This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.
A low-tech FX film about the horrors of war and robots.
Does committing a crime make you a criminal? Kidnap is a film that asks this question. Vikrant Raina takes one such decision in a moment of extreme rage when his 8 year old daughter is facing a life and death situation. He couldn't imagine how that one decision would affect 14 year old Kabir Sharma's life, he has then been labelled a 'criminal' .
清末民初，日本列强(qiáng )对我(wǒ )中华(huá )大(dà )地一直垂涎三尺，虎视(🍧)眈(🚮)眈(🍍)(dā(💸)n )。他(🍡)(tā(👥) )们(🍾)派(🆔)(pà(🐸)i )遣(🈹)(qiǎ(👤)n )特(🔒)别(🏫)行(🧙)动(😄)队(♓)秘(🎭)密 绘制我国边防要(yào )塞军(jun1 )事图，并制成密函伺机行动，侵犯(fàn )我国(guó )土。此(😷)(cǐ(📊) )密(🔲)函(🎢)被(🐧)我(😀)留(🔉)日(💮)华裔青年木村(cūn )偶然(rán )获得(dé )，为阻止侵略行动，木村携妻子纪(jì )香，女(nǚ )儿樱(yī(🥐)ng )子带密函毅然返回国土。为(wéi )缉捕(bǔ )木村，夺回密函毁灭罪证，日本列(liè )强派(pài )忍者(zhě )特(tè(🔒) )别(🏄)行(🐙)动(☔)队(🌺)展(⛎)开(🤜)了(🌳)一(🌘)路(🏢)追(🐙)杀(🕺)…(👌)…(🍴)
盲(🔃)(má(🔥)ng )目(👓)标(biāo )Hermoso提(tí )供圣穷人微小的拉美国家移民的(de )罢工(gōng )只作为(wéi )一个作家在(🐔)美(🛢)国(👴)的(🕒)富(🉐)人(🥔)和(💽)名(míng )人的(de )一名年(nián )轻女子的故事。当她回到她(tā )的家(jiā )乡，以(yǐ )促进她的小说“绝望(😜)的信” - 路人(rén )皆知(zhī )暴(bào )露她(tā )的家乡土地的政治腐败 - 她是(shì )一个(gè )值得欢(huān )迎的，她无(😍)法(🗡)想(🏖)象(🕎)在(🎅)她(👪)最(☔)糟(🆔)(zā(⏸)o )糕(🛢)的(🚮)(de )恶(⚓)梦(💜)(mè(🐤)ng )。 封(🤛)闭(🔽)的环境中，人物孤独茫(máng )然，任凭(píng )凛(lǐn )冽的命运摆布
A typical Nazi-era melodrama, The Comedians features a strong-willed female protagonist who refuses to live according to the rules of society. Naturally, such revolutionary behavior must be punished by death and the film's Karoline suffers the fate of so many heroines of the Third Reich. That this heavy-handed nonsense was directed by the same genius who gave the world Pandora's Box (1928) is nearly incomprehensible but, if nothing else, The Comedians offered employment for Henny Porten, a silent screen star otherwise more or less blacklisted by the regime. To her eternal credit, Porten delivers a finely tuned performance despite what must have been extremely difficult circumstances.
At the end of the 19th century a large cylinder falls on the English countryside. A young writer is among those who witnesses the event. But soon the cylinder opens and a group of Martians appear. It soon becomes apparent the Martians intend to attack. The writer soon finds himself fighting for his own survival as the military fights to stop the Martians, society collapses, and as the human race fights to win the war of the worlds.
昭和35年，广岛最大(dà )暴(📻)力(🚿)(lì(🌴) )团(⚪)村(💃)冈(🚏)(gā(👅)ng )组组长（名和宏 饰）称病住(zhù )院，其下最(zuì )有实力继任者杉原文雄（铃(líng )木康(kā(🌟)ng )弘 饰(shì )）光天化日之下被人射杀，该事件(jiàn )成为(wéi )广(guǎng )岛战(zhàn )争之导火索。
一个神秘的陌(🕟)(mò(🎤) )生(🥝)人(🕺)(ré(🐙)n )来(➗)到(🐅)新(🎩)(xī(🍮)n )墨(💩)西(🥜)哥(🥄)小(👹)镇(🏫)。他(📱)总(🍀)是骑摩托(tuō )车，而他身(shēn )上所有的东西都是圣经，因(yīn )为他(tā )是一(yī )个(gè )狂(🆘)热(🤺)的(🏠)公(🏻)义(🍓)追(👨)求(✈)者。当他来到这(zhè )个陌(mò )生(shēng )的地(dì )方，发现里诺家族掌管着这(zhè )里的(de )一切，人们都(💵)很害怕里诺。但是他(tā )不惧(jù )怕这(zhè )里(lǐ )的邪恶势力，坚决要寻求正义，到底(dǐ )他(tā )单人匹(🧟)马(🗣)能(🏜)不(🈹)能(🌋)解(🕙)救(🕟)镇(🗓)上(🔚)的(😖)人(🏉)们(🛣)(men )呢(👛)......
《鲍(🎵)里(🦌)斯(🏞)(sī )·戈都诺夫》Boris Godunov俄国作曲家M.P.穆(mù )索尔(ěr )斯基创(chuàng )作的4幕歌剧。作于1868～1874年，由(🍦)(yó(👮)u )作(🌏)曲(🍝)(qǔ(💢) )家(💋)本(🐔)(bě(🔂)n )人(rén )根据亚历山大·谢尔盖耶维奇·普希(xī )金(jīn )的同(tóng )名历史剧编写剧本并作曲，1874年在(zài )彼得堡(bǎo )首演。