正义的算法

宮本(běn )一(🈺)彦(yàn )原作(🅿)の劇(jù )画を(🚼)映画化し(⛵)たバイオレンスア(🚛)クション。夫(🖼)を殺され(🥨)て復讐のために男(📈)(nán )たちに身(💐)(shēn )をまか(🤱)せる主人公を演じ(🔈)た白都真(🚎)(zhē(💦)n )理がオー(🏨)ルヌードを披露し(🐷)て話題(tí(⛷) )に。抱かれな(🏇)がらも相手の男に(🧑)刃(rèn )を向(⏯)(xiàng )ける、白(🥉)(bái )都の凄(💐)絶なまで(💳)の美しさ(🍔)が見所。 故事(⏮)(shì )开始于(📲)明朝，凤三(㊗)（元华 饰(🍭)）心肠(cháng )歹(🏻)毒，无(wú )恶(✈)不(bú )作，身为锦衣卫(💵)(wèi )，同(tóng )时又(👛)是凤(fèng )三(💅)的(de )师弟，方守正（元(🕍)彪 饰）发(🧀)誓(🐪)(shì )要将(jiā(✌)ng )凤三绳之(zhī )于法。然(👬)而，凤三此(🆔)(cǐ(📡) )人诡(guǐ )计(🐚)多端，甚至(zhì )想要偷(🔶)取能够扭(😘)转时空的黑(🎭)玉(yù )佛，借此逃脱(tuō(🐹) )法网，几番(🔫)争斗之后(hò(😠)u )，两(liǎng )人双(🌽)双跌(diē )落(🚜)山(shān )崖。 宮(🍂)本一彦原作(🏩)の劇画を(🏡)映(yìng )画化(huà )したバ(👪)イオレンス(💡)アクショ(🎇)ン。夫(fū )を殺されて(⬆)復(fù )讐のた(🏤)めに男た(😘)ちに身をまかせる(⚡)主人公を(🏪)演(🥊)じた白都(🕊)真理がオールヌー(🍌)ドを披露(🦉)して話題に(🛹)。抱(bào )かれながらも(🍚)相手(shǒu )の(🐶)男に刃を向(🤙)ける、白都の凄(qī(🐢) )絶なまで(🏯)の美(měi )しさ(🍵)が見所。 The last time Britain was a major force in world cinema was in the 1960s; a documentary of a few years back on the subject was entitled 'Hollywood UK'. This was the era of the Kitchen Sink, social realism, angry young men; above all, the theatrical. And yet, ironically, the best British films of the decade were made by two Americans, Richard Lester and Joseph Losey, who largely stayed clear of the period's more typical subject matter, which, like all attempts at greater realism, now seems curiously archaic. Yong-cheol's plans to mary Ok-rim are destroyed by her parents who marry her off to Cheol-ju. Yong-cheol becomes powerful in the business world during the following years and he does his best to make life miserable for Cheol-ju and Ok-rim. Police inspector Lé(❣)onetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instrumental in convicting a murderer. They start searching throughout Paris.