“座(🤛)头市”三(🥌)年前误杀了(🈂)(le )一个男子“吉藏”，因(yī(⚡)n )而来到上州(🎞)的(de )板仓村时想(🔔)(xiǎng )去(😁)吉藏之墓(mù(🍘) )上一炷(👽)香。板(bǎn )仓村(🔕)因为连(lián )续三年欠(🤛)收(shōu )，无法上(📉)缴年(nián )贡，好不(🔽)容(ró(😊)ng )易全村筹出(💡)(chū )了三(🏻)千两年贡(gò(🕊)ng )要送缴“代(dài )官”时，竟(😔)然遇上不明(📙)的(de )抢匪，三千(qiā(🚨)n )两年(💠)贡就这样不见了…(🎅)…
律师之妻(🔓)柿(shì )内园子(岸田今(🏞)(jīn )日子饰)为(😲)了(le )排解(🎬)生活上(🐕)(shàng )的(😣)沉闷，到艺(yì )术学校(🏪)学习(xí )绘画(⛺)，结识(shí )了富家(📩)千金(💡)德(dé )光光子(🐅)(若尾(wě(🌑)i )文子饰)。园(yuá(💑)n )子被对方的美(měi )貌(🏴)所吸引，以致(🎻)绘画课(kè )时不(🔞)知不(🧘)觉画(huà )了光(🐠)子的像(🌏)(xiàng )。学校里流(🤵)(liú )言纷纷，惭愧(kuì )的(💅)园子偶遇(yù(🦐) )光子，对方却十(🥁)分友(⛷)好，二人渐渐发(fā )展(👃)成同性恋人(🗺)。
一帮科学(xué )家正在(👖)紧张(zhāng )有序(🎡)地开展(🌹)实(shí )验(🗻)，他们(🍢)无(wú )意中开启了(le )一(🍖)个时空隧道(💊)(dào )，好奇的科(kē(👖) )学家(🛋)一个接(jiē )着(🌓)一个进(🧛)入了(le )另一个(🎊)时空(kōng )，然而不幸(xì(📂)ng )降临了，唯一(🍗)(yī )的时空隧道(🍂)(dào )突(⛹)然发生故(gù(🅱) )障，他们(🦁)无法(fǎ )返回(🎬)实验室(shì )，雪上加霜(🚵)(shuāng )的是，这个(📴)时(shí )空里的人(⭕)生(shē(🎴)ng )物莫名其妙地开始(🔊)攻击他(tā )们(🚳)……
arbara Stanwyck (in her last theatrical feature) stars with a wealthy woman who's terrorized by recurring dreams regarding her jealous, blind husband who supposedly burned to death in a recent fire. She tries to convince her attorney played by Robert Taylor (the real-life ex-husband of Stanwyck) that the nightmares are real. Exploitation king William Castle produced and directed from a screenplay by Robert Bloch ("Psycho"). Written by alfiehitchie
Henry Orient is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two 14-year-old fans. The girls, Val and Gil chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother appears on the scene to put a stop to the girls' shenanigans
此為(wéi )導演李(😸)翰祥在臺灣(👖)組建國(💍)(guó )聯公(⏩)司後(🕵)拍(pāi )的第二部影片(🧖)，仍是古裝(zhuā(🤐)ng )黃梅調片，但成績好(🥦)過《七仙女》。
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general, as referred to by the title. Prior to this feature, Gassman had worked with both screenwriter Ruggero Maccari and Ettore Scola (who also co-wrote rather than directed) in the 1962 feature Il Sorpasso from director Dino Risi. It was Risi and Maccari's teamwork which helped Gassman win a "Best Actor" award at Cannes Film Festival in 1974 for Profumo di Donna/Scent of a Woman. Gassman would later work with Maccari and Ettore again in episodic fashion with Signore e Signori Buonanotte/Goodnight, Ladies and Gentlemen (1976) and yet again in the drama Famiglia (1987).