刘老根第二部

以天真的儿童(📩)眼光(🐀)，对比成年人(🔚)压抑的行(háng )为(wéi )脱序，进(🔓)而反(⛷)(fǎn )映(yì(⬆)ng )越南传(chuán )统(tǒng )家(🤳)庭社会存在(👬)的问题;想像大小只的金(🧀)鱼活在(zài )一(⏺)个小(🐳)(xiǎo )小的鱼(yú(🥇) )缸(gāng )当(🚩)中，由(😇)於生(shēng )活的 空间被局限(🌪)，以至於不能(🤕)查觉(🍬)自己(jǐ )的欲望(wàng )被(🐈)压抑(👖)(yì )的(de )状态。剧情内(nè(⏸)i )容便(🕝)隐喻着越南(💹)社会(⚡)的框限，用一个全知(🚐)的(de )角(⬇)(jiǎo )度观看(kàn )家(jiā )中(🍌)各成(🏧)(chéng )员角色(sè(🈁) )的(de )行为。欲望充斥在生活(💌)的每(🍙)个 小细(💩)节当中(zhōng )，或多或(🐑)(huò )少的影(yǐ(🎓)ng )响(xiǎng )着我们(men )，有时候驱使(🏤)着进而行动(👥)，但有(👾)时候也有可(📐)能(néng )必(🍺)须付(🎸)(fù )出代价(jià )。“红苹(píng )果的(👃)欲(yù )望”虽遭(🤨)越南(📺)政府审查修剪后才(🍟)允播(🐃)，上映后(hòu )却获得(dé(🍕) ) 观(guā(♊)n )众高度(dù )共(🤮)鸣。可(🍜)以见得此片对社会(🕕)与人(🌂)性细腻的刻划。 Ма(👱)ле(🎛)нькая(⏸) деревушка Ш(🍿)иш(💝)ка п(🗡)од Стали(🎙)нград(🚏)ом, середина(🤦) ноябр(💑)я 1942 г(🚣)ода. Во(⛓)йна(🧘) до(👱)носится сюд(🏅)а лишь(👫) от(🐇)голоскам(🎲)и в(🏧)еликих би(🥂)тв(💓) и сраж(🔏)ен(🐀)ий, которы(👂)е п(🎊)роисходя(🍒)т с(😫)овсем(🛰) рядом. Жител(🚲)и д(🖖)ере(🚸)вни, спас(🔚)ающие(🐾) от голода и х(🖌)олода(🧢) го(😴)рожан(⚾), еще(🌎) ка(🈂)к-то пытаютс(🚈)я жить(🎩) сп(🌩)окойной ж(😔)из(⛽)нью. 马丁(dīng )（马(🌪)丁(dī(🥙)ng )·弗瑞曼(mà(🚫)n ) Martin Freeman 饰）(✝)和(hé )萨(sà )沙（曼迪(💥)·摩(🎆)尔 Mandy Moore 饰）相识于学生(🆎)时代(🗜)，相(xiàng )恋(liàn )、(🥥)结婚(hūn )、生子，这一套(tà(🕶)o )人(ré(🌙)n )人都要(🆗)经历的流程他们(⤵)走得顺理成(🍏)章。一(yī )眨(zhǎ )眼，十(shí )年已(😛)然(rán )度(dù )过(💒)，虽(suī(🏧) )然两人各自(🐪)的发展(🎃)都大(🐰)有前途，但他们共同构(gò(💡)u )筑的婚(hūn )姻(🌾)却不(🔝)(bú )容(róng )乐观。遇到相(🈁)(xiàng )同(🚟)问题的还有他们的(🆙)好友(🔋)皮特（乔纳(💀)森·(🌰)斯沃(wò )曼 Jonathan Silverman 饰）和(hé(💕) )珍妮(🎸)特(tè )（梅丽(lì )莎(shā(🐆) )·乔(🚦)治 Melissa George 饰），什么(🍃)叫做貌合神离名存实亡(🚄)(wáng )，他(😈)们最(zuì(😴) )有体会。 安部譲(rà(🐼)ng )二(èr )の『泣(🆒)きぼくろ』をベースに(⛩)、突然ヒッ(🐀)トマ(🏀)ンに指名さ(📀)れた若(📷)いチ(📁)ンピラのおかしくも哀(📫)しい青春模(🎑)様を(⛎)描く。哀川(chuān )翔のVシ(🌷)ネマ(⌛)初主(zhǔ )演作品(pǐn )。順(➡)公（(🚿)じゅんこう(🐋)）こ(🐂)と水田順公（よし(🏞)きみ(🚍)）は中(zhōng )卒で少(shǎ(😾)o )年院(🗾)帰(guī )りの下(🆑)っ端やくざ。暴力団二階(🍭)堂組(🕊)で代貸(🍜)(dài )・吉川のボデ(🖤)ィガード兼(🗼)(jiān )運(yùn )転手として働い(📀)ていた。ある(🧀)時、(🛴)風間組とも(🗓)めてい(😁)た幹(🍒)(gàn )部(bù )の金田(tián )が殺さ(👪)れ、順公は(🥨)二人(🕚)の兄貴分・菊池、(🌷)川村(🐍)(cūn )と共に、風間(jiā(🌋)n )を狙(🎗)う鉄(zhí )砲玉(🚃)に選(🐽)ばれるが…。 水下地(⛷)震引(💤)发的海啸袭击了马(🔯)(mǎ )里(👡)布地(dì )区(qū(🎇) )，深海(hǎi )的史前(qián )鲨(shā )鱼(🥜)被推(🚿)上水面(🤛)。在此之前当地人(💍)已经进行(há(☕)ng )了(le )疏散，但仍有一(yī )队建(🧙)筑(zhù )工(gōng )人(🈷)滞留(🔃)，他们要于鲨(📨)鱼拼死一战(🍟)。 在为索尼(ní )哥伦比(bǐ )亚(🧡)完成(chéng )Facebook创(chuà(🍚)ng )始人(🥔)故(gù )事片《社交网站(📝)》（The Social Network）(🅱)之后，大卫·芬奇（David Fincher）又(😳)将继(jì )续和(🧗)他(tā(🆎) )们(men )合作，拍摄一(yī )部(🥒)讲述(🛂)美国国际象棋大师(🥓)鲍勃(🛬)·费舍（Bobby Fischer）(🖲)生平(píng )的传记(jì )片(piàn )《弃(🧢)卒(zú(🕜) )》（Pawn Sacrifice）。 Fist Of Fury III stars Bruce Li as the brother of Bruce Lee's character who after accomplishing revenge on the Japanese fighters that killed his brother, returns to take care of his mother and live in the country. Determined to live a peaceful life he finds himself forced into action as Japanese thugs follow him and make his life miserable. Fist Of Fury III is way better than Fist Of Fury II, but (of course) not up to the standard of Bruce Lee's original. This one is a standard kung fu cheapie in all arenas, except that the fights are better handled, the story develops the vengeance angle fairly well and in fact has a great climax involving a thunderstorm that basically adds to the action's overall mood. Once again it's no great masterpiece and Bruce Li, while charismatic, is not Bruce Lee but as far as kung fu movies go this is as good as these things get. Another nice touch is bringing back the English Intrepeter from Bruce Lee's Return Of The Dragon, as well as crisp directing during the action in the style of Bruce Lee's original. It's nothing worth going out of your way to locate, but if found in the bargain bin or in a Kung Fu movie collection, it's worth picking up.