民(⚓)(mín )警(jǐng )吴(wú )俊一(🤔)心(🛢)为(💡)民，打(dǎ )击(jī )犯(fàn )罪份(🍞)子(🔳)，在危机时刻(kè )挺(😾)身(🚊)而出，用身体压(yā )住了点(🔨)燃(🚊)的炸弹，保(bǎo )护(hù(🧖) )了(🛂)(le )人民群众。
凯伦(lún )和(hé )她(🧓)(tā(🌱) )的丈夫到都柏林(⭐)看(💀)望(wàng )她的哥哥。当有迹象(🤜)(xià(👅)ng )表明凯伦和她的哥(🕦)哥(gē )可(kě )能存在乱伦(⛅)关(📡)系(🔔)时(shí )，紧(jǐn )张的局面(🙇)出现了。
身(shēn )患老年痴(🍽)呆(🤔)症的吴宗(zōng )华向来与(📐)家人不和，尤其与儿(🕘)子(⛩)吴(🐧)咏关系(xì )紧(jǐn )张(zhāng )。就(🔷)在(♊)吴宗华走(zǒu )向(xià(👡)ng )生(✝)(shēng )命终点之前，他执意(yì(✏) )要(♈)回青年时期曾经(📷)工(🍱)(gōng )作过的嘉陵县去探望(😝)(wà(🕗)ng )身(shēn )患(huàn )重病的(🤝)老(⛏)战友。由(yóu )于(yú )父亲生活(🤮)无(🔈)法自理，儿子吴咏不(📴)得不陪伴(bàn )吴宗华踏(🍫)上(🌮)了(⬇)这段旅(lǚ )途。经过一(🥜)番波折，两(liǎng )人(rén )终于(🎟)来(📅)到嘉陵县，却(què )没想到(🚅)揭开了父亲年(nián )轻(🗾)时(😻)一(🌋)个不为人知的(de )秘密。这(🕊)也(🐺)解释了父(fù )亲(qī(🤥)n )为(🍮)(wéi )何多年来一直对(duì )家(💝)(jiā(😜) )庭(tíng )照顾不周的(⭐)原(👛)因——而这也正是一家(🈸)人(🐷)之(zhī )间多年来最(🥩)大(🔐)的芥蒂(dì )和(hé )心结。在陪(📬)伴(🈲)父亲(qīn )走(zǒu )完(wán )生(🍲)命最后的旅程之后(hò(🔕)u )，吴(😙)咏(🥫)终于找回了与(yǔ )父(🦄)亲之间的亲情，父(fù )亲(🍟)吴(😀)宗华也在安详中(zhōng )离(🏝)(lí )开(kāi )了人世。
Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.
When a pair of activists stumble across a peaceful recluse living in the mountains, they begin to realise that there may be something else living under the land.
一家(🤺)濒(🐋)临(📕)(lín )破(pò )产的航空公司(❗)经(🤖)理召(zhào )集董事会(🍫)举(📓)行了一次(cì )会议，为拯救(🌃)公(👍)司他(tā )们(men )想(xiǎng )出(💵)了(🔇)一个解决办(bàn )法(fǎ )：召(🍱)集(💷)一群想要自杀的(🔍)(de )人(🔭)坐上一架注定坠毁(huǐ )的(💕)飞(🏕)机，然后赢得巨(jù )额(🚁)(é )保险金。为执行这(zhè(🤞) )个(🚸)(gè(🔄) )计(jì )划，她遇到了各(🏝)行各(gè )业的失意者：(🔁)外(🍸)科医(yī )生，电影导演，老(🍥)师(shī )，飞行员，走私犯，一(💺)(yī(🚬) )对(duì )年轻夫妇等等。这(🕗)(zhè(🌑) )群(qún )下定决心自(📅)杀(💔)的人本(běn )应一起登机，但(🛷)最(🏹)后(hòu )其中一人没(🍔)有(🌭)到场，一(yī )个(gè )陌生人代(🖲)替(🍠)失踪(zōng )乘(chéng )客(kè(🏿) )登(🛅)上了飞机。这计划(huá )外的(🚡)一(🛡)步使得之后计(jì )划(🌓)的每一步都变得更(gèng )加(👤)(jiā(😶) )复杂荒谬和难以预(😴)(yù )测(cè )，经理、飞行员(💆)和(📓)乘客(kè )之间都受到了(🕴)彼此的(de )怀疑，故事向着(🥔)意(🍴)料(liào )之外的方向发展(✍)。