三十年前(qián )冰岛犯罪(zuì )三(☝)人(🥘)帮成(chéng )员之一的(de )霍贝格在(📞)(zà(🛒)i )自己的家(jiā )中被人杀(shā )死(🛑)，警(🕹)员(yuán )艾尔兰多(duō )与（Ingvar Eggert Sigurðsson 饰(shì(🈹) )）(🐭)两名搭(dā )档负责此案，现场(🍧)一(😹)张墓地的照片引起(qǐ )艾尔(👋)兰(💟)多(duō )注意，循(xún )此线索，艾尔兰(🌭)多(💜)(duō )揭开一桩(zhuāng )陈年强奸案(🏙)(à(🐴)n )幕后真相(xiàng )。与此同(tóng )时，她(🉑)的(📐)(de )女儿伊娃(wá )沉溺放纵(zòng )的(👳)生(😧)活(📜)，未婚先孕而竟不知孩子的(🗨)父(🎉)亲(qīn )是谁。
这(zhè )是一个关(guā(🛤)n )于(😘)英国“光头仔”群体的故(gù )事(➰)。1983年(🔣)的(de )英国，正(zhèng )处于一个(gè )动荡(🤵)时(🌸)期(qī )。12岁的叛(pàn )逆少年沙(shā(🤽) )恩(🏺)在放学回家的路上遇到了(🖌)一(📯)群“光头(tóu )仔”，在(zài )同他们大(dà(🚐) )打(📸)出手后(hòu )沙恩也成(chéng )为了(🛃)他(🔋)们(men )中的一员。令沙恩没(méi )有(🐋)想(🎶)到的(de )是，这些(xiē )人竟成为(wé(🔴)i )他(🍅)日(🎺)后最(zuì )好的朋友(yǒu )甚至亲(🤙)如(👙)一家人。他们一起，在一个灰(📩)(huī(🎐) )色的年代(dài )里分享自(zì )己(🔵)的(👟)成长(zhǎng )和喜怒哀(āi )乐。
PG WEB ２００(💜)６(🥂)年度(dù )ベストテン第8位
波(🎈)(bō(🚈) )多黎各女(nǚ )青年艾玛(mǎ )莉(🍕)丝(🛷)（罗塞莉·桑切斯 Roselyn Sanchez 饰）从(có(🌹)ng )小(📞)跟随父(fù )亲学习舞(wǔ )蹈，曾(🏝)经(🎣)(jīng )是一名出(chū )色舞者的(de )父(🥪)亲(⌛)如今(jīn )下半身瘫痪(huàn )，再也(🌺)没(🌨)(mé(🔷)i )有往日的(de )神采，而(ér )艾玛莉(🚡)丝(👮)(sī )在餐馆打(dǎ )工度日，无处(💍)施(🦓)展自己的舞蹈才华。父(fù )亲(💚)难(🚬)以忍(rěn )受灰暗的(de )现实自杀(shā(🎤) )身(🆕)亡，艾(ài )玛莉丝的(de )男友趁机(⛸)(jī(🐛) )与她的母(mǔ )发生了关(guān )系(🔏)，混(🕣)乱(luàn )的家乡小(xiǎo )镇对艾玛(mǎ(💰) )莉(🎗)丝没有了意义，她在朋友的(🏔)(de )帮(🌷)助下奔(bēn )赴纽约，希望重新(💈)(xī(👲)n )找到人生(shēng )的目标……对(🛳)纽(🐰)约(🐳)(yuē )全然陌生的(de )艾玛莉丝(sī(🍶) )暂(🎗)住在一(yī )位脾气古(gǔ )怪的(👦)黑(🖨)人(rén )诗歌教师(shī )家中，在(zà(🚖)i )反(🍍)复的犹豫后，艾玛莉丝决定(dì(🙀)ng )到(🔯)钢管舞(wǔ )俱乐部工(gōng )作，她(🔜)的(➕)(de )出色表现(xiàn )博得了持(chí )续(📵)的(📽)关注(zhù )，也引来(lái )了一位男(ná(🏫)n )医(💠)生介入(rù )了她的情(qíng )感世(👵)界(🍜)。艾玛莉丝的舞蹈梦想开始(🍇)渐(🕺)渐(jiàn )升起……
故事内容(ró(📋)ng )主(🔪)要(🤰)反映(yìng )了靠山屯(tún )的老汉(😙)刘(🎼)(liú )长富一家(jiā )四口，女儿(é(🤝)r )刘(💦)春花，儿子刘春(chūn )生和老伴(🍟)(bà(🎉)n )，本来日(rì )子过的红(hóng )红火火(💘)，自(📉)从老汉犯了腰疼病，到医院(🚲)(yuà(🤝)n )检查是骨(gǔ )质增生，急需动(🌐)手(♐)(shǒu )术。而十(shí )几万的手(shǒu )术费(🤯)，使(👼)(shǐ )老汉的家(jiā )人伤透了(le )脑(😔)筋(🍯)，东(dōng )借西借，还不够吃药的(🤗)钱(🌍)。
5 年前 Manuela 曾遭绑架并自此(cǐ )之后(👓)一(💐)直(zhí )为这段经(jīng )历所折磨(😴)(mó(📝) ). 她自称杀(shā )死了那个(gè )性(🎚)虐(🏫)待狂，尽管他的(de )尸体从未(wèi )被(🦏)找到. 之(zhī )后她便一(yī )直不能(🧗)和(🕷)(hé )任何男人(rén )做爱，只能在(🍠)她(⏺)的最好的朋友和情人 Monique 的(de )臂(🏔)弯(🕑)里寻(xún )找慰藉.
《宅基地之(zhī )争(📋)》为(🎿)2006年(nián )出品的印(yìn )度喜剧电(🥦)(dià(💽)n )影，是迪(dí )巴卡·班(bān )纳杰(🚷)(Dibakar Banerjee)导(🚮)演(yǎn )的首部作(zuò )品。电影由阿(🌦)努(🚪)潘·凯尔(Anupam Kher)和博曼·伊拉(lā(🕌) )尼(🐺)(Boman Irani)主演，编剧为Jaideep Sahni。虽然这是(shì )部(💰)小(🏿)成本(běn )制作的电(diàn )影，却获得(🈹)了不俗的(de )票房收入(rù )并获得(⭐)了(💇)(le )2006年印度全(quán )国最佳故(gù )事(🕣)片(⌚)奖，之后译成多种印度本地(💸)语(🙅)言。
One day a woman named Maude (Catherine Jacob) walks into a swimming pool and sees a young girl splashing about with her friends--in that one instant everything changes. Twelve years ago, someone stole Maude's baby girl, and ever since she has devoted her life to finding her missing daughter. Twelve-year-old Zita, who has a birthmark eerily the same as Maude's lost child, lives with her breezy gypsy mother Joana (Arly Jover) in casual squalor. The girl's vague history, combined with a doctored birth certificate, no baby pictures and an absent father confirm Maude's suspicions that she has finally found her missing child, and she goes after the girl with all the tact of a hostile takeover. Cold and abrasive Maude is not a woman who invites easy sympathy, she drinks too much, smokes constantly, and wears a slash of lipstick as harsh as fresh blood. In marked contrast is Joana, whose easy manner makes her seem the more naturally maternal of the pair. But as Maude begins to infiltrate Zita's life (with expensive presents and promises of wealth and privilege) the struggle between the two mothers intensifies into a pitched battle between nature and nurture. Writer-director Virginie Wagon invests this intense drama with sympathy, compassion and keen intelligence. Ultimately, the one thing that separates the two women is a Solomon-like decision, as heart wrenching as it is necessary.