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正(zhèng )在度(dù(⛓) )假(💘)的(😭)房(📳)(fáng )产税(shuì )收专家露易(yì )莎·劳伦特(🚵)(tè(🙋) )（(🎥)Silvia Abascal 饰(shì )）接到(dào )上司爱德华(huá )多的电(🛏)话(🔥)，要(🎮)求(🤢)她火速(sù )前往位于蒙(méng )特·奈格洛(🥐)的(🏠)瓦(🔀)德(👙)马尔公馆。这座公馆建造于维多利(🍕)亚(♏)时(🧝)期(👵)，有着悠久的历史。早在一个月前爱德(🎰)华多(🤪)便(🖥)(biàn )派下属奥利(lì )西亚前去进(jìn )行(🐀)资(😁)(zī(🍫) )产(🤲)评估(gū )，准(zhǔn )备将公(gōng )馆拍(pāi )卖。然(rá(👏)n )而(🛀)奥(➿)(ào )利西亚(yà )从此(cǐ )杳无音(yīn )讯，适逢拍(👛)(pā(🧚)i )卖(🚟)日(rì )期提前，他(tā )只得(dé )匆忙找(zhǎo )到(❓)露(💂)(lù(🌗) )易(💆)莎。经过(guò )一番讨(tǎo )价还价，露(lù )易莎(❇)临(🌿)危(🎯)受(🔳)(shòu )命。她来到(dào )这幢破败的宅邸，却(🦊)在(🌫)视(🆗)察(🗨)内部情况是见到一具高度腐烂的尸(🚮)体。 摇(🎻)滚(🤮)乐队“Rhythm Head”在演出途中，屋外落下响(xiǎng )雷(👒)。停(🥖)电(🎆)后(⬜)(hòu )，舞台上突(tū )然出(chū )现木下(xià )藤吉(🛒)(jí(🕕) )郎(🚴)秀吉(jí )和织(zhī )田信长(zhǎng )。从(cóng )战国时(shí(🍥) )期(👅)穿(🈶)(chuān )越到现(xiàn )代的(de )信长和(hé )秀吉(jí )，加(🎅)入(📰)了(🏣)乐(✒)(lè )队。但是为(wéi )了实(shí )现父亲(qīn )梦想(🤫)(xiǎ(🥗)ng )而(🍌)组(😑)成(chéng )摇滚乐队的(de )正巳却很苦(kǔ )恼(⚫)。之(🐨)后(🦕)松(🍢)(sōng )平竹千代（德川家康）也出现在(💫)现代(🏋)的(🐴)名古屋。家康也加入了的6人组成了(♍)新(🧖)的(🚌)“Samurai Rock”组(👾)合。 一次偶然中，患(huàn )有先天性心(xīn )脏(🥓)病(🎅)的(🚣)男孩(hái )亚当（克里(lǐ )斯汀(tīng )·史莱(lá(🎩)i )特(🔲) Christian Slater 饰(🐧)(shì )）遇见(jiàn )了名(míng )叫卡罗(luó )琳（玛(🐙)丽(🌛)莎(✍)(shā(💤) )·托(tuō )梅 Marisa Tomei 饰）的美(měi )丽女孩，后(hòu )者(🔐)的(😨)开(🌀)朗(🍳)和(hé )善良(liáng )渐渐吸(xī )引了(le )一直生(🧟)(shē(💳)ng )活(🚧)在(🗄)疾病阴(yīn )影里的亚当(dāng )，两人之间(jiā(😱)n )产生(♋)了(🌭)真挚又美好的感情。 医院看护萨缪尔(🤧)Samuel（(🕤)吉(🏸)尔·勒卢什 Gilles Lellouche 饰）和妻子娜迪亚Nadia（埃(🤷)琳(🎚)纳(🏄)·安娜亚 Elena Anaya 饰）是一(yī )对非常恩爱(ài )的(🚊)夫(🐨)妻(🖥)，两(liǎng )人正期待着(zhe )娜迪(dí )亚肚子(zǐ )里(🌹)的(👯)(de )宝(🚭)宝(😓)来(lái )到人(rén )世上，这样(yàng )平凡幸(xìng )福(🥛)这(💊)(zhè(⏹) )生(➗)活就(jiù )因为(wéi )萨谬尔意外(wài )撞见(💴)一(🔴)宗(🏉)谋(🔗)(móu )杀事(shì )件而起(qǐ )了变(biàn )化…… This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 这(🔗)部片(♍)是(🤪)由(yóu )IFC电影公司呈(chéng )献，内容是(shì )以几(✴)个(🥈)互(🛌)相交错的故事，来揭露枪枝在美国的(🕟)氾(🚻)滥(🔋)是如何剧烈的影响与改变每天的生活(⏹)。 一(👸)个(🔅)枪店老闆、一个成绩优(yōu )秀的学生(📙)、(⛰)一(🍔)个(🕌)单亲妈(mā )妈、还有一(yī )个学(xué )校校(🐩)长(✝)(zhǎ(🌎)ng )就(🐡)是(shì )故事中(zhōng )被深(shēn )深影响(xiǎng )的(🤯)角(💂)(jiǎ(🚷)o )色(🕚)。 The Monkey Kid focuses on the details of a nine year-old girl's daily life during the Cultural Revolution. In 1970 China's intellectuals had been dispersed to the countryside to learn from the peasants. Their children remained in the cities to learn life on their own. Shi-Wei, the Monkey Kid, is one of these children, and she survives her family's fracture by instinctively clinging to happiness; she is a bright light against a dark background. With her parents away she gathers with friends wherever she wants, she shows up late for school, she tumbles down mountains of gravel, she balances on balconies five stories high. Shi-Wei has dizzying choices. And she slides away from the dull embrace of the Cultural Revolution 1938年(nián )，犯(fàn )人亨利（Kevin Bacon 饰(shì )）试图从著(🌍)(zhe )名的(🌺)(de )阿(📎)尔卡(kǎ )特兹(zī )监狱逃(táo )出，但最终(zhō(🐊)ng )失(🌡)败(🤴)。典狱(yù )长格伦对威(wēi )胁自己地位的(🙅)亨(🛋)利(🤤)恨之入骨，将其抛入封闭的地牢中长达(🤪)三(🤪)年(🌞)，期间伴有不计其数的殴打行为。亨利(🐃)终(🤶)于(👸)得(⛑)以离开地(dì )牢，但他所(suǒ )做的第一件(🔖)(jià(💋)n )事(🖍)是(🍞)(shì )用勺子(zǐ )杀死(sǐ )背叛自(zì )己的(🙌)(de )犯(😒)人(🌗)，于(🈯)是(shì )被控一(yī )级谋(móu )杀。