎)住塞入(😎)一(yī(💱) )辆汽车(👞)(chē )的(🚒)后备箱(🕧)内。梅(😺)根(gēn )奋(📱)力挣(🚘)扎，高声(⭕)(shēng )呼(🖥)叫，一(🐓)(yī(🌤) )度试(😐)图拨(bō )打911求(🌳)救(jiù )，却因(yī(🎐)n )手机电量过(👔)低而宣(xuān )告(🤕)失败。在她感(🚍)(gǎn )到惶恐(kǒ(🏬)ng )绝望的时刻(👿)，冷静(jìng )沉着的(de )司机乔治(zhì )（David Blanchard 饰）驾(jià )驶汽车飞驰在繁(fán )华都市(shì )的马路上。他打开(kāi )车载无线店，透(tòu )过扬声器(qì(💌) )和麦克风与(🤦)梅根(gē(🏊)n )对话(🍚)。这个疯(🔵)颠(diā(💐)n )极端的(😜)男(ná(🐏)n )人引领(🔤)着谈(😗)话的(de )方(🗨)向，梅(📔)根不得(🈳)不想(🥩)尽一(🍶)(yī(🏉) )切办(💽)法与之应对(🐊)(duì )，设法说(shuō(💁) )服濒临崩(bē(😳)ng )溃的乔(qiáo )治(🌀)。
Considering all the critical attention Howard Hawks has received over the years it's rather surprising that this film, the sixth he directed, is so little known. Admittedly, FAZIL is not at all typical of Hawks' work and lacks most of his recognizable directorial motifs, and on top of that features stars whose names only buffs will recognize, but it's a beautifully filmed, sumptuously mounted late silent drama that's worth seeing for its production values alone. For viewers of our era the most striking aspect of the film is that its story is based on a culture clash of West vs. East, specifically, the difficulties that arise when a European (presumably secular) woman who prides herself on being "free" and modern marries an Arab man who follows the old ways and is a devout Muslim. This material lies in a danger zone that Hollywood has rarely ventured into, even in recent years, and while to our eyes FAZIL is quite dated and very much a product of its time in its depiction of Arabic culture, it's nonetheless surprisingly even-handed in presenting both sides of the case in a painful divide that, needless to say, is still with us.
Tragedy of Korean War was unfolded through a boy's testimony. Although the boy saw and felt many things, he can not say anything. Dol-Yi, a 10-year-old-boy, was beloved as a mascot by soldiers when he lived near front. There was North Korean Army over the hill, it had nothing to do with him. But tragedy of the war came to Dol-Yi. What did he think about through the suffer from war and tragedy of the partition of the country?
はい、今回(🧤)ご紹介する(🏺)のは 「寄生(📧)獣(shòu )」 です。